Critical Stages/Scènes critiques - The IATC journal/Revue de l'AICT – December/Décembre 2020: Issue No 22 - Special Topic

Editors’ Comment: Theatre (Criticism) the Day After

December 14, 2020January 6, 2021 Yana Meerzon, Savas Patsalidis, Aisling Murphy

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How to Write About Theatre Online Workshops

December 13, 2020April 21, 2021 Mark Fisher

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CATR Digital Criticism Pedagogies Workshop 2020 Recap

December 12, 2020April 21, 2021 Karen Fricker, Michelle Macarthur, Aisling Murphy, Robyn Grant-Moran, Mae Smith

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Arts Journalism and Theatre in the Pandemic Era: Mutations, Redefinitions and Challenges

December 11, 2020April 21, 2021 Zoe Ververopoulou

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Chilean Crises Lead to Experiments in Online Theatre

December 10, 2020June 23, 2021 Pablo Cisternas, Milena Grass Kleiner, Andrés Kalawski, Cristián Opazo

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Le théâtre en confinement : qu’est-ce que nous avons regardé en Turquie ?

December 9, 2020April 21, 2021 Ece Yassitepe Ayyildiz

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Tercera Llamada #LiveOnlineNow: Notes on a Virtual Theatre Experience

December 8, 2020June 23, 2021 Fernando Valcheff García, Regina Solis Mirandal, Sara Hermo Nieto

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Internet: Curse or Blessing

December 7, 2020April 21, 2021 Esther Slevogt

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The Digital Sublime and Fragility in the Time of COVID-19 and the Eco-crisis: The Dynamics of Becoming

December 6, 2020April 21, 2021 Hanna Helavuori

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Electric Dance, or How to Talk with Birds

December 5, 2020June 23, 2021 Johannes Birringer

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Lockdown Verses and Anxieties of Presence: How Polish Theatre Rhymed a Case for Its Purpose on the Pandemic Stage

December 4, 2020April 21, 2021 Kasia Lech

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Some Reflections on Theatre in a Post (Pre-) Pandemic Moscow

December 3, 2020April 21, 2021 Alla Shenderova

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Ceci n’est pas un théâtre: Theatre in the Age of COVID

December 2, 2020June 23, 2021 Mark Brown

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The Performance of Protest in a Post-COVID World: A Theatre Critic’s Perspective from India

December 1, 2020July 22, 2021 Deepa Punjani

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Not Here, Not Now? Liveness Revisited

November 30, 2020April 21, 2021 Małgorzata Sugiera

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Brecht Is More Relevant Than Ever in the Time of COVID-19

November 29, 2020April 21, 2021 Jisoo Nam

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Le théâtre survivra-t-il à la tentation du virtuel ?

November 28, 2020June 23, 2021 Tibor Egervari

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Pandemic V-Effect: The Plague as Theatre Criticism

November 27, 2020April 21, 2021 Felipe Cervera and Azadeh Sharifi

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After Devitalized Theatre

November 26, 2020July 7, 2021 Nenad Jelesijević

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Theatre and Censorship in the Pandemic

November 25, 2020July 22, 2021 Patricia Nikolova

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Misplaced Self in the Misplaced City

November 24, 2020April 21, 2021 Tan Tan (Weiwei Sun)

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Migrant Representation in the U.K. Theatre Industry: How Covid-19 Catalysed a Movement

November 23, 2020April 21, 2021 Sally Beck Wippman (contrib. Zhui-Ning Chang, Lara Parmiani)

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