{"id":288,"date":"2016-03-13T17:08:13","date_gmt":"2016-03-13T17:08:13","guid":{"rendered":"https:\/\/www.critical-stages.org\/6\/?page_id=288"},"modified":"2021-02-16T15:16:50","modified_gmt":"2021-02-16T15:16:50","slug":"contents","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/6\/","title":{"rendered":"Contents"},"content":{"rendered":"

Table of Contents<\/h1>\n

Editorial<\/a>\u00a0| \u00c9ditorial<\/a>
\nYun-Cheol Kim<\/p>\n

\n
Thalia Prize<\/span><\/h5>\n

Citation: Kapila Vatsyayan<\/a>
\nMargareta S\u00f6renson (Sweden)<\/p>\n

Acceptance Speech<\/a>
\nKapila Vatsyayan (India)<\/p>\n

\n
Special Topic: Theatre and Disaster<\/a><\/span><\/h5>\n

Section Editor: Manabu Noda<\/strong><\/p>\n

Editorial Comment | Theatre and Disaster<\/a>
\nManabu Noda (Japan)<\/p>\n

A Message from IATC Japan on the 3\/11 Earthquake<\/a>
\nKojin Nishido (Japan)<\/p>\n

Theatres Shaken by the 3\/11 Quake in Japan<\/a>
\nHiroyuki Masaki (Japan)<\/p>\n

Trying to Give Shape to an Unending End: Post-3\/11 Theatre in Tokyo<\/a>
\nManabu Noda (Japan)<\/p>\n

Caught between Solidarity and Hesitation: The 3\/11 Earthquake and Theatre in Japan<\/a>
\nMorihiro Niino (Japan)<\/p>\n

Theatre in a Time of War<\/a>
\nZain Ahmed & Hajirah Mumtaz (Pakistan)<\/p>\n

\n
Interviews<\/a><\/span><\/h5>\n

Section Editor: Randy Gener<\/strong><\/p>\n

Editorial Comment<\/a>
\nRandy Gener (U.S.)<\/p>\n

Un th\u00e9\u00e2tre briseur des tabous \u2014 Entretien avec R\u00e9mi De Vos, dramaturge fran\u00e7ais<\/a>
\nIr\u00e8ne Sadowska-Guillon (France)<\/p>\n

\u201cOld Souls into New Souls\u201d \u2014 Interview with Robert Goldsby, U.S. Director<\/a>
\nLissa Tyler Renaud (U.S.)<\/p>\n

When Hamlet Is in Charge \u2014 Interview with Ion Caramitru, Romanian Actor, Director and General Manager of the National Theater in Bucharest<\/a>
\nIoana Moldovan (Romania)<\/p>\n

Le th\u00e9\u00e2tre comme lieu de reconnaissance et de r\u00e9sistance \u2014 Entretien avec Fausto Paravidino<\/a>
\nIr\u00e8ne Sadowska-Guillon (France)<\/p>\n

\u201cYou Can Twist Time And Space And Find Yourself Somewhere Else\u201d \u2014 Interview with Javor Gurdev, Bulgarian Director<\/a>
\nEmil Iliev (Bulgaria)<\/p>\n

\n
Essays<\/a><\/span><\/h5>\n

Section Editor: Maria Helena Ser\u00f4dio<\/strong><\/p>\n

Le th\u00e9\u00e2tre de Shiro Maeda : Le r\u00e9el mis en pi\u00e8ces ou l’aventure de l’inconscient<\/a>
\nIr\u00e8ne Sadowska-Guillon (France)<\/p>\n

La parodie dans le K-POP: Une analyse de \u00ab NOBODY \u00bb, clip de JYP avec les WONDER GIRLS<\/a>
\nPatrice Pavis<\/p>\n

\n
Conference Papers<\/a><\/span><\/h5>\n

Section Editors: Mark Brown<\/strong> & Savas Patsalidis<\/strong><\/p>\n

Editorial Comment<\/a>
\nSavas Patsalidis (Greece)<\/p>\n

An Introduction to Contemporary Korean Theatre<\/a>
\nYun-Cheol Kim (Korea)<\/p>\n

A Westerner Looks East<\/a>
\nIan Herbert (UK)<\/p>\n

Multicultural Shakespeare on the Contemporary Stage<\/a>
\nAndrzej \u017burowski (Poland)<\/p>\n

\n
Performance Reviews<\/a><\/span><\/h5>\n

Section Editor: Matti Linnavuori<\/strong><\/p>\n

Editorial Comment<\/a>
\nMatti Linnavuori (Finland)<\/p>\n

Folk Tales and Puppetry Techniques Mingle in Baku<\/a>
\nAydin Talibzadeh (Azerbaijan)<\/p>\n

Madeleine et la Chine<\/a>
\nHerv\u00e9 Guay (Canada)<\/p>\n

A Hungarian Hamlet of What ifs<\/a>
\nJudit Cs\u00e1ki (Hungary)<\/p>\n

Baltic Theatre Seeks to Define Rather than Depict History<\/a>
\nMark Brown (UK) & Matti Linnavuori (Finland)<\/p>\n

Andrei Serban is Reshaping the Classics<\/a>
\nOltita Cintec (Romania)<\/p>\n

Congre et homard de Ga\u00ebl Octavia : un exercice de haute-\u00e9cole<\/a>
\nSelim Lander (France)<\/p>\n

Fragments of a Revolutionary Discourse<\/a>
\nSergio Lo Gatto (Italy)<\/p>\n

La Temp\u00eate, un dialogue interculturel entre Shakespeare et Oh Tae-Suk<\/a>
\nHyun-Sook Shin (Korea)<\/p>\n

HOMO! A Gay Fantasy on National Themes<\/a>
\nSoila Lehtonen (Finland)<\/p>\n

\n
Book Reviews<\/a><\/span><\/h5>\n

Section Editor: Don Rubin<\/strong><\/p>\n

World Scenography: 1975-1990, Edited by Peter McKinnon and Eric Fielding, 430 pp. Taiwan: OISTAT, 2012.<\/a>
\nDon Rubin (Canada)<\/p>\n

Eroticism and Death in Theatre and Performance, Edited by Karoline Gritzner, 267 pp. Hatfield: University of Hertfordshire Press, 2010.<\/a>
\nMark Brown (UK)<\/p>\n

Howard Barker Interviews 1980-2010: Conversations in Catastrophe, Edited and introduced by Mark Brown, 214 pp. Bristol and Chicago: intellectbooks, 2011.<\/a>
\nPhilippe Rouyer (France)<\/p>\n

\n
Critics on Criticism<\/a><\/span><\/h5>\n

Section Editor: Yun-Cheol Kim<\/strong><\/p>\n

Criticism Beyond Criticism<\/a>
\nYun-Cheol Kim (Korea)<\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents Editorial\u00a0| \u00c9ditorial Yun-Cheol Kim Thalia Prize Citation: Kapila Vatsyayan Margareta S\u00f6renson (Sweden) Acceptance Speech Kapila Vatsyayan (India) Special Topic: Theatre and Disaster Section Editor: Manabu Noda Editorial Comment | Theatre and Disaster Manabu Noda (Japan) A Message<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-288","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7kGC0-4E","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/comments?post=288"}],"version-history":[{"count":2,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages\/288\/revisions"}],"predecessor-version":[{"id":515,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages\/288\/revisions\/515"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/media?parent=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}