Editorial Note: Ever Changing Dancescapes
Note éditoriale : Paysages dansants toujours changeants
Savas Patsalidis, Editor-in-Chief
Special Topic
Extended Dance Territories
Guest Editors: Margareta Sörenson (Sweden), Steriani Tsintziloni (Greece)
Extended Dance Territories – Guest Editors’ Note
Margareta Sörenson, Steriani Tsintziloni
“True Art Consists of Gaps”: Interview with Cristina Caprioli – the Golden Lion in Venezia Biennale de la Danza 2024
by Maina Arvas
Steve Paxton (1939-2024): Contact Improvisation for Generations
Hilde Rustad
Dialogue in Motion or Reading the Present from the Past: Interview with Maria Martha Gigena
by Halima Tahan Ferreyra
Southern Dance Hall: Movement and Community in Post Pandemic Guangzhou, Southern China
Tiantian XIE
Visions and Gifts: Martha Graham, Memory and Practice
Kim Jones and Fen Kennedy
How African is Africa? Postnormality and Futures Assessment of Indigenous Dance Art in Nigeria
Princewill Chukwuma Abakporo, Stanley Timeyin Ohenhen, Stephen Ogheneruro Okpadah
Art Therapy in a Country at War: Ukraine’s Contemporary Dance Practices
Lyudmila Mova, Viktor Ruban, Hanna Veselovska
Towards a Poetics of Affectability: Dance in More-Than-Human Worlds
Jonas Schnor
Dancing with AI: Unveiling the Potentials and Pitfalls of ChatGPT for a New Wave of Dance Critics and Criticism
Deanne Kearney
Connecting and Disconnecting Bodies
Johannes Birringer
Commmunal Choreographies: Claiming the Embodied Public Sphere in Recent Climate Activism
Susanne Foellmer
Land/ing Dance—Of Hosting and Being Hosted: Guest Curating in Dance
Angela Conquet
La danse élargit ses territoires : Évolution de la danse contemporaine en France au XXI siècle
Jean Couturier
Staging Aging in Queer Style
Josephine Leask
Reaching Out for the Search Within: Sushant Gaurav Dances a Kathak of His Own
Ajay Joshi
Re-Thinking Autobiographical Choreo-Performance as a Window to Activism
Magda Barouta
Sinikka Gripenberg: A Dance Life in Photos
Margareta Sörenson
Essays
Editor: Yana Meerzon (Canada)
De la thysia Grecques aux créations d’Angélica Liddell : Une problématisation du sacrifice à partir de l’action théâtrale
Martina Tosticarelli
The New Wave of Belarus Drama
Natalia Skorokhod
Audience Involvement, Multiple Layering, and Resonances in Numbers Increase As We Count…
Ülfet Sevdi
“Where We Die Together in Real Time”: Staging Prosthetic Liveness in To Be a Machine (Version 1.0)
Huayu Yang
The Macro in the Micro: Using Theatre Festivals to Test the Temperature of the Industry
Dermot Daly
Choreography οf Life: Kristīne Brīniņa and Her Documentary Dance Method
Kitija Balcare
The Dance Movement of Bengal: Rabindranath and His Dance-Dramas
Nilanjana Bhattacharya
Inter/National Reflections
Editor: Savas Patsalidis (Greece)
Planning Europe’s Future Theatre
Savas Patsalidis
The Price of Water: Reflections on an Anthropological Play
Maria Kastrinou, Hannah Knoerk and Johannes Birringer
A Promising Restart: The “Mini” Showcase of Bulgaria’s National Theatre
Savas Patsalidis
The BeSeTo Festival is Back to Splendid Life in Shenzhen
Kalina Stefanova
How to Resist?
Milo Rau
Interviews
Editor: Savas Patsalidis (Greece)
“Living” Beyond “Correctness”: Words, Enemies, and Media. Interview with Misaki Setoyama
By Tomoka Tsukamoto and Ted Motohashi
A Festival that Shape-shifted to Stay Alive: Interview with Mark Russell
By Stefanie Carp
Past and Present Meet Head-on: Interview with Christiane Jatahy
By Anna Stavrakopoulou
“Tools. No Rules.”: An Interview with Roberta Levitow
By Aikaterini Delikonstantinidou
How Can we Act Together? Declaration of the Free Republic of Wien: Interview with Milo Rau
By Ivan Medenica
Performance Reviews
Editor: Matti Linnavuori (Finland)
A Very Moving Hamlet
Patricia Keeney
Robert Wilson, Declan Donnnellan, Robert Lepage in a Nutshell
Yun-Cheol Kim
Incandescences d’Ahmed Madani – De la catharsis comique
Selim Lander
Albee Deconstructed: Robert Wilson’s Three Tall Women
Antonia Tsamouris
The Quest of Turkey’s Independent Theatres
Savas Patsalidis
More than (Classical) Dance
Penelope Chatzidimitriou
Sofi Oksanen on Russian Anti-Gay Practices
Matti Linnavuori
Once Upon a Time . . . Through a Glass Darkly
Soila Lehtonen
Of Balance, Oscillation and Feeling: A Twenty-first-century Circus Experience
Katharine Kavanagh
Book Reviews
Editor: Don Rubin (Canada)
Michel Tremblay: Plays in Scots (Two Vols.)
Mark Fisher
Theatre in a Post-Truth World: Text, Politics and Performance
Katayoun Salmasi
Le Sacrifice comme acte poétique
Selim Lander
The Great White Bard: How To Love Shakespeare While Talking About Race
Don Rubin
2024 Thalia Prize Ceremony
Editor: Critical Stages/Scènes critiques
The Thalia Prize: Erika Fischer-Lichte
Jeffrey Eric Jenkins
A Few Words About the Laureate’s Oeuvre
Ivan Medenica
Erika Fischer-Lichte and the Importance of Sacrifice
Savas Patsalidis
Let Theatre Happen, or How Erika Fischer-Lichte Continues to Inspire Us
Manabu Noda
Erika Fischer-Lichte’s oeuvre in China
Zhu Ning
In Memoriam
Editor: Critical Stages/Scènes critiques
Edward Bond: The Missed Voice of a True Socialist Writer
Elizabeth Sakellaridou
René Pollesch (1962-2024): the Great Post-dramatic Auteur Director
Thomas Irmer
