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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18
 

Critical Stages/Scènes critiques

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18

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  • Special Topic I
  • Special Topic II
  • Essays
  • National Reports
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A Theatre Artist’s Path:

A Theatre Artist’s Path:

Questioning Shakespeare’s Authorship

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Between Tradition and the Contemporary:

Between Tradition and the Contemporary:

An Exploration of Chinese Scenic Designers

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Traditional Chinese Theatre Today

Traditional Chinese Theatre Today

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Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

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Discovering Minsk through Belarusian Theatre

Discovering Minsk through Belarusian Theatre

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Of Mothers and Warriors

Of Mothers and Warriors

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Transforming Techniques, Transforming Relationships:

Transforming Techniques, Transforming Relationships:

Interview with Actor-Director Ding Yiteng

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Timişoara Festival Pierces through Past and Future Nationalisms

Timişoara Festival Pierces through Past and Future Nationalisms

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Performance Reviews

Putin on the Ritz in St. Petersburg

Putin on the Ritz in St. Petersburg

Barry Gaines* European Theatre Prize, 17th edition, St Petersburg, Russia, 13-17 November 2018 The 17th Europe Theatre Prize (ETP) with accompanying ceremonies and festivities has returned to Saint Petersburg, Russia, at a time of reflection and concern about political and

cs2-admin January 3, 2019February 6, 2022 Performance Reviews Read more

Timişoara Festival Pierces through Past and Future Nationalisms

Timişoara Festival Pierces through Past and Future Nationalisms

Matti Linnavuori* TESZT Euroregional Theatre Festival in Timişoara, Romania, May 20-27, 2018 In Timişoara, theatre is different. I am left gaping in amazement at the courage of the performers and the sharpness of thought in the writing. The theatre of

cs2-admin January 3, 2019February 6, 2022 Performance Reviews Read more

Un spectacle d’une malsaine ambiguïté

Un spectacle d’une malsaine ambiguïté

Jean-Pierre Han* La Reprise, Histoire(s) du théâtre (1), Conception et mise en scène de Milo Rau. En tournée internationale, en janvier à Nantes (France), puis du 16 au 19 janvier 2019 au NTGent Stadstheater, Gand (Belgique),en février au CDN de

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more

Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

Katerina Delikonstantinidou* 35th Festival of Almada, Almada and Lisbon, Portugal, 4-18 July, 2018 Almada is said to be the national theatre capital of Portugal, at least for the duration of its theatre festival. This is the first piece of information

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Le Tartuffe déjanté d’Oskaras Koršunovas

Le Tartuffe déjanté d’Oskaras Koršunovas

Selim Lander* Tartiufas. En lituanien surtitré. Adaptation et mise en scène Oskaras Koršunovas. Avec Remigijus Bučius, Kęstutis Cicėnas, Vesta Grabštaitė, Darius Meškauskas, Eimantas Pakalka, Ignieška Ravdo, Rasa Samuolytė, Giedrius Savickas, Nelė Savičenko, Salvijus Trepulis, Toma Vaškevičiūtė et Joris Sodeika (piano).Texte

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more

Discovering Minsk through Belarusian Theatre

Discovering Minsk through Belarusian Theatre

“Belarus Open” in Minsk, Belarus, September 20-24, 2018 Maria Zărnescu* Three days in Minsk, the capital of Belarus, seem like a drop in the ocean. The ocean in this case is a city of 400 square kilometers, 2 million inhabitants

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How to Organize a Bridge between National and International

How to Organize a Bridge between National and International

Festival national de teatru FNT in Bucharest, Romania, October 2018. Mehrdad Rayani-Makhsous* The potential of international activities interests me. This is why I accepted the invitation of the Romanian Theatre Festival (FNT). In recent decades, a number of countries, including

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more

Comment inventer demain ?

Comment inventer demain ?

Festival international de l’Union des Écoles, France, du 12 au 16 juin 2018. Camille Khoury* Comment inventer demain ? C’est la question que pose Jean Lambert-wild, directeur du Théâtre de l’Union de Limoges et de son Académie de théâtre, pendant la

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more

Of Mothers and Warriors

Of Mothers and Warriors

Patricia Keeney* Coriolanus by William Shakespeare. Directed by Robert Lepage. Featuring Andre Sills, Graham Abbey, Tom McCamus, Stephen Ouimette, Lucy Peacock and Tom Rooney. The Tempest by William Shakespeare. Directed by Antoni Cimolino. Starring Martha Henry. Design: Brette Gerecke. At the

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more

Magic Mirror on the Wall, Who’s the Mightiest One of All?

Magic Mirror on the Wall, Who’s the Mightiest One of All?

Soila Lehtonen* Musta Saara (”Black Sara”). A play by Pirkko Saisio. Composer: Jussi Tuurna.Director: Laura Jäntti. Scenography: Kati Lukka. Costumes: Tarja Simone. Lighting designer: Morten Reinan. Sound designer: Jussi Matikainen, Ville Leppilahti. Choreography: Janne Marja-Aho. Make-up artist: Jari Kettunen. Actors:

cs2-admin December 10, 2018February 6, 2022 Performance Reviews Read more
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