Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2023: Issue No 28

Special Topic
Essays
Inter/National Reflections
Critics on Criticism
Interviews
Performance Reviews
Book Reviews

Performance Reviews

Editor: Matti Linnavuori (Finland)

Edinburgh Fringe: Performances beyond Racial Identities

Takehito Mitsui

Theater der Welt 2023—Dreaming Plural Worlds along the River Main

Beri Juraic

Immersive In/Sights: Performing the Cancer Experience

Vinia Dakari

Impressions from the Romanian National Theatre Festival

Savas Patsalidis

Shattering Glass and a Funeral in Belgrade

Matti Linnavuori and Rosa Tina Perić

Stilled Tongues: Performance Protests Silence Surrounding Ghana’s anti-LGBTQ+ Bill

Robert Walton

Kinky Boots: “Comfort Theatre” After the Before Times

Lissa Tyler Renaud

Canada’s Stratford Festival Offers a Radical Richard II and a Lively King Lear

Martin Morrow

Theatrical Adaptation of Iconic Canadian Novel Asks Us to Witness

Kyla Whetham

De ce côté : Une pièce sur le théâtre politique

Selim Lander

Festival de micro-théâtre Équinoxe : conquérir les nouveaux publics

Lorie Ganley

Resurrection of Václav Havel’s Theatre and Erotic Dreams in Pilsen

Zbyněk Černík

In a Time of Want: The Trojan Women

Alicia Corts

The Joy of Theatre in Timişoara, European Capital of Culture, 2023

Maria Zărnescu

Performance Art of Inclusivity, Human Stories and Revolutionary Politics

Dara Milovanović

John Malkovich on Stage as a Serial Killer

Asen Terziev

Écho du stage pour jeunes critiques à Varna

Jean-Pierre Han

dunaPart6: Focus on Young Independent Artists

Kamelia Nikolova

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CS/Sc Issue No 28 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

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Issue #29: Dance Between Now-ness and Future

Issue #30: Rehearsals for Decarceral Futures: Indigenous Theatre About Criminalization and Prison Abolition

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