{"id":344,"date":"2016-04-05T14:59:08","date_gmt":"2016-04-05T14:59:08","guid":{"rendered":"https:\/\/www.critical-stages.org\/9\/?page_id=344"},"modified":"2016-04-05T14:59:08","modified_gmt":"2016-04-05T14:59:08","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/9\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"
\"\"<\/a>\n

Shakespeare Beyond Doubt: Evidence, Argument, Controversy | Shakespeare Beyond Doubt? Exposing An Industry in Denial<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Cambridge Introduction to Theatre Directing<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Albert Camus-Michel Vinaver : S\u2019engager ?<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-344","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7qGXm-5y","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages\/344\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/media?parent=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}