Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2021: Issue No 24

Special Topic
Essays
National Reports
Critics on Criticism
Conferences
Interviews
Performances
Books
In Memoriam

Special Topic

Aural/Oral Dramaturgies
Guest Editors: Duška Radosavljević (UK) and Flora Pitrolo (Italy/UK)

Special Topic

Aural/Oral Dramaturgies: Editors’ Introduction

Duška Radosavljević and Flora Pitrolo

Special Topic

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

Hanna Slättne

Special Topic

Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training

Shannon Holmes

Special Topic

YOU and ME—Where and How Do We Meet

Electa Behrens and Øystein Elle

Special Topic

Sounds of the City: Dramaturgy, Space, Identity

Katie Beswick and Javon Johnson

Special Topic

Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective

Lisa Lewis and Lapdiang Syiem

Special Topic

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation

Tomoka Tsukamoto and Ted Motohashi

Special Topic

Aurality and the Actor in Filter Theatre’s Twelfth Night

Sarah McCourt

Special Topic

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man

Sylvia Solakidi

Special Topic

Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)

Georgina Guy

Special Topic

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Peta Murray, Alyson Campbell and Meta Cohen

Click here for a text-only ToC.

CS/Sc Issue No 24 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

Search all CS/Sc issues

Results for {phrase} ({results_count} of {results_count_total})

Displaying {results_count} results of {results_count_total}

More results...

Call for Papers & Essays

Issue #27: Renegotiating the Canon: Scenes of German/ic Theatre(s)

Issue #28: Post-millennial Australasian Dramaturgy

CS/Sc Newsletter

Leave this field empty if you're human:

THEATRE RECORD

Subscribe to THEATRE RECORD and get instant access to FORTY YEARS OF BRITISH THEATRE HISTORY. Full reviews, credits and photographs Quickly searchable on line, updated daily...

Contact CS/Sc

Click here for the CS/Sc contact form

Special Pages

International Theatre and Performing Arts Festival Guide

Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics / Éthique de publication

Submission Guidelines / Soumission d’articles

Style Sheet / Protocole abrégé

CS/Sc indexing

Critical Stages/Scènes critiques is indexed by SCOPUS, ProQuest, EBSCO, DOAJ, MIAR, ERIH Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials

CS/Sc Facebook page

CS/Sc Issues

CS/Sc Supporters

JIN XING Dance Theatre

IATC/AICT

Aristotle University of Thessaloniki

Department of Theatre - University of Illinois

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Publication Ethics

Contact CS/Sc
Publication Ethics

Critical Stages/Scènes critiques e-ISSN:2409-7411

All articles published by CS/Sc are licensed under the
Creative Commons Attribution International License CC BY-NC-ND 4.0.