Editorial Note: Traversing the Globe on Theatre’s Chariot
Note éditoriale : Traverser le globe sur le char du théâtre
Savas Patsalidis, Editor-in-Chief
Special Topic
Postmillennial Dramaturgies in Australia and Aotearoa/New Zealand
Guest Editors: Kathryn Kelly, Julian Meyrick, Fiona Graham, Moana Nepia and Emily Coleman (Australia/New Zealand)
By Land and Sea: Wayfinding and Weaving Contemporary Australian and Aotearoa / New Zealand Dramaturgies – Editors’ Note
Kathryn Kelly, Julian Meyrick, Fiona Graham, Moana Nepia and Emily Coleman
Australasian Dramaturgy and First Nation Cultural Dramaturgy: Looking Back Before We Go Forward
Colleen Wall
Research Methodologies for Dance and Cultural Dramaturgies in Contested Land
Dalisa Pigram, Tia Reihana, and Rachael Swain
From Haka to Haptics: Indigenous Māori and Intercultural Dramaturgies: Interviews with six Artists from Aotearoa/New Zealand
by Moana Nepia
Humour is the Great Healer: Interview with David Geary (Taranaki Māori)
by Moana Nepia, Fiona Graham and Kathryn Kelly
Fluid Dramaturgy: Moana Nui Spacing as Relational Performative Environment
Dorita Hannah
Untangling the Wind: Reflections on Black Medea in Performance
Rick Brayford, Tom Heath, Leah Pigram, Teejay Woods, Myeesha Reid and Julianna Thomas
Dramaturgies of Climate Crisis
Danielle Wyatt and Jasmin Pfefferkorn
The Flood Project: Thinking through an Applied Dramaturgy Framework for Community Regeneration
Linda Hassall, Tanja Beer, Saffron Benner and Natalie Lazaroo
Dramaturgy Beyond the Western Model: Interview with Ahilan Karunaharan and Jane Yonge
by Alison Walls
Hard-won Wisdom: Interview with Australian Dramaturg Peter Matheson
by Kathryn Kelly
Liquid Dramaturgy in Aotearoa: Interview with Nisha Madhan and Julia Croft
Fiona Graham
Co-conspiracy: An Intergenerational Dialogue on Queer/ing Dramaturgy
Alyson Campbell and Meta Cohen
Letter to a Playwright: How Drama Works Dramaturgically
Julian Meyrick
Embodied Dramaturgy and Solo Performance: In the Pool with Emily Steel’s 19 weeks
Sarah Peters
Practice Snapshot: Notes on Choreographic Dramaturgy
alys longley
Embodying a Posthuman Dramaturgy of Place: Distance, Sound and Silence in Australian Contemporary Performance
Rea Dennis and Kate Hunter
A Dramaturgy of Consent: Yes Yes Yes by Eleanor Bishop and Karin McCracken
James Wenley
“I don’t know why I cried, but I did.” Diversity and the Dramaturgy of Impact in Australian Theatre for Young People
Paul Rae and Abbie Victoria Trott
The Art of Taking Part: Dramaturgies of Encounter in Theatre for Early Years
Sally Chance
Outback Upfront: Playwriting Around Youth in Regional Australia
David Megarrity and Jenna Gillett-Swan
Dramaturgical Thinking: A Creative Conversation About Australian Dramaturgy
Robert Ellis Walton and Alyson Campbell
Essays
Editor: Yana Meerzon (Canada)
Against Epistemic Injustice: A Tribute to Maya Harbuzyuk
Ewa Bal and Iryna Chuzhynova
The Domestic Kitchen as Performance Space: The Female Artist vs the Housewife
Athena Stourna
Towards the Artificially Intelligent Playwright: Experimentation with Chat GPT
Dominic Chamayou-Douglas
Playing in “Sand Time”: Using Both Video Score and Printed Script in an Intercultural Production of Shōgo Ōta’s Elements
Lynette Hunter, Peter Lichtenfels and John Zibell
Performing Presidents
Maria Berlova
Inter/National Reflections
Editor: Savas Patsalidis (Greece)
In the Shadow of the Pyramids: Cairo International Festival of Experimental Theatre
Andrea Porcheddu
A Promising Comeback: Colombo International Theatre Festival and Sri Lankan Theatre
Ajay Joshi
The Glo-c-ality of Almada Festival
Savas Patsalidis
Avignon 2023: The New Beginning in Boulbon Quarry
Ivan Medenica
Next Page on Stage: 21st Century Dramaturgies
Maria Ristani
Herman Cornejo: Giving Voice to the Earth Through Dance
Halima Tahan Ferreyra
Critics on Criticism
Editor: Critical Stages/Scènes critiques
Uncannily Small: Policed Performance in Southeast Asia
Katrina Stuart Santiago
Interviews
Editor: Savas Patsalidis (Greece)
The Lubimovka Echo Festival and the Russian Language Anti-War Drama in Exile
by Anastasia Patlay, Liza Spivakovskaya, Yana Meerzon, Dmitri Priven
Theatre is not a Delivery Service: Interview with Stefanie Carp
by Savas Patsalidis
“Let’s Talk for Real About Us”: Interview with Raluca Rădulescu
by Savas Patsalidis
Wrestling with Howard Barker: Interview
by Elizabeth Sakellaridou
“Hello, I am Koko”: Interview with Koko Roinishvili
by Irina Gogoberidze
Performance Reviews
Editor: Matti Linnavuori (Finland)
Edinburgh Fringe: Performances beyond Racial Identities
Takehito Mitsui
Theater der Welt 2023—Dreaming Plural Worlds along the River Main
Beri Juraic
Immersive In/Sights: Performing the Cancer Experience
Vinia Dakari
Impressions from the Romanian National Theatre Festival
Savas Patsalidis
Shattering Glass and a Funeral in Belgrade
Matti Linnavuori and Rosa Tina Perić
Stilled Tongues: Performance Protests Silence Surrounding Ghana’s anti-LGBTQ+ Bill
Robert Walton
Kinky Boots: “Comfort Theatre” After the Before Times
Lissa Tyler Renaud
Canada’s Stratford Festival Offers a Radical Richard II and a Lively King Lear
Martin Morrow
Theatrical Adaptation of Iconic Canadian Novel Asks Us to Witness
Kyla Whetham
De ce côté : Une pièce sur le théâtre politique
Selim Lander
Festival de micro-théâtre Équinoxe : conquérir les nouveaux publics
Lorie Ganley
Resurrection of Václav Havel’s Theatre and Erotic Dreams in Pilsen
Zbyněk Černík
In a Time of Want: The Trojan Women
Alicia Corts
The Joy of Theatre in Timişoara, European Capital of Culture, 2023
Maria Zărnescu
Performance Art of Inclusivity, Human Stories and Revolutionary Politics
Dara Milovanović
John Malkovich on Stage as a Serial Killer
Asen Terziev
Écho du stage pour jeunes critiques à Varna
Jean-Pierre Han
dunaPart6: Focus on Young Independent Artists
Kamelia Nikolova
Book Reviews
Editor: Don Rubin (Canada)
Puppetry and Multimedia
Margareta Sörenson
Horatio’s Stories: Portraits and Confessions of European Theatre Masters
Louise Vigeant
Les Récits d’Horatio: Portraits et aveux des maîtres du théâtre européen
Louise Vigeant
Performing Arousal: Precarious Bodies and Frames of Representation
Don Rubin
