{"id":286,"date":"2016-03-13T17:06:15","date_gmt":"2016-03-13T17:06:15","guid":{"rendered":"https:\/\/www.critical-stages.org\/6\/?page_id=286"},"modified":"2016-03-13T17:06:15","modified_gmt":"2016-03-13T17:06:15","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/6\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"

CS<\/strong> reviews new and recent theatre books. Anyone interested in writing in either English or French about a new book that would be of interest to a wide audience of theatre scholars, writers and critics should contact Theatre in Print <\/em>Editor Don Rubin (drubin@yorku.ca) as early as possible. Publishers wishing to submit books for review should also contact the editor in advance. In this issue, we are pleased to include reviews of books published recently by our sister organization OISTAT (publication office in Taiwan) and two books from the UK (one on Howard Barker reviewed by French critic Philippe Rouyer and the other on eroticism and death in performance reviewed by CS <\/em>editorial board member Mark Brown from Scotland.<\/p>\n

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 <\/p>\n

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World Scenography: 1975-1990<\/a><\/h4><\/div><\/div>\n
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Eroticism and Death in Theatre and Performance<\/a><\/h4><\/div><\/div>\n
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Howard Barker Interviews 1980-2010: Conversations in Catastrophe<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

CS reviews new and recent theatre books. Anyone interested in writing in either English or French about a new book that would be of interest to a wide audience of theatre scholars, writers and critics should contact Theatre in Print<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-286","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7kGC0-4C","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages\/286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/comments?post=286"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/pages\/286\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/6\/wp-json\/wp\/v2\/media?parent=286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}