Special Topic – Critical Stages/Scènes critiques

Aural/Oral Dramaturgies: Editors’ Introduction

Duška Radosavljević and Flora Pitrolo

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Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

Hanna Slättne

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Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training

Shannon Holmes

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YOU and ME—Where and How Do We Meet

Electa Behrens and Øystein Elle

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Sounds of the City: Dramaturgy, Space, Identity

Katie Beswick and Javon Johnson

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Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective

Lisa Lewis and Lapdiang Syiem

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Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation

Tomoka Tsukamoto and Ted Motohashi

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Aurality and the Actor in Filter Theatre’s Twelfth Night

Sarah McCourt

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The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man

Sylvia Solakidi

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Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)

Georgina Guy

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Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Peta Murray, Alyson Campbell and Meta Cohen

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