Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2021: Issue No 24

Special Topic
Essays
National Reports
Critics on Criticism
Conferences
Interviews
Performances
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In Memoriam

Special Topic

Aural/Oral Dramaturgies
Guest Editors: Duška Radosavljević (UK) and Flora Pitrolo (Italy/UK)

Special Topic

Aural/Oral Dramaturgies: Editors’ Introduction

Duška Radosavljević and Flora Pitrolo

Special Topic

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

Hanna Slättne

Special Topic

Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training

Shannon Holmes

Special Topic

YOU and ME—Where and How Do We Meet

Electa Behrens and Øystein Elle

Special Topic

Sounds of the City: Dramaturgy, Space, Identity

Katie Beswick and Javon Johnson

Special Topic

Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective

Lisa Lewis and Lapdiang Syiem

Special Topic

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation

Tomoka Tsukamoto and Ted Motohashi

Special Topic

Aurality and the Actor in Filter Theatre’s Twelfth Night

Sarah McCourt

Special Topic

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man

Sylvia Solakidi

Special Topic

Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)

Georgina Guy

Special Topic

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Peta Murray, Alyson Campbell and Meta Cohen

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CS/Sc Issue No 24 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial Note | Note éditoriale

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Issue #27: Renegotiating the Canon: Scenes of German/ic Theatre(s)

Issue #28: Post-millennial Australasian Dramaturgy

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