Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2023: Issue No 28

Special Topic
Essays
Inter/National Reflections
Critics on Criticism
Interviews
Performance Reviews
Book Reviews

Special Topic

Postmillennial Dramaturgies in Australia and Aotearoa/New Zealand
Guest Editors: Kathryn Kelly, Julian Meyrick, Fiona Graham, Moana Nepia and Emily Coleman

By Land and Sea: Wayfinding and Weaving Contemporary Australian and Aotearoa/New Zealand Dramaturgies – Editors’ Note

Kathryn Kelly, Julian Meyrick, Fiona Graham, Moana Nepia and Emily Coleman

Australasian Dramaturgy and First Nation Cultural Dramaturgy: Looking Back Before We Go Forward

Colleen Wall

Research Methodologies for Dance and Cultural Dramaturgies in Contested Land

Dalisa Pigram, Tia Reihana, and Rachael Swain

From Haka to Haptics: Indigenous Māori and Intercultural Dramaturgies: Interviews with six Artists from Aotearoa/New Zealand

by Moana Nepia

Humour is the Great Healer: Interview with David Geary (Taranaki Māori)

by Moana Nepia, Fiona Graham and Kathryn Kelly

Fluid Dramaturgy: Moana Nui Spacing as Relational Performative Environment

Dorita Hannah

Untangling the Wind: Reflections on Black Medea in Performance

Rick Brayford, Tom Heath, Leah Pigram, Teejay Woods, Myeesha Reid and Julianna Thomas

Dramaturgies of Climate Crisis

Danielle Wyatt and Jasmin Pfefferkorn

The Flood Project: Thinking through an Applied Dramaturgy Framework for Community Regeneration

Linda Hassall, Tanja Beer, Saffron Benner and Natalie Lazaroo

Dramaturgy Beyond the Western Model: Interview with Ahilan Karunaharan and Jane Yonge

by Alison Walls

Hard-won Wisdom: Interview with Australian Dramaturg Peter Matheson

by Kathryn Kelly

Liquid Dramaturgy in Aotearoa: Interview with Nisha Madhan and Julia Croft

Fiona Graham

Co-conspiracy: An Intergenerational Dialogue on Queer/ing Dramaturgy

Alyson Campbell and Meta Cohen

Letter to a Playwright: How Drama Works Dramaturgically

Julian Meyrick

Embodied Dramaturgy and Solo Performance: In the Pool with Emily Steel’s 19 weeks

Sarah Peters

Practice Snapshot: Notes on Choreographic Dramaturgy

alys longley

Embodying a Posthuman Dramaturgy of Place: Distance, Sound and Silence in Australian Contemporary Performance

Rea Dennis and Kate Hunter

A Dramaturgy of Consent: Yes Yes Yes by Eleanor Bishop and Karin McCracken

James Wenley

“I don’t know why I cried, but I did.” Diversity and the Dramaturgy of Impact in Australian Theatre for Young People

Paul Rae and Abbie Victoria Trott

The Art of Taking Part: Dramaturgies of Encounter in Theatre for Early Years

Sally Chance

Outback Upfront: Playwriting Around Youth in Regional Australia

David Megarrity and Jenna Gillett-Swan

Dramaturgical Thinking: A Creative Conversation About Australian Dramaturgy

Robert Ellis Walton and Alyson Campbell

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CS/Sc Issue No 28 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

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Issue #29: Dance Between Now-ness and Future

Issue #30: Rehearsals for Decarceral Futures: Indigenous Theatre About Criminalization and Prison Abolition

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