Skip to content

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2023: Issue No 28

  • Special Topic
  • Essays
  • Inter/National Reflections
  • Critics on Criticism
  • Interviews
  • Performance Reviews
  • Book Reviews

Author: Martin Morrow

Canada’s Stratford Festival Offers a Radical Richard II and a Lively King Lear

Martin Morrow
Read more

A Promising Comeback: Colombo International Theatre Festival and Sri Lankan Theatre

Ajay Joshi
Read more

Theatrical Adaptation of Iconic Canadian Novel Asks Us to Witness

Kyla Whetham
Read more

De ce côté : Une pièce sur le théâtre politique

Selim Lander
Read more

Co-conspiracy: An Intergenerational Dialogue on Queer/ing Dramaturgy

Alyson Campbell and Meta Cohen
Read more

Letter to a Playwright: How Drama Works Dramaturgically

Julian Meyrick
Read more

Festival de micro-théâtre Équinoxe : conquérir les nouveaux publics

Lorie Ganley
Read more

Embodied Dramaturgy and Solo Performance: In the Pool with Emily Steel’s 19 weeks

Sarah Peters
Read more

Resurrection of Václav Havel’s Theatre and Erotic Dreams in Pilsen

Zbyněk Černík
Read more

In a Time of Want: The Trojan Women

Alicia Corts
Read more

Practice Snapshot: Notes on Choreographic Dramaturgy

alys longley
Read more

The Glo-c-ality of Almada Festival

Savas Patsalidis
Read more

The Joy of Theatre in Timişoara, European Capital of Culture, 2023

Maria Zărnescu
Read more

Avignon 2023: The New Beginning in Boulbon Quarry

Ivan Medenica
Read more

Embodying a Posthuman Dramaturgy of Place: Distance, Sound and Silence in Australian Contemporary Performance

Rea Dennis and Kate Hunter
Read more

A Dramaturgy of Consent: Yes Yes Yes by Eleanor Bishop and Karin McCracken

James Wenley
Read more

Performance Art of Inclusivity, Human Stories and Revolutionary Politics

Dara Milovanović
Read more

Carnivalesque Theatricality, Cultural Literacy and the Wonders of the Human Spirit: Sibiu International Theatre Festival at Thirty

Octavian Saiu
Read more

“I don’t know why I cried, but I did.” Diversity and the Dramaturgy of Impact in Australian Theatre for Young People

Paul Rae and Abbie Victoria Trott
Read more

John Malkovich on Stage as a Serial Killer

Asen Terziev
Read more

The Art of Taking Part: Dramaturgies of Encounter in Theatre for Early Years

Sally Chance
Read more

Next Page on Stage: 21st Century Dramaturgies

Maria Ristani
Read more

Écho du stage pour jeunes critiques à Varna

Jean-Pierre Han
Read more

Outback Upfront: Playwriting Around Youth in Regional Australia

David Megarrity and Jenna Gillett-Swan
Read more

dunaPart6: Focus on Young Independent Artists

Kamelia Nikolova
Read more
  • ← Previous
  • Next →

Table of Contents

Click here for a text-only ToC.

CS/Sc Issue No 28 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

Search all CS/Sc issues

Results for {phrase} ({results_count} of {results_count_total})
Displaying {results_count} results of {results_count_total}

More results...

Call for Papers & Essays

Issue #29: Dance Between Now-ness and Future

Issue #30: Rehearsals for Decarceral Futures: Indigenous Theatre About Criminalization and Prison Abolition

CS/Sc Newsletter

THEATRE RECORD

Theatre Record
Subscribe to THEATRE RECORD and get instant access to FORTY YEARS OF BRITISH THEATRE HISTORY. Full reviews, credits and photographs Quickly searchable on line, updated daily...

Contact CS/Sc

Click here for the CS/Sc contact form

INTERNATIONAL THEATRE AND PERFORMING ARTS FESTIVAL GUIDE

Check our new updated page and world festival map!

Special Page

Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

CS/Sc indexing

Critical Stages/Scènes critiques is indexed by SCOPUS, ProQuest, EBSCO, DOAJ, MIAR, ERIH Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials

CS/Sc Facebook page

CS/Sc Issues

No 32 – Dec ’25
No 32 – Dec ’25
No 31 – Jun ’25
No 31 – Jun ’25
No 30 – Dec ’24
No 30 – Dec ’24
No 29 – Jun ’24
No 29 – Jun ’24
No 28 – Dec ’23
No 28 – Dec ’23
No 27 – Jun ’23
No 27 – Jun ’23
No 26 – Dec ’22
No 26 – Dec ’22
No 25 – Jun ’22
No 25 – Jun ’22
No 24 – Dec ’21
No 24 – Dec ’21
No 23 – Jun ’21
No 23 – Jun ’21
No 22 – Dec ’20
No 22 – Dec ’20
No 21 – Jun ’20
No 21 – Jun ’20
No 20 – Dec ’19
No 20 – Dec ’19
No 19 – Jun ’19
No 19 – Jun ’19
No 18 – Dec ’18
No 18 – Dec ’18
No 17 – Jun ’18
No 17 – Jun ’18
No 16 – Dec ’17
No 16 – Dec ’17
No 15 – Jun ’17
No 15 – Jun ’17
No 14 – Dec ’16
No 14 – Dec ’16
No 13 – Jun ’16
No 13 – Jun ’16
No 12 – Dec ’15
No 12 – Dec ’15
No 11 – Sep ’15
No 11 – Sep ’15
No 10 – Oct ’14
No 10 – Oct ’14
No 9 – Feb ’14
No 9 – Feb ’14
No 8 – Jun ’13
No 8 – Jun ’13
No 7 – Dec ’12
No 7 – Dec ’12
No 6 – Jun ’12
No 6 – Jun ’12
No 5 – Dec ’11
No 5 – Dec ’11
No 4 – Jun ’11
No 4 – Jun ’11
No 3 – Nov ’10
No 3 – Nov ’10
No 2 – Apr ’10
No 2 – Apr ’10
No 1 – Nov ’09
No 1 – Nov ’09

CS/Sc Supporters

JIN XING Dance Theatre
JIN XING Dance Theatre
Aristotle University of Thessaloniki
Aristotle University of Thessaloniki
IATC/AICT
IATC/AICT
Department of Theatre - University of Illinois
Department of Theatre - University of Illinois

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.

To find out more, including how to control cookies, see here: Publication Ethics
  • Contact CS/Sc
  • Publication Ethics
Critical Stages/Scènes critiques e-ISSN:2409-7411

Creative Commons Attribution International License
All articles published by CS/Sc are licensed under the
Creative Commons Attribution International License CC BY-NC-ND 4.0.