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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2024: Issue No 29

Special Topic
Essays
Inter/National Reflections
Interviews
Performance Reviews
Book Reviews
Thalia Prize
In Memoriam

Author: cs2-admin

Edward Bond: The Missed Voice of a True Socialist Writer

Elizabeth Sakellaridou

Extended Dance Territories – Guest Editors’ Note

Margareta Sörenson, Steriani Tsintziloni

The Thalia Prize: Erika Fischer-Lichte

Jeffrey Eric Jenkins

A Few Words About the Laureate’s Oeuvre

Ivan Medenica

Erika Fischer-Lichte and the Importance of Sacrifice

Savas Patsalidis

Let Theatre Happen, or How Erika Fischer-Lichte Continues to Inspire Us

Manabu Noda

Planning Europe’s Future Theatre

Savas Patsalidis

“True Art Consists of Gaps”: Interview with Cristina Caprioli – the Golden Lion in Venezia Biennale de la Danza 2024

By Maina Arvas

Erika Fischer-Lichte’s oeuvre in China

Zhu Ning

The Silent Genocide and its Afterlives: Witnessing and Remembering Traumatic Histories in Rahul Varma’s State of Denial

Aamna Rashid

Steve Paxton (1939-2024): Contact Improvisation for Generations

Hilde Rustad

The Price of Water: Reflections on an Anthropological Play

Maria Kastrinou, Hannah Knoerk and Johannes Birringer

De la thysia Grecques aux créations d’Angélica Liddell : Une problématisation du sacrifice à partir de l’action théâtrale

Martina Tosticarelli

Dialogue in Motion or Reading the Present from the Past: Interview with Maria Martha Gigena

By Halima Tahan Ferreyra

Bridging Cultural Divides Through the Art of Chinese Dance: Interview with Ma Jiaolong (马蛟龙) and Zhao Zhibo (赵知博)

Zhao Yang

Audience Involvement, Multiple Layering, and Resonances in Numbers Increase As We Count…

Ülfet Sevdi

René Pollesch (1962-2024): the Great Post-dramatic Auteur Director

Thomas Irmer

Southern Dance Hall: Movement and Community in Post Pandemic Guangzhou, Southern China

Tiantian XIE

Visions and Gifts: Martha Graham, Memory and Practice

Kim Jones and Fen Kennedy

“Where We Die Together in Real Time”: Staging Prosthetic Liveness in To Be a Machine (Version 1.0)

Huayu Yang

The Macro in the Micro: Using Theatre Festivals to Test the Temperature of the Industry

Dermot Daly

How African is Africa? Postnormality and Futures Assessment of Indigenous Dance Art in Nigeria

Princewill Chukwuma Abakporo, Stanley Timeyin Ohenhen, Stephen Ogheneruro Okpadah

A Very Moving Hamlet

Patricia Keeney

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CS/Sc Issue No 29 Section Editors & Editorial Board

Section Editors: Bios
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Editorial Note

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Issue #30: “Truth” in the Kafkaesque World of Theatre: Tragic or Comic?

Issue #32: Towards Inter-Asia Theatre Studies: Modernity, Historical Conditions and Changing Ways of Seeing

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Critical Stages/Scènes critiques e-ISSN:2409-7411

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Critical Stages/Scènes critiques

Author: cs2-admin

2024 Thalia Prize Ceremony

Edward Bond: The Missed Voice of a True Socialist Writer

Extended Dance Territories – Guest Editors’ Note

The Thalia Prize: Erika Fischer-Lichte

A Few Words About the Laureate’s Oeuvre

Erika Fischer-Lichte and the Importance of Sacrifice

Let Theatre Happen, or How Erika Fischer-Lichte Continues to Inspire Us

Planning Europe’s Future Theatre

“True Art Consists of Gaps”: Interview with Cristina Caprioli – the Golden Lion in Venezia Biennale de la Danza 2024

Erika Fischer-Lichte’s oeuvre in China

The Silent Genocide and its Afterlives: Witnessing and Remembering Traumatic Histories in Rahul Varma’s State of Denial

Steve Paxton (1939-2024): Contact Improvisation for Generations

The Price of Water: Reflections on an Anthropological Play

De la thysia Grecques aux créations d’Angélica Liddell : Une problématisation du sacrifice à partir de l’action théâtrale

Dialogue in Motion or Reading the Present from the Past: Interview with Maria Martha Gigena

Bridging Cultural Divides Through the Art of Chinese Dance: Interview with Ma Jiaolong (马蛟龙) and Zhao Zhibo (赵知博)

The New Wave of Belarus Drama

Audience Involvement, Multiple Layering, and Resonances in Numbers Increase As We Count…

René Pollesch (1962-2024): the Great Post-dramatic Auteur Director

Southern Dance Hall: Movement and Community in Post Pandemic Guangzhou, Southern China

Visions and Gifts: Martha Graham, Memory and Practice

“Where We Die Together in Real Time”: Staging Prosthetic Liveness in To Be a Machine (Version 1.0)

The Macro in the Micro: Using Theatre Festivals to Test the Temperature of the Industry

How African is Africa? Postnormality and Futures Assessment of Indigenous Dance Art in Nigeria

A Very Moving Hamlet