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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2025: Issue No 31

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  • Inter/National Reflections
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Author: Young Critics

Pot of Chaos: Young Critics Discussing Juggle and Hide

Young Critics
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The Choreography of Encounter

Yaşam Özlem Gülseven
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The Start of a Movement: Disruption, Reflection and the Art of Invitation in Choreographic Intrusion and Juggle and Hide

Natalie Rine
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New Voices of Hanoi: Puppets, Shadows and Urban Change in ToLo Puppet Theatre’s Thổ địa

Qiao Zhangweijing
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Du luxe et de l’Impuissance  (The Rich and the Powerless) / Il ne m’est jamais rien arrivé  (It Never Arrived) Un projet de Vincent Dedienne

Selim Lander
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Theatre and its Audiences: Reimagining the Relationship in Times of Crisis

Katayoun Salmasi
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Jean-Marie Serreau – Fragments et extraits réunis et présentés

Selim Lander
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Quels rôles pour le spectateur à l’ère numérique?

Lou Gargouri
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The Paris Manuscript: The Early Draft Rediscovered

Lenka Pichlíková-Burke
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In Memoriam: Athol Fugard (1932-2025)

Temple Hauptfleisch
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Connecting the Dots from the River to the Gulf: Turning River Data Flow into Sound Performance Speaks Volumes for Rio Grande Ecology

Marya Errin Jones
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“We come from the place of many tongues”: The Land Memory Bank, Mondo Bizarro and the Mississippi

Monique Verdin, Nick Slie, Lisa D’Amour
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It Is Our Fault: Theatre on the Climate Catastrophe in Egypt

Jillian Campana
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The Absurdity of Collapse: Ecosomatics, Memory, and Bioethics in Project Abyssos

Eva Gkadri
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Say Yes to Me. Or Penguins, Provocation and Bulging Hope

Moira Finucane
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Riding the Waves of Change: Sailing with the Flipflopi Project

Mick Warwick
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Theatre of Hunger: Climate Fasts and Protests in Ladakh

Nikhil Katara
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Relocation, Dislocation, Recontextualization: Two Recent U.S. Stagings of Adigun/Doyle Playboy

Bisi Adigun and Meghan Winch
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Two Stages, One Vision: Stefan Larsson’s Adaptation of Ibsen’s Little Eyolf in Sweden and Cyprus

Maria Hamali and Maria Sehopoulou
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Like an Alien Hair in One’s Mouth: Anmar Taha’s Theatrical Performance and the Use of the Body

Farah Ali and Majeed Mohammed Midhin
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Culinary Climate Action, Food Justice and the Revolution in Our Gardens

DJ Cavem
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Singing History—Politics of Idiom and Genre in Ted Hearne’s Music(al)-Theatre

David Roesner
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Le fil mémoriel et la dimension onirique dans les spectacles numériques de Lemieux-Pilon

Filip Dukanic
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Community Theatre in Colombia: Origins and Trajectories

Sarah Ashford Hart and Janneth Aldana
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Hybrid Times and Traditional Dance: The Egbenu-Oba Experiment in Nigeria

Princewill Chukwuma Abakporo, Fidelis Enang Egbe, Abdumalik Adakole Amali, Stanley Timeyin Ohenhen, Ofega Eru
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CS/Sc Issue No 31 Section Editors & Editorial Board

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Critical Stages/Scènes critiques, #31, June 2025

e-ISSN: 2409-7411

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