Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18
Essai par Rachel Killick, 528 pp. Montréal : Presses de l’Université de Montréal Compte rendu de Alvina Ruprecht* Michel Tremblay, auteur des Belles-sœurs (1968), une des œuvres classiques du théâtre québécois traduite en plus de 15 langues, a radicalement transformé la
By David Rains Wallace 295 pp. Privately Published Reviewed by Patricia Keeney* An exhaustive and complicated exploration of wild places in the Shakespeare canon, Wallace’s study is also insightful and imaginative, involving meticulous research that tracks off on its own
Edited by Ludmila Patlanjoglu 216 pp. Bucharest: Romanian Cultural Institute, in association with Nemira Publishing In Romanian, French and English Reviewed by Călin Ciobotari* There are books one awaits as a major cultural event and this is one of them.
Georges Banu* Résume: Le Zeitgeist définit ce qui se constitue en “esprit “propre à une époque et que certains artistes captent dès ses premières manifestations annonciatrices. Ils sont les précurseurs. Ensuite, lorsque s’engage la diffusion de l’esprit du temps d’autres artistes
Benny Lim*, Chua Lian Choon (Richard)** Despite having a Malay-Muslim majority and a declared religion of Islam, Malaysia is known today as a multi-racial and multi-religious country in Southeast Asia. It is one of the fastest growing developing nations in
Elizabeth Sakellaridou* Abstract: Revisiting the pointless Falklands war for the stage, over three decades after it took place, was a very timely endeavor for the Argentinean director Lola Arias. By comparison to the larger and more devastating wars of our time,
Hanna Helavuori* The Anthropocene has been defined as the present geological epoch, in which the earth’s ecosystems and biodiversity are being slowly disrupted by human intervention. Climate change and other environmental crises affect the area of our thinking, observation, knowledge
Kamelia Nikolova* In the last couple of years, Bulgarian theatre has been characterized by a particular emphasis on the visual aspect of a performance, interest in new dramatic texts and inventive new readings of national and world classical plays. Most
Don Rubin* Abstract: This is an introduction to a eight essay section on the Shakespeare Authorship Question. The introduction suggests that there are significant irregularities in the traditional biography, that the authorship question has a history of some 400 years
Derek Jacobi* and Mark Rylance** Abstract: This paper presents the edited transcript of a conversation between two distinguished Shakespearean actors, Derek Jacobi and Mark Rylance, about why the Shakespeare Authorship Question should be accorded respect and taken more seriously by
