Table of Contents

Editorial Note: Reshufflings
Savas Patsalidis, Editor-in-Chief

Special Topic

Aural/Oral Dramaturgies
Guest Editors: Duška Radosavljević (UK) and Flora Pitrolo (Italy/UK)

Aural/Oral Dramaturgies: Editors’ Introduction
Duška Radosavljević and Flora Pitrolo

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio
Hanna Slättne

Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training
Shannon Holmes

YOU and ME—Where and How Do We Meet
Electa Behrens and Øystein Elle

Sounds of the City: Dramaturgy, Space, Identity
Katie Beswick and Javon Johnson

Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective
Lisa Lewis and Lapdiang Syiem

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation
Tomoka Tsukamoto and Ted Motohashi

Aurality and the Actor in Filter Theatre’s Twelfth Night
Sarah McCourt

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man
Sylvia Solakidi

Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)
Georgina Guy

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making
Peta Murray, Alyson Campbell and Meta Cohen


Editor: Yana Meerzon (Canada)

Heterarchical Dramaturgies
Katalin Trencsényi

Embodying History: Preserving Memories of Holocaust Survivors Through Performance
Anthony Hostetter

Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me)
Tobi Poster-Su

Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos
Constantina Ziropoulou

Sonic Antagonism: The Sounding Audience of Performance
Andrej Mirčev

Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera
Anika Marschall

Loss and Being Lost: Performing Precarity through Multilingual Text, Song and Music in Zoo Indigo’s Don’t Leave Me This Way
Rosie Garton and Ildikó Rippel

Devising, Decolonizing, and Disrupting American Musical Theatre Aural Anatomy Through the Playlist Musical
Natalie Rine

National Reports

Editor: Savas Patsalidis (Greece)

Capturing Hong Kong and Theatre Through Stage Photography
Bernice Kwok-wai Chan

South Korean Audiences and their Interactive Performance in the Madang Then and Now
Younghee Park, Jeremy Neideck and Caroline Heim

Endangered Theatre: A Philippine Notebook
Katrina Stuart Santiago

Tadashi Suzuki and Theodoros Terzopoulos: Crossing Boundaries, Creating Bridges
Penelope Chatzidimitriou

Critics on Criticism

Editor: Savas Patsalidis (Greece)

Anatomy, Mon Amour
Johannes Birringer and Michèle Danjoux

On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis
Yana Meerzon

Fragments of Thought About the Tragic Fragments: Theodoros Terzopoulos’ Views on Fragmentary Greek Tragedy
Menelaos Karantzas

Conference Papers

Editor: Ivan Medenica (Serbia)

Franchised/Recycled Performance as a Theatre of Ecology
Ivan Medenica

Anthropocentrism on the Stage
Milo Juráni

Phenomena of Recycling in the Context of the Current Independent Scene in Slovakia
Miroslav Ballay


Editor: Savas Patsalidis (Greece)

Pumpkin and Public Sphere: Interview with Tadashi Suzuki
by Ted Motohashi

The Access Point in St. Petersburg: Interview with Filipp Vulakh, Yulia Kleiman and Alexei Platunov
by Nikolai Pesochinsky

The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu
by Margherita Laera

The Global Role of ITI: Interview with Tobias Biancone
by Savas Patsalidis

Performance Reviews

Editor: Matti Linnavuori (Finland)

New Normal Performance: Bangkok Owns the Virtual
Katrina Stuart Santiago

Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic
Martin Morrow

Choc de cultures entre l’Occident et le tiers-monde
Michel Vaïs

Dada Shakespeare: Oakland Fun during the Plague
Lissa Tyler Renaud

A Jumbo Hamlet
Patricia Keeney

Au cœur de la ville avec Rimini Protocoll
Zoé Ververopoulou

Romanian Theatre: Waiting for the Present to Take Shape
Kinga Boros

Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages
Maria Zărnescu

Slovakia reaches out to the Universe
Matti Linnavuori

Book Reviews

Editor: Don Rubin (Canada)

Timelines: Writings and Conversation
Patricia Keeney

Migrating Shakespeare: First European Encounters, Routes and Networks
Philippe Rouyer

20 Groundbreaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain
Ian Herbert

Rediscovering Stanislavsky
Nathan Thomas

In Memoriam

Sir Antony Sher: Actor, Artist, Diarist, Novelist, Playwright
Ian Herbert

Ion Caramitru – An Artistic Guiding Force (1942-2021)
Maria Zărnescu

Ion Caramitru, un acteur plus qu’acteur
Georges Banu

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