Skip to content

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2024: Issue No 30

  • Special Topic
  • Essays
  • Inter/National Reflections
  • Interviews
  • Performance Reviews
  • Book Reviews
  • Critics on Criticism
  • In Memoriam

Author: Cecilia Djurberg

What is Τrue in the Theatre of the Post-truth Era, Or:  How did the Story About the Story Become the Main Story?

Cecilia Djurberg
Read more

Theatrical Creation and Public Debate in the Era of Cancel Culture

Ioanna Lioutsia
Read more

La physicalité dans l’œuvre de Kafka

Jean-Pierre Han
Read more

Α Report to an Academy. A Postcolonial and Ecocritical Performance by Zero Point Theatre

Penelope Chatzidimitriou
Read more

Shame as a Positive Tool in Educating Good Actors—Jouko Turkka Draws Examples from Charlie Chaplin

Matti Linnavuori
Read more

Kafka on the Contemporary Chinese Stage

Peng Tao
Read more

“From Stage to Street”: Alice Theatre Laboratory’s Kafkaesque Aesthetics and Experiments in Democratizing the Creative Process

Bernice Chan and Huiwen Shi
Read more

The Grotesque of a Kafkaesque World and Its Counterparts in Recent Korean Scenes

Hwawon Lee
Read more

Between Theatrical “Truth” and Historical “Fact”: The Question of Female Love in Miyagi’s Noh Rendition of Othello

Tomoka Tsukamoto and Ted Motohashi
Read more

Scènes numériques. Anthologie critique d’écrits et d’entretiens d’artistes

Théo Arnulf
Read more

NTC: Purcărete and Boroghina: Pilgrims of the Great Theatre of the World

Maria Shevtsova
Read more

The Playbook: A Story of Theatre, Democracy and the Making of a Culture War

Don Rubin
Read more

La Récolte (une revue à la découverte de nouveaux textes)

Selim Lander
Read more

Contre le théâtre politique (Against Political Theatre)

José Maria Vieira Mendes and Rui Pina Coelho
Read more

New Trends in Performance Analysis

Patrice Pavis
Read more

The Challenges of the Theatre Museum Amidst and Beyond the Pandemic: Digital Archiving and Revitalization Practices of Japanese Theatre

Minako Okamuro
Read more

­­­Words, Space and Enacting the Archive

Ashutosh Potdar
Read more

Morphing Solidity: Wuzhen Theatre Festival at the Crossroads

Zheyu WEI
Read more

The World (and Theatre Blogging) Comes to China

Zhu Ning
Read more

John Florio, also Known as Shakespeare

Michel Vaïs
Read more

Victor Hugo’s Cromwell in its Entirety – A World Première

David Willinger
Read more

Theatre in Slovenia Today: Problems and Promises

Alja Predan
Read more

Lots of Potential, Little Space: The Case of Slovenian Theatre

Zala Dobovšek
Read more

The Search for the “Other” and the “Real”: A Festival Journey from Cluj to Bucharest

Savas Patsalidis
Read more

My Exotic Girlfriend: Independent Hungarian Art in Hellerau

Noémi Herczog
Read more
  • ← Previous
  • Next →

Table of Contents

Click here for a text-only ToC.

CS/Sc Issue No 30 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

Search all CS/Sc issues

Results for {phrase} ({results_count} of {results_count_total})
Displaying {results_count} results of {results_count_total}

More results...

Call for Papers & Essays

Issue #34: Performing the Politics of Peace: Locational Dramaturgies and the Public Space

CS/Sc Newsletter

THEATRE RECORD

Theatre Record
Subscribe to THEATRE RECORD and get instant access to FORTY YEARS OF BRITISH THEATRE HISTORY. Full reviews, credits and photographs Quickly searchable on line, updated daily...

Contact CS/Sc

Click here for the CS/Sc contact form

INTERNATIONAL THEATRE AND PERFORMING ARTS FESTIVAL GUIDE

Check our new updated page and world festival map!

Special Page

Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

CS/Sc indexing

Critical Stages/Scènes critiques is indexed by SCOPUS, ProQuest, EBSCO, DOAJ, MIAR, ERIH Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials

CS/Sc Facebook page

CS/Sc Issues

No 30 – Dec ’25
No 30 – Dec ’25
No 31 – Jun ’25
No 31 – Jun ’25
No 30 – Dec ’24
No 30 – Dec ’24
No 29 – Jun ’24
No 29 – Jun ’24
No 28 – Dec ’23
No 28 – Dec ’23
No 27 – Jun ’23
No 27 – Jun ’23
No 26 – Dec ’22
No 26 – Dec ’22
No 25 – Jun ’22
No 25 – Jun ’22
No 24 – Dec ’21
No 24 – Dec ’21
No 23 – Jun ’21
No 23 – Jun ’21
No 22 – Dec ’20
No 22 – Dec ’20
No 21 – Jun ’20
No 21 – Jun ’20
No 20 – Dec ’19
No 20 – Dec ’19
No 19 – Jun ’19
No 19 – Jun ’19
No 18 – Dec ’18
No 18 – Dec ’18
No 17 – Jun ’18
No 17 – Jun ’18
No 16 – Dec ’17
No 16 – Dec ’17
No 15 – Jun ’17
No 15 – Jun ’17
No 14 – Dec ’16
No 14 – Dec ’16
No 13 – Jun ’16
No 13 – Jun ’16
No 12 – Dec ’15
No 12 – Dec ’15
No 11 – Sep ’15
No 11 – Sep ’15
No 10 – Oct ’14
No 10 – Oct ’14
No 9 – Feb ’14
No 9 – Feb ’14
No 8 – Jun ’13
No 8 – Jun ’13
No 7 – Dec ’12
No 7 – Dec ’12
No 6 – Jun ’12
No 6 – Jun ’12
No 5 – Dec ’11
No 5 – Dec ’11
No 4 – Jun ’11
No 4 – Jun ’11
No 3 – Nov ’10
No 3 – Nov ’10
No 2 – Apr ’10
No 2 – Apr ’10
No 1 – Nov ’09
No 1 – Nov ’09

CS/Sc Supporters

JIN XING Dance Theatre
JIN XING Dance Theatre
Aristotle University of Thessaloniki
Aristotle University of Thessaloniki
IATC/AICT
IATC/AICT
Department of Theatre - University of Illinois
Department of Theatre - University of Illinois

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.

To find out more, including how to control cookies, see here: Publication Ethics
  • Contact CS/Sc
  • Publication Ethics

Critical Stages/Scènes critiques, #30, Dec. 2024

e-ISSN: 2409-7411

Creative Commons Attribution International License
All articles published by CS/Sc are licensed under the
Creative Commons Attribution International License CC BY-NC-ND 4.0.