Editorial Note: Transforming (Im)Possibilities to Realities
Note éditoriale : Transformer les (im)possibilités en réalités
Savas Patsalidis, Editor-in-Chief
Special Topic
On Theatre and Ecology at Critical Junctions
Guest Editors: Vicky Angelaki and Elizabeth Sakellaridou (Greece)
On Theatre and Ecology at Critical Junctions: Editors’ Introduction
Vicky Angelaki and Elizabeth Sakellaridou
Theatre, Ecology and the Secret Life of Naturalism
Andrew Burton
Hanging in Τhere—Theatre Under the Sal Trees
Asha Kuthari Chaudhuri
Human Achievements and Transgressions of the Natural Order in Greek Drama: The Literary Ancient Roots of a Real Current Crisis
Kaiti (Aikaterini) Diamantakou
The Kinnari Ecological Theatre Project in Southeast Asia
Catherine Diamond
Reassessing the Roles and Values of Art Documentation in the Context of Environmental Practice
Gabriella Giannachi
Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy
Stef Kerrigan
Doppelgangster’s Everybody Loses: A Dramaturgy for Extinction
Tobias Manderson-Galvin, Tom Payne
Bodies of Corn, Maguey and Water: Performing Latin American Environmentalisms
Ana Martínez
Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival
Theresa May
Rasa as an Ecologically Sustainable Aesthetic Theory
Erin B. Mee
“Mundane” Performance: Theatre Outdoors and Earthly Pleasures
Evelyn O’Malley, Cathy Turner, Giselle Garcia
Ecology and the Ethical Milieu: A Levinasian Ecological Reading of Joe White’s Mayfly
Martin Riedelsheimer
Global Networked Ecoscenography: Creating Sustainable Worlds for Theatre Through International Collaboration
Tessa Rixon, Ian Garrett, Tanja Beer
My Green Shakespeares
Maggie Rose
Sink or Swim: Performing the Iniquities of the Climate Crisis
Lara Stevens
Gender, Ecology, and Theatre of Catastrophe: The Apocalyptic Vision and the Deconstruction of Western Modernity in Satoshi Miyagi’s Demon Lake
Tomoka Tsukamoto, Ted Motohashi
Essays
Editor: Yana Meerzon (Canada)
Performing Solidarity: 50 Years of Jana Natya Manch
Aparna Mahiyaria
Marginalisation, pollution et migration dans la pièce À la périphérie de Sedef Ecer : défis et perspectives du questionnement écologique
Christina A. Oikonomopoulou
“I Keep Thinking My Way to Ness”: Emplacement(s) on the Anglian Coast
Milo Harries
Rapture: A Study in Pathos and Scenography
Anna Cordingley
Looking into the Ecological Footprints of Michail Marmarinos’s Trackers by Sophocles
Vicky Manteli
Wait Until Dark: Α Study on the Theme of Fear in Theatre
Tyrone Grima
The Seven Principles of Leave No Trace Dramaturgy
Katalin Trencsényi
Resituating the Writer’s Workshop: Collective Strategies for Playwriting Pedagogy
Karen Morash
2021 Space Olympics: Towards a Science Fiction Dramaturgy
Sanja Vodovnik
Walking Towards a Post-theatrical Experience: Online Mediation and Digital Immediacy in Pandemic Performance
Octavian Saiu
National Reports
Editor: Savas Patsalidis (Greece)
Digital Theatre Experiments in Latvia: The Case of Audio Productions
Ieva Rodiņa
Interviews
Editor: Savas Patsalidis (Greece)
Climate Crisis Theatre by Youth for Adults: Interview with Kristina Watt Villegas
by Matthew Venner
Theatre Regenerates itself Constantly, and Even More so in Periods of Crises: Interview with Barbara Regondi
by Savas Patsalidis
“My job is to help create a process so that we can deliver the product as a team”: Interview with Ken Cerniglia
by Steve Capra
Showing Without Going: Interview with Ant Hampton
Maria Ristani
Performance Reviews
Editor: Matti Linnavuori (Finland)
Canada’s Shaw Festival Has Become a Showcase for African-American Playwrights
Martin Morrow
The Horseman Rides On
Patricia Keeney
Symbolic Animals as Characters at Uzo-iyi Festival, Umuoji
Ngozi Udengwu and Ikechukwu Erojikwe
Erinnerung Redux : Méandre mémoriel du port et critique post-coloniale
John Yves Pinder
BITEF Provokes Issues on Ecology, Jobs, Women
Yun-Cheol Kim
Intimacy as Offering
Tina Perić
Alcestis’s Drying Rack, or How to Live your Myth in Greece
George Sampatakakis
Choral Democracy in Persians Re-read
Antonia Tsamouris
Ariane and Bluebeard: West Edge Opera’s Puzzle in a Dream
Lissa Tyler Renaud
A Greek Intermedial Hamlet Tortured by Memory
Gilda Tentorio
Comment se mettre dans la peau d’un Juif quand on est Arabe à Jérusalem ?
Selim Lander
FAME, un premier opus propice aux discussions
Caroline Châtelet
Hedda’s Hell
Andrew Friedman
No Experiments: Virgin Lab Fest Loses Steam
Katrina Stuart Santiago
Pilsen Remembers: A Mix of Dreams and Politics
Matti Linnavuori
Code Blue: The Politics of Melancholia
Paraskevi Tektonidou
Tartuffe as a Debate About Family and Society Today
Kamelia Nikolova
Book Reviews
Editor: Don Rubin (Canada)
The Schaubühne Berlin Under Thomas Ostermeier: Reinventing Realism
Ivan Medenica
Phèdre, D’Euripide à Racine, de Sénèque à Sarah Kane
Alba Simina Stanciu
A History of Romanian Theatre from Communism to Capitalism: Children of a Restless Time
Jozefina Komporaly
Antonin Artaud : Écrits sur le théâtre
Selim Lander
Plays
Editor: Critical Stages/Scènes critiques
CRIME AlwaysArmUkraine
Ester Bol
On the Rightlessness for Compassion or How to Redeem an Unredeemable Guilt
Yana Meerzon
Town Hall
Caridad Svich
Focus: Ukraine
Editor: Critical Stages/Scènes critiques
Living in the War: the Ukrainian Theatre Since the Russian Invasion
Hanna Veselovska
Invading Ukraine, Declaring War Against Russian Culture
Marina Davydova