Editorial Note: Reshufflings
Savas Patsalidis, Editor-in-Chief
Special Topic
Aural/Oral Dramaturgies
Guest Editors: Duška Radosavljević (UK) and Flora Pitrolo (Italy/UK)
Aural/Oral Dramaturgies: Editors’ Introduction
Duška Radosavljević and Flora Pitrolo
Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio
Hanna Slättne
Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training
Shannon Holmes
YOU and ME—Where and How Do We Meet
Electa Behrens and Øystein Elle
Sounds of the City: Dramaturgy, Space, Identity
Katie Beswick and Javon Johnson
Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective
Lisa Lewis and Lapdiang Syiem
Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation
Tomoka Tsukamoto and Ted Motohashi
Aurality and the Actor in Filter Theatre’s Twelfth Night
Sarah McCourt
The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man
Sylvia Solakidi
Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)
Georgina Guy
Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making
Peta Murray, Alyson Campbell and Meta Cohen
Essays
Editor: Yana Meerzon (Canada)
Heterarchical Dramaturgies
Katalin Trencsényi
Embodying History: Preserving Memories of Holocaust Survivors Through Performance
Anthony Hostetter
Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me)
Tobi Poster-Su
Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos
Constantina Ziropoulou
Sonic Antagonism: The Sounding Audience of Performance
Andrej Mirčev
Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera
Anika Marschall
Loss and Being Lost: Performing Precarity through Multilingual Text, Song and Music in Zoo Indigo’s Don’t Leave Me This Way
Rosie Garton and Ildikó Rippel
Devising, Decolonizing, and Disrupting American Musical Theatre Aural Anatomy Through the Playlist Musical
Natalie Rine
National Reports
Editor: Savas Patsalidis (Greece)
Capturing Hong Kong and Theatre Through Stage Photography
Bernice Kwok-wai Chan
South Korean Audiences and their Interactive Performance in the Madang Then and Now
Younghee Park, Jeremy Neideck and Caroline Heim
Endangered Theatre: A Philippine Notebook
Katrina Stuart Santiago
Tadashi Suzuki and Theodoros Terzopoulos: Crossing Boundaries, Creating Bridges
Penelope Chatzidimitriou
Critics on Criticism
Editor: Savas Patsalidis (Greece)
Anatomy, Mon Amour
Johannes Birringer and Michèle Danjoux
On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis
Yana Meerzon
Fragments of Thought About the Tragic Fragments: Theodoros Terzopoulos’ Views on Fragmentary Greek Tragedy
Menelaos Karantzas
Conference Papers
Editor: Ivan Medenica (Serbia)
Franchised/Recycled Performance as a Theatre of Ecology
Ivan Medenica
Anthropocentrism on the Stage
Milo Juráni
Phenomena of Recycling in the Context of the Current Independent Scene in Slovakia
Miroslav Ballay
Interviews
Editor: Savas Patsalidis (Greece)
Pumpkin and Public Sphere: Interview with Tadashi Suzuki
by Ted Motohashi
The Access Point in St. Petersburg: Interview with Filipp Vulakh, Yulia Kleiman and Alexei Platunov
by Nikolai Pesochinsky
The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu
by Margherita Laera
The Global Role of ITI: Interview with Tobias Biancone
by Savas Patsalidis
Performance Reviews
Editor: Matti Linnavuori (Finland)
New Normal Performance: Bangkok Owns the Virtual
Katrina Stuart Santiago
Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic
Martin Morrow
Choc de cultures entre l’Occident et le tiers-monde
Michel Vaïs
Dada Shakespeare: Oakland Fun during the Plague
Lissa Tyler Renaud
A Jumbo Hamlet
Patricia Keeney
Au cœur de la ville avec Rimini Protocoll
Zoé Ververopoulou
Romanian Theatre: Waiting for the Present to Take Shape
Kinga Boros
Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages
Maria Zărnescu
Slovakia reaches out to the Universe
Matti Linnavuori
Book Reviews
Editor: Don Rubin (Canada)
Timelines: Writings and Conversation
Patricia Keeney
Migrating Shakespeare: First European Encounters, Routes and Networks
Philippe Rouyer
20 Groundbreaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain
Ian Herbert
Rediscovering Stanislavsky
Nathan Thomas
In Memoriam
Sir Antony Sher: Actor, Artist, Diarist, Novelist, Playwright
Ian Herbert
Ion Caramitru – An Artistic Guiding Force (1942-2021)
Maria Zărnescu
Ion Caramitru, un acteur plus qu’acteur
Georges Banu
