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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18
 

Critical Stages/Scènes critiques

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18

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  • Contents
  • Special Topic I
  • Special Topic II
  • Essays
  • National Reports
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A Theatre Artist’s Path:

A Theatre Artist’s Path:

Questioning Shakespeare’s Authorship

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Between Tradition and the Contemporary:

Between Tradition and the Contemporary:

An Exploration of Chinese Scenic Designers

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Traditional Chinese Theatre Today

Traditional Chinese Theatre Today

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Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

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Discovering Minsk through Belarusian Theatre

Discovering Minsk through Belarusian Theatre

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Of Mothers and Warriors

Of Mothers and Warriors

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Transforming Techniques, Transforming Relationships:

Transforming Techniques, Transforming Relationships:

Interview with Actor-Director Ding Yiteng

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Timişoara Festival Pierces through Past and Future Nationalisms

Timişoara Festival Pierces through Past and Future Nationalisms

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Author: cs2-admin

The Confessions of a Failed Educator

The Confessions of a Failed Educator

Yun-Cheol Kim* Abstract: The School of Drama of the Korean National University of the Arts was established in 1994. The apparent success of its educational program is very misleading. Its invisible but major failure does not come from students, but

cs2-admin January 4, 2019February 6, 2022 Essays Read more

The Art of Criticism: Sharing the Theatre Experience

The Art of Criticism: Sharing the Theatre Experience

Don Rubin* Abstract: After forty-eight years of teaching—and some 8,000 or so nights in the theatre—Don Rubin, now a professor Emeritus, recalls how he became an actor, a critic and, then, accidentally stumbled into a most satisfying career in academe.

cs2-admin January 3, 2019February 6, 2022 Essays Read more

Introductory Note

Introductory Note

Peng Tao* Since Mr. Mei Lan-fang visited America and the Soviet Union with his theatre troupe (in 1930 and in 1935 respectively), bringing Chinese Jingju art to the West and communicating with some great European theatre artists such as Stanislavski,

cs2-admin January 3, 2019January 3, 2019 Chinese Theatre Read more

Introducing Hans-Thies Lehmann

Introducing Hans-Thies Lehmann

Professor Dr. Hans-Thies Lehmann (b. 1944, Ehringshausen, Germany) is a distinguished theatre scholar and critic in his home country Germany as well as abroad. He was the University Professor for Theatre Studies at the Johann Wolfgang Goethe-University in Franfurt am

cs2-admin January 3, 2019January 3, 2019 Thalia Prize Read more

Initial Thoughts on the Curious Case of Postdramatic Theatre in the Indian Context

Initial Thoughts on the Curious Case of Postdramatic Theatre in the Indian Context

Deepa Punjani* On the occasion of our Association’s Thalia Prize to Professor Hans-Thies Lehmann, I think it will be appropriate for me to make a few observations and highlight some points from an Indian perspective, with regards to Professor Lehmann’s

cs2-admin January 3, 2019February 6, 2022 Thalia Prize Read more

A Brief Overview of Postdramatic Theatre and its Contribution to Independent Chinese Theatre

A Brief Overview of Postdramatic Theatre and its Contribution to Independent Chinese Theatre

Peng Tao* The Chinese translation of Professor Hans-Thies Lehmann’s Postdramatic Theatre was published by the Peking University Press, in 2010. It was translated from the original German by Li Yinan, Professor of Theatre Studies at the Central Academy of Drama,

cs2-admin January 3, 2019February 6, 2022 Thalia Prize Read more

Tribute to Professor Hans-Thies Lehmann on the Occasion of His Investiture as the 2018 IATC Thalia Laureate

Tribute to Professor Hans-Thies Lehmann on the Occasion of His Investiture as the 2018 IATC Thalia Laureate

Emmanuel S. Dandaura* I stand here today on behalf of the body of African theatre scholars and critics to salute you, Professor Hans-Thies Lehmann, for your contributions to the advancement of theatre and performance scholarship. Your enduring ideas are couched

cs2-admin January 3, 2019February 6, 2022 Thalia Prize Read more

Thalia Prize 2018 Acceptance Speech By Professor Hans-Thies Lehmann

Thalia Prize 2018 Acceptance Speech  By Professor Hans-Thies Lehmann

Dear colleagues and friends, I am hardly able to convey my joy and pride for the honour of the Thalia prize 2018. First of all: I humbly say, thank you. My joy is immense because the Thalia prize is the

cs2-admin January 3, 2019January 4, 2019 Thalia Prize Read more

Putin on the Ritz in St. Petersburg

Putin on the Ritz in St. Petersburg

Barry Gaines* European Theatre Prize, 17th edition, St Petersburg, Russia, 13-17 November 2018 The 17th Europe Theatre Prize (ETP) with accompanying ceremonies and festivities has returned to Saint Petersburg, Russia, at a time of reflection and concern about political and

cs2-admin January 3, 2019February 6, 2022 Performance Reviews Read more

Timişoara Festival Pierces through Past and Future Nationalisms

Timişoara Festival Pierces through Past and Future Nationalisms

Matti Linnavuori* TESZT Euroregional Theatre Festival in Timişoara, Romania, May 20-27, 2018 In Timişoara, theatre is different. I am left gaping in amazement at the courage of the performers and the sharpness of thought in the writing. The theatre of

cs2-admin January 3, 2019February 6, 2022 Performance Reviews Read more
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Critical Stages/Scènes critiques is published with generous support from the JIN XING Dance Theatre

 


Critical Stages/Scènes critiques is hosted with generous support from the Aristotle University of Thessaloniki, Greece

 

 

 

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