Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – June/Juin 2019: Issue No 19
Roman Paska
Presented by Olivier de Sagazan in the 2nd Forest Festival, Thessaloniki, Greece
Une dialectique fragile s’impose
Winds of Change
Limites d’une dramaturgie interactive
Belgrade Dance Festival
Interferences International Theatre Festival
Τhe Lithuanian Τheatre as Nekrošius Departs
Interview with Katia Arfara
Aydin Talıbzadeh* Anton Chekhov’s Uncle Vanya by Chiten theatre of Japan, directed by Motoi Miura. Seen at the M.A.P. (Music Art Performance) Festival in Baku, Azerbaijan, November 5-11, 2018. Chiten theatre from Japan performed a spectacle of genius based on
Lasha Chkhartishvili* Das achte Leben (Für Brilka), or The Eighth Life (for Brilka). Adapted by Julia Lochte and Emilia Linda Heinrich from the novel by Nino Kharatishvili. Directed by Jette Steckel. Costume designer: Pauline Hüners; stage designer: Florian Lösche; video by Zaza
Nele Wynants* Résumé : Au sein des arts du spectacle occidentaux se manifeste une tendance interactive. Ces spectacles décalent les cadres de théâtre traditionnels et mettent le public au cœur du dispositif en lui accordant un rôle de protagoniste, ou
Maaike Bleeker*, Eero Laine**, Sean Metzger*** Abstract: Performance Studies international (PSi) is an organization that has grown over more than two decades and continues to experiment with various modes of performance making and study. This article examines the history, trajectory
Edited by Susan Bennett and Sonia Massai237 pp. London: Methuen Drama Reviewed by Patricia Keeney* This volume of essays and case studies of 30 important productions staged by Belgian-born director Ivo van Hove is as alive, informed and exciting as
By John Elsom257 pp. Cambridge: The Lutterworth Press Reviewed by Don Rubin* British critic John Elsom served as President of the International Association of Theatre Critics (publisher of this august journal) from 1985 to 1992. His latest book—State of Paralysis:
By Mark Brown254 pp. Palgrave Macmillan Reviewed by Mark Fisher* Scottish theatre gives the historian a dilemma. How do you shape a coherent narrative out of a disrupted story? In many theatre cultures, a line connects past and present. Writing
By Avra Sidiropoulou204 pp. Routledge Reviewed by Amy S. Green* Directing a play is no small feat. A director will choose, inherit or devise the script; research the context, content, style and themes; conceptualize the translation to the stage; communicate
de Sylvie Chalaye138 pp. Caen: Editions Passages par Selim Lander* L’auteure de ce livre qui étudie les écritures théâtrales de quelques auteurs francophones contemporains d’origine africaine ou caribéenne, justifie son titre en quelques lignes d’introduction: « Ces dramaturgies sont engagées dans
Lauma Mellēna-Bartkeviča* and Ieva Rodiņa** Abstract: The article gives an insight into the current situation of Latvian theatre, its administrative and artistic perspectives. It provides an overview of its financing models, emphasizing the increasing competitiveness of the independent theatres, as
