Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2023: Issue No 27

Special Topic
Essays
National Reports
Critics on Criticism
Interviews
Performance Reviews
Book Reviews
In Memoriam

Special Topic

Renegotiating the Canon: Scenes of German/ic Theatre(s)
Guest Editors: Azadeh Sharifi and Ulf Otto

Renegotiating the Canon: Scenes of German/ic Theatre(s) – Editors’ Note

Azadeh Sharifi and Ulf Otto

Theatre as Weapon of War: German Language Theatres Across Occupied Europe During WWII

Anselm Heinrich

An Archive of Migration: The Ballhaus Naunynstraße in the 1980s

Ela Gezen and Olivia Landry

The Brecht-brand and German Theatre in South Korea

Jan Creutzenberg

If You Had Only Spoken . . . Counter-narratives and Marginalized Histories of Women on the German Stage in Romania Before and After 1989

Cristina Modreanu

Who Belongs to the “Freie Szene”? Or How Does Contemporaneity Become a Criterion for Exclusion

Alexandra Portmann

Socialist Past, Postmigrant Present: Renegotiating the Canon at the Maxim Gorki Theater Berlin

Hans Roth

Le Theatertreffen aujourd’hui : un mécanisme de consécration théâtrale entre logiques nationales et transnationales

Corentin Jan

A Feminist Rewriting of Kleist? Öziri’and Nübling’s Die Verlobung in St. Domingo – Ein Widerspruch

Priscilla Layne

Embodied Ideologies: Staging Constructions of Economic and Domestic Worlds Within Marie Eugenie delle Grazie’s Mutter

Greta Gebhard

New German Dramaturgy: Centering on the World

Ivan Medenica

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CS/Sc Issue No 27 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

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Issue #28: Post-millennial Australasian Dramaturgy

Issue #29: Dance Between Now-ness and Future

Issue #30: Rehearsals for Decarceral Futures: Indigenous Theatre About Criminalization and Prison Abolition

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