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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/decembre 2025: Issue No 32

  • Special Topic
  • Essays
  • Inter/National Reflections
  • Interviews
  • Performance Reviews
  • Book Reviews
  • In Memoriam

Author: Tomoko Seki

Englishness and Humanity: The Revival of 4.48 Psychosis

Tomoko Seki
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Traces of a Lost Archive: Four Selected Theatre Criticisms by Fatma Onat from 2010s’ İstanbul

Fatma Onat
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Theatre’s Faustian Bargain: Power and Peril in Technology

Marina (Maka) Vasadze and Lasha Chkhartishvili
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Encounters with Czechs on the Move

Matti Linnavuori
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A Woman with Two Husbands: A Play with Two Displays—Ways of Seeing Taiwanese Kua-a-hi during the Japanese Colonial Period

Yin-Chen Kang
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Musicals, Actors, and Audiences in the Seoul-Tokyo Musical Theatre Exchange

Laura MacDonald
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Perverted Traditions and Psychedelic Ecstasy

Johannes Birringer
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Borderline Stages: The Trajectory of Freedom Theatre Festival in Narva

Jaak Allik
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Alone Together: Solo Theatre in a Plural World

Eleni Gkini
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Perceiving Audible Spectatorship: Audience Awareness, Migrant Emptiness, and Inter-Asian Resonance in the Wordless Play Request sa Radyo

Popo Tabao Amascual
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Shakespeare in the Theatre: The Stratford Festival

Don Rubin
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1. Walter Benjamin: Écrits sur le théâtre / 2. Les Mille Plateaux de Walter Benjamin

Selim Lander
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Voices In-between: Three Contemporary Asian Theatre Makers Crossing Borders

Beri Juraic
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L’adaptation et la mise en scène contemporaine : La Famille Cachée dans les Nuages

Patrice Pavis
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Three New Volumes on Finnish Director Jouko Turkka

Outi Lahtinen
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Through Foreign Eyes: Reflecting on the Bucharest National Theatre Festival (2025)

Savas Patsalidis
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Michael Chekhov: 16 Lessons in Kaunas

Lenka Pichlíková-Burke
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What a Blue Daisy Can Bring to Contemporary Vietnamese Theatre: Translated Performances of Vietnamese Drama

Yuko Nobe
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Whose Intercultural Theatre?: A Case Study of NSYSU-Chula Summer Intercultural Theatre Program

Jen-Hao Hsu (Walter)
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Risk, Bravery and Theatre or The End and the Beginning of the Free World: Interview with Märt Meos

Inna Grünfeldt and Katarina Tomps
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Symphonies of Tibetan Memory: Surviving in Exile Through Opera

Jahnvi Sharma
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Mediating the Sacred: Tradition and Adaptations in Shadow Puppetry of Kerala

Rahul Koonathara
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Validating the Operated Performing Objects (OPO) Character Model Through Kentridge’s Black Box/Chambre Noire

Janine Lewis, Mienke Fouché, and Laetitia Orlandi
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Mise-en-scène and the Stage Space: Goddess of the Niger and Theatrical Dynamics of Ahaba Culture

Francisca A. Nwadigwe
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Jean Carzou, a Scenographer: 1968 Production of Thierry Maulnier’s Jeanne et les Juges

Ararat Aghasyan and Margarita Kamalyan
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Critical Stages/Scènes critiques, #32, December 2026

e-ISSN: 2409-7411

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