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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/decembre 2025: Issue No 32

  • Special Topic
  • Essays
  • Inter/National Reflections
  • Interviews
  • Performance Reviews
  • Book Reviews
  • In Memoriam

Author: Walter Jen-Hao Hsu, Deniz Bașar, S Anril Tiatco

Introduction
Encountering the Immediate Other: Towards Inter-Asia Theatre Studies

Walter Jen-Hao Hsu, Deniz Bașar, S Anril Tiatco
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“What are the traces of a festival?” Expanded Dramaturgies of Curating
“Different Narratives” – Baltic Circle

Katalin Trencsényi
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On Being Robbed of Polite Boredom: Finding the Code. Interview with Director Robert Icke

George Rodosthenous
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Double Double Biker Trouble

Patricia Keeney
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In Ransacking Troy, Ancient Greece’s “Forever War” Inspires a Feminist Fantasy

Martin Morrow
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Finns Remember Invisible Migrants through Performance

Pirkko Koski
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Performing Arts across Borders: Exchange among Three Neighbouring Countries

Takehito Mitsui
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Exploring an Arab Zone of Diverse Theatre Cultures

Thomas Irmer
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Castellucci’s Amorous Bérénice

Antonia Tsamouris
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Antigone de Sophocle à travers l’optique formaliste de Ulrich Rasche

Eleni Gkini
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A Dramaturgical Manifesto of a Filipino Eco-theatre: Indigenous Narratives for a Socially Engaged Performance

Sir Anril P. Tiatco, Jem R. Javier and Gaby Asanza
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Transhistorical Dialogues: Recanonizing Shakespeare on the Contemporary Turkish Stage

Burak Urucu
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Cross-Cultural Reinterpretation: The Evolution of Mime in 1980s China

Yiping HUANG
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Kielce Showcases Poland’s Contemporary Theatre

Asen Terziev
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Between Mother Tongues and English: Creating a Community of Asian Diaspora Experiences Through Documentary Theatre

Yibin Wang and Yejia Sun
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In Cluj-Napoca Stories Refuse to Fade

Handan Salta
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Performing Ecology—Dap-ay as a Performative Model in the Aanak di Kabiligan Community Theatre’s Staging of Balitok: Voices from the Mines

Roger Federico
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Reliving the Past: Reflections on Reenactments by Dulambuhay Philippine Playback Theatre and Tanghalang Tatsulok

Joe Louie A. Lavaro
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‘Traditional’ Kabuki – from Business Practice to National Policy

Tove Johanna Bjoerk
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Robert Sturua—an Ambassador of Georgian Theatre on the Global Stage

Marina (Maka) Vasadze
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Balik/Balik: The Undoing of Self/Exoticization in Teaching/Performing/Staging Igal/Pangalay in Canada

Dennis Gupa
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In A State of Constant Migration: Conversation With Fatma Onat

Fatma Onat and Deniz Başar
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Taire, Mon Antigone – Mythe d’hier, réalité d’aujourd’hui

Selim Lander
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Covering Theatre Artists Efforts in New Genres

Brad Hathaway
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Fabulamundi, Playwriting Europe. New Voices – an Insider’s View, Review and Interview

Anda Cadariu
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Critical Stages/Scènes critiques, #32, December 2026

e-ISSN: 2409-7411

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