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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2019: Issue No 19
 

Critical Stages/Scènes Critiques

Critical Stages/Scènes Critiques

The IATC journal/Revue de l'AICT – June/Juin 2019: Issue No 19

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A <em>Fin de Siècle</em> Life in Puppet Theatre:

A Fin de Siècle Life in Puppet Theatre:

Roman Paska

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<em>Hybridation</em>

Hybridation

Presented by Olivier de Sagazan in the 2nd Forest Festival, Thessaloniki, Greece

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L’Impossible Procès des Guadeloupéens

L’Impossible Procès des Guadeloupéens

Une dialectique fragile s’impose

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Latvian Theatre Today

Latvian Theatre Today

Winds of Change

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Jouer ou ne pas jouer

Jouer ou ne pas jouer

Limites d’une dramaturgie interactive

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Expanding the Boundaries

Expanding the Boundaries

Belgrade Dance Festival

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Uncle Vanya’s Roars on the Grand Piano

Uncle Vanya’s Roars on the Grand Piano

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Bleeding Heads and Bodies in Finland

Bleeding Heads and Bodies in Finland

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War Is All Around Us

War Is All Around Us

Interferences International Theatre Festival

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Destination Unknown:

Destination Unknown:

Τhe Lithuanian Τheatre as Nekrošius Departs

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Inter-national Crossings:

Inter-national Crossings:

Interview with Katia Arfara

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Unruly Feminist Circus in the Wake of #metoo

Unruly Feminist Circus in the Wake of #metoo

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Iranian Theatre Life in the Last Decade

Iranian Theatre Life in the Last Decade

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Theatre and Performance Landscapes in Lebanon

Theatre and Performance Landscapes in Lebanon

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Performance Reviews

Drunks, Dreamers and Dancers by the Sea

Drunks, Dreamers and Dancers by the Sea

Ιan Herbert* Viafest, Varna, Bulgaria, 1-11 June 2019 Viafest is the shorthand title for the International Theatre Festival Varna Summer, now in its 27th edition. For eleven busy days, at the beginning of June, the popular Black Sea resort welcomed

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War Is All Around Us

War Is All Around Us

Tamás Jászay* Interferences International Theatre Festival, Cluj-Napoca, Romania, November 22-30 2018 Interferences has become shorter—for obvious financial reasons (as everywhere nowadays), but not only. Usually stretching into early December, this year the festival ended on November 30. This is no

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Eclectic Encounters in the Forest Festival of Thessaloniki

Eclectic Encounters in the Forest Festival of Thessaloniki

Katerina Delikonstantinidou* 2nd International Forest Festival of Thessaloniki, Greece, June 28-July 6, 2018 In 2015, the National Theatre of Northern Greece (NTNG) collaborated with the Hellenic Festival to organize the first Forest Festival of Thessaloniki in an effort to enhance

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Unruly Feminist Circus in the Wake of #metoo

Unruly Feminist Circus in the Wake of #metoo

Loretto Villalobos* Guds olydiga revben (God’s Disobedient Rib), adapted by Lærke Reddersen and Martina Montelius from the book by Gunilla Thorgren. Director: Tilde Björfors. Set: Fridjon Rafnsson. Costume: Anna Heymowska. Lighting design: Patrik Angestav. Music and sound design: Samuel “Loop

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Bleeding Heads and Bodies in Finland

Bleeding Heads and Bodies in Finland

Matti Linnavuori* Harriet, written and directed by Milja Sarkola. Set design: Kaisa Rasila; costume design: Riitta Röpelinen; lighting design: Ville Mäkelä; sound design: Jussi Kärkkäinen. Première at Ryhmäteatteri, Helsinki, Finland, February 13, 2019.Medusan huone (Medusa’s Room), written and directed by

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Expanding the Boundaries

Expanding the Boundaries

Tina Perić* Belgrade Dance Festival, March 22, 2019 to April 12, 2019 At the beginning of spring, for the last sixteen years, the Belgrade Dance Festival has brought to Serbia a significant number of eminent dance companies from all over the world.

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Uncle Vanya’s Roars on the Grand Piano

Uncle Vanya’s Roars on the Grand Piano

Aydin Talıbzadeh* Anton Chekhov’s Uncle Vanya by Chiten theatre of Japan, directed by Motoi Miura. Seen at the M.A.P. (Music Art Performance) Festival in Baku, Azerbaijan, November 5-11, 2018. Chiten theatre from Japan performed a spectacle of genius based on

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The Twentieth Century in One Family

The Twentieth Century in One Family

Lasha Chkhartishvili* Das achte Leben (Für Brilka), or The Eighth Life (for Brilka). Adapted by Julia Lochte and Emilia Linda Heinrich from the novel by Nino Kharatishvili. Directed by Jette Steckel. Costume designer: Pauline Hüners; stage designer: Florian Lösche; video by Zaza

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L’Impossible Procès des Guadeloupéens : Une dialectique fragile s’impose

L’Impossible Procès des Guadeloupéens :  Une dialectique fragile s’impose

Alvina Ruprecht* Adapté du texte collectif Le Procès des Guadeloupéens, Éditions L’Harmattan, 1981 ; Mé 67 de Raymond Gama et Pierre Sainton, Éditions Soged, 1985. Texte de Guy Lafages, adaptation et mise en scène de Luc Saint-Eloy. Spectacle présenté au Festival

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cs2-admin May 2, 2019February 6, 2022 Performance Reviews Read more
About us | À propos de nous
Editorial Note | Éditorial

Editorial Board

CS Issue No 19 Editorial Board

CS/Sc Newsletter

Contact CS/Sc

Click here for the CS/Sc contact form

The theatricality of music, the musicality of theatre

Call for Articles and Essays

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Re-Orienting Arab Theatre and Performance: New Political Aesthetics

Call for Articles and Essays

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The Essay Section/La section des essais

Call for Articles and Essays

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Special Pages

International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

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Critical Stages/Scènes critiques is published with generous support from the JIN XING Dance Theatre

 


Critical Stages/Scènes critiques is hosted with generous support from the Aristotle University of Thessaloniki, Greece

 

 

 

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