{"id":243,"date":"2016-04-04T17:05:19","date_gmt":"2016-04-04T17:05:19","guid":{"rendered":"https:\/\/www.critical-stages.org\/9\/?page_id=243"},"modified":"2016-04-05T14:58:18","modified_gmt":"2016-04-05T14:58:18","slug":"editorial-note-visits-to-a-festival-near-you","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/9\/editorial-note-visits-to-a-festival-near-you\/","title":{"rendered":"Editorial Note: Visits to a Festival near You"},"content":{"rendered":"<p><strong>Matti Linnavuori<\/strong><a href=\"#end1\"><sup>[1]<\/sup><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"24\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/editorial\/livanuori\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Livanuori.jpg\" data-orig-size=\"600,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Livanuori\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Livanuori.jpg\" class=\"alignnone size-medium wp-image-24\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Livanuori-225x300.jpg\" alt=\"Livanuori\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Livanuori-225x300.jpg 225w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Livanuori.jpg 600w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>This issue\u2019s Performance Reviews span from Bolivia and Martinique in the West all the way to Japan in the East. There is the inevitable stopover in Europe, of course, where critics pay attention and homage to theatre from Bulgaria, the Czech Republic, France, Germany and Romania.<\/p>\n<p>Most of these contributions discuss performances seen at various festivals. Could it be that critics more and more seldom go to watch individual shows in their home countries, perhaps because there are fewer and fewer opportunities to publish one\u2019s writings about them? But surely individual shows are still being produced, for where else would festivals choose their program from? Are local producers failing to get the media attention their shows deserve?<\/p>\n<p>Critically, there is no distinction between local \u201cundergrowth\u201d shows and \u201cinternational\u201d festival theatre, but economically, local may be becoming more distant for critics than international is.<\/p>\n<hr \/>\n<p><a name=\"end1\">[1]<\/a> <strong>Matti Linnavuori<\/strong> (born 1955) edits the Performance Reviews for <i>Critical Stages<\/i>. At home in Finland, he contributes regularly to <i>Parnasso<\/i>, a literary journal. He has written and directed several radio plays for YLE, the Finnish Broadcasting Company.<\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-772799dbdc\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/decisive-chekhovian-encounters-in-timisoara\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"246\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/decisive-chekhovian-encounters-in-timisoara\/amaria-zarnescu-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6.jpg\" data-orig-size=\"573,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"aMaria-Zarnescu-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aMaria-Zarnescu-8x6.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/decisive-chekhovian-encounters-in-timisoara\/\" class=\"_self\" target=\"_self\" >Decisive Chekhovian Encounters in Timi\u015foara<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/whistles-and-shouts-in-berlin\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"257\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/whistles-and-shouts-in-berlin\/rothberg-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6.jpg\" data-orig-size=\"562,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Rothberg-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Rothberg-8x6.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/whistles-and-shouts-in-berlin\/\" class=\"_self\" target=\"_self\" >Whistles and Shouts in Berlin<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/ptite-souillure-comedie-sacree\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"262\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/ptite-souillure-comedie-sacree\/photo-s-lander-comp-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6.jpg\" data-orig-size=\"336,423\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo-S-Lander-comp-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Photo-S-Lander-comp-8x6.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/ptite-souillure-comedie-sacree\/\" class=\"_self\" target=\"_self\" >P\u2019tite Souillure, com\u00e9die sacr\u00e9e<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/la-bolivie-theatrale-entre-table-et-plateau-bolivian-origins-on-the-table-and-on-the-stage\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"273\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/la-bolivie-theatrale-entre-table-et-plateau-bolivian-origins-on-the-table-and-on-the-stage\/matihan\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan.jpg\" data-orig-size=\"597,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mati&amp;#038;Han\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/MatiHan.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/la-bolivie-theatrale-entre-table-et-plateau-bolivian-origins-on-the-table-and-on-the-stage\/\" class=\"_self\" target=\"_self\" >La Bolivie th\u00e9\u00e2trale entre table et plateau  Bolivian origins on the table and on the stage<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/labyrinth-of-illusions-in-the-city-beyond-boundaries\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aAkiko-Tachiki-8x6-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aAkiko-Tachiki-8x6-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aAkiko-Tachiki-8x6-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"279\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/labyrinth-of-illusions-in-the-city-beyond-boundaries\/aakiko-tachiki-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aAkiko-Tachiki-8x6.jpg\" data-orig-size=\"240,313\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"aAkiko-Tachiki-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/aAkiko-Tachiki-8x6.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/labyrinth-of-illusions-in-the-city-beyond-boundaries\/\" class=\"_self\" target=\"_self\" >Labyrinth of Illusions in the City beyond Boundaries<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/cette-barbarie-qui-nous-guette\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"23\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/editorial\/guillon\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon.jpg\" data-orig-size=\"800,676\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Guillon\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Guillon.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/cette-barbarie-qui-nous-guette\/\" class=\"_self\" target=\"_self\" >Cette barbarie qui nous guette<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/nora-as-a-corporate-trophy\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6-300x300.jpg 300w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6-230x230.jpg 230w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6.jpg 530w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"293\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/nora-as-a-corporate-trophy\/mihail-baykov-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6.jpg\" data-orig-size=\"530,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mihail-Baykov-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/Mihail-Baykov-8x6.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/nora-as-a-corporate-trophy\/\" class=\"_self\" target=\"_self\" >Nora as a Corporate Trophy<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/9\/everything-and-the-kitchen-sink\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246-150x150.jpg 150w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246-270x270.jpg 270w, https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"19\" data-permalink=\"https:\/\/www.critical-stages.org\/9\/editorial\/attachment\/1317557246\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246.jpg\" data-orig-size=\"439,589\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1317557246\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/9\/wp-content\/uploads\/sites\/11\/2016\/04\/1317557246.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/9\/everything-and-the-kitchen-sink\/\" class=\"_self\" target=\"_self\" >Everything and the Kitchen Sink<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Matti Linnavuori[1] This issue\u2019s Performance Reviews span from Bolivia and Martinique in the West all the way to Japan in the East. There is the inevitable stopover in Europe, of course, where critics pay attention and homage to theatre from<\/p>\n","protected":false},"author":1,"featured_media":24,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-243","page","type-page","status-publish","has-post-thumbnail","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7qGXm-3V","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/comments?post=243"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/pages\/243\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/media\/24"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/9\/wp-json\/wp\/v2\/media?parent=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}