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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2019: Issue No 20

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Essays
National Reports
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Interviews
Performances
Books
Critics on Criticism

Essays

MULTILINGUAL PERFORMANCE AND MIGRATION
Editor: Yana Meerzon (Canada)

Introductory Words

November 11, 2019January 11, 2020 Yana Meerzon

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City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia

October 30, 2019January 11, 2020 Avra Sidiropoulou essay-front

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A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)

October 29, 2019January 11, 2020 Izumi Ashizawa essay-front

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The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama

October 28, 2019January 11, 2020 Jeroen Coppens and Motus essay-front

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Seeking the Other: Staging the Paroxysms of Orientalism

October 22, 2019January 11, 2020 Yana Meerzon essay-front

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No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration

October 21, 2019January 11, 2020 Rosie Garton and Ildikó Rippel essay-front

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On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha

October 20, 2019October 7, 2020 Yana Meerzon essay-front

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Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances

October 19, 2019January 11, 2020 Rosa Lambert essay-front

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Table of Contents

Click here for a text-only ToC.

Editorial Note

We have a good reason to celebrate!

CS Issue No 20 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Re-Orienting Arab Theatre and Performance: New Political Aesthetics

Call for Papers & Essays – Critical Stages/Scènes critiques (#22, 2020)
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Theatre Criticism for Young Audiences: New Directions

Call for Papers & Essays – Critical Stages/Scènes critiques (#22, 2020)
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Special Pages

International Theatre and Performing Arts Festival Guide

Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics

Submission Guidelines / Soumission d’articles

Style Sheet / Protocole abrégé

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The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

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