Special Topic – Critical Stages/Scènes critiques

On Theatre and Ecology at Critical Junctions: Editors’ Introduction

Vicky Angelaki and Elizabeth Sakellaridou

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Theatre, Ecology and the Secret Life of Naturalism

Andrew Burton

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Hanging in Τhere—Theatre Under the Sal Trees

Asha Kuthari Chaudhuri

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Human Achievements and Transgressions of the Natural Order in Greek Drama: The Literary Ancient Roots of a Real Current Crisis

Kaiti (Aikaterini) Diamantakou

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The Kinnari Ecological Theatre Project in Southeast Asia

Catherine Diamond

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Reassessing the Roles and Values of Art Documentation in the Context of Environmental Practice

Gabriella Giannachi

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Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy

Stef Kerrigan

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Doppelgangster’s Everybody Loses: A Dramaturgy for Extinction

Tobias Manderson-Galvin and Tom Payne

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Bodies of Corn, Maguey and Water: Performing Latin American Environmentalisms

Ana Martínez

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Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival

Theresa May

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Rasa as an Ecologically Sustainable Aesthetic Theory

Erin B. Mee

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“Mundane” Performance: Theatre Outdoors and Earthly Pleasures

Evelyn O’Malley, Cathy Turner, Giselle Garcia

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Ecology and the Ethical Milieu: A Levinasian Ecological Reading of Joe White’s Mayfly

Martin Riedelsheimer

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Global Networked Ecoscenography: Creating Sustainable Worlds for Theatre Through International Collaboration

Tessa Rixon, Ian Garrett, Tanja Beer

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My Green Shakespeares

Maggie Rose

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Sink or Swim: Performing the Iniquities of the Climate Crisis

Lara Stevens

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Gender, Ecology, and Theatre of Catastrophe: The Apocalyptic Vision and the Deconstruction of Western Modernity in Satoshi Miyagi’s Demon Lake

Tomoka Tsukamoto and Ted Motohashi

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