Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2024: Issue No 30

Special Topic
Essays
Inter/National Reflections
Interviews
Performance Reviews
Book Reviews
Critics on Criticism
In Memoriam

Special Topic

“Truth” in the Kafkaesque World of Theatre: Tragic or Comic?
Guest Editors: Aikaterini Delikonstantinidou and Hana Strejčková

Kafkaesque Resonances in World Theatre: Introductory Note

Aikaterini Delikonstantinidou

Franz Kafka—an Expressionist on the Contemporary Stage

Zuzana Augustová

Kafka as a Starting Point for Circus Art

Hana Strejčková

On the Cultural Virality of Truth in Kafka and the Kafkaesque

Martin Boszorád

Antimyths About Slovakia

Dária Fojtíková Fehérová

Postponed Judgment: What Does it Mean to Judge in the Kafkaesque World?

Tomoko Seki

What is Τrue in the Theatre of the Post-truth Era, Or: How did the Story About the Story Become the Main Story?

Cecilia Djurberg

Theatrical Creation and Public Debate in the Era of Cancel Culture

Ioanna Lioutsia

La physicalité dans l’œuvre de Kafka

Jean-Pierre Han

Α Report to an Academy. A Postcolonial and Ecocritical Performance by Zero Point Theatre

Penelope Chatzidimitriou

Shame as a Positive Tool in Educating Good Actors—Jouko Turkka Draws Examples from Charlie Chaplin

Matti Linnavuori

Kafka on the Contemporary Chinese Stage

Peng Tao

“From Stage to Street”: Alice Theatre Laboratory’s Kafkaesque Aesthetics and Experiments in Democratizing the Creative Process

Bernice Chan and Huiwen Shi

The Grotesque of a Kafkaesque World and Its Counterparts in Recent Korean Scenes

Hwawon Lee

Between Theatrical “Truth” and Historical “Fact”: The Question of Female Love in Miyagi’s Noh Rendition of Othello

Tomoka Tsukamoto and Ted Motohashi

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Critical Stages/Scènes critiques, #30, Dec. 2024

e-ISSN: 2409-7411

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