Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18
Yun-Cheol Kim* Abstract: The School of Drama of the Korean National University of the Arts was established in 1994. The apparent success of its educational program is very misleading. Its invisible but major failure does not come from students, but
Don Rubin* Abstract: After forty-eight years of teaching—and some 8,000 or so nights in the theatre—Don Rubin, now a professor Emeritus, recalls how he became an actor, a critic and, then, accidentally stumbled into a most satisfying career in academe.
Peng Tao* Since Mr. Mei Lan-fang visited America and the Soviet Union with his theatre troupe (in 1930 and in 1935 respectively), bringing Chinese Jingju art to the West and communicating with some great European theatre artists such as Stanislavski,
Professor Dr. Hans-Thies Lehmann (b. 1944, Ehringshausen, Germany) is a distinguished theatre scholar and critic in his home country Germany as well as abroad. He was the University Professor for Theatre Studies at the Johann Wolfgang Goethe-University in Franfurt am
Deepa Punjani* On the occasion of our Association’s Thalia Prize to Professor Hans-Thies Lehmann, I think it will be appropriate for me to make a few observations and highlight some points from an Indian perspective, with regards to Professor Lehmann’s
Peng Tao* The Chinese translation of Professor Hans-Thies Lehmann’s Postdramatic Theatre was published by the Peking University Press, in 2010. It was translated from the original German by Li Yinan, Professor of Theatre Studies at the Central Academy of Drama,
Emmanuel S. Dandaura* I stand here today on behalf of the body of African theatre scholars and critics to salute you, Professor Hans-Thies Lehmann, for your contributions to the advancement of theatre and performance scholarship. Your enduring ideas are couched
Dear colleagues and friends, I am hardly able to convey my joy and pride for the honour of the Thalia prize 2018. First of all: I humbly say, thank you. My joy is immense because the Thalia prize is the
Barry Gaines* European Theatre Prize, 17th edition, St Petersburg, Russia, 13-17 November 2018 The 17th Europe Theatre Prize (ETP) with accompanying ceremonies and festivities has returned to Saint Petersburg, Russia, at a time of reflection and concern about political and
Matti Linnavuori* TESZT Euroregional Theatre Festival in Timişoara, Romania, May 20-27, 2018 In Timişoara, theatre is different. I am left gaping in amazement at the courage of the performers and the sharpness of thought in the writing. The theatre of
