{"id":406,"date":"2016-03-05T18:44:43","date_gmt":"2016-03-05T18:44:43","guid":{"rendered":"https:\/\/www.critical-stages.org\/5\/?page_id=406"},"modified":"2021-03-07T17:16:34","modified_gmt":"2021-03-07T17:16:34","slug":"editorial-board","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/5\/editorial-board\/","title":{"rendered":"Editorial Board"},"content":{"rendered":"

Editor-in-Chief<\/h4>\n

\"1262063964\"<\/p>\n

Yun-Cheol Kim<\/strong>
\nPresident, International Association of Theatre Critics<\/p>\n

\n

Co-Editors<\/h4>\n


\nLissa Tyler Renaud<\/strong>
\nEnglish language Director and scholar, U.S.<\/p>\n

\"\"
\nMichel Va\u00efs<\/strong>
\nFrench language Critic, Canada<\/p>\n

\n

Editors<\/h4>\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"\"
\nMark Brown<\/strong>
\nTheatre Critic, U.K.<\/td>\n		\"1264638117\"
\nRandy Gener<\/strong>
\nCritic, U.S.<\/td>\n<\/tr>\n
\"\"
\nHerv\u00e9 Guay<\/strong>
\nAcademic and critic, Canada<\/td>\n		\"1258837276\"
\nMatti Linnavuori<\/strong>
\nCritic, Finland<\/td>\n<\/tr>\n
\"1335278817\"
\nTomasz Milkowski<\/strong>
\nCritic, Poland<\/td>\n		\"\"
\nManabu Noda<\/strong>
\nAcademic and Critic,\u00a0Japan<\/td>\n<\/tr>\n
\"1203812788\"
\nRodolfo Obr\u00e9gon<\/strong>
\nCritic, Mexico<\/td>\n		\"\"
\nLudmila Pantlanjoglou<\/strong>
\nAcademic and Critic,\u00a0Romania<\/td>\n<\/tr>\n
\"1015915192\"
\nSavas Patsalidis<\/strong>,
\nAcademic and Critic, Greece<\/td>\n		\"\"
\nPatrice Pavis<\/strong>
\nTheoretician, France<\/td>\n<\/tr>\n
\"1109361498\"
\nDon Rubin<\/strong>
\nAcademic and critic, Canada<\/td>\n		\"Serodio\"
\nMaria Helena Serodio<\/strong>
\nAcademic and critic, Portugal<\/td>\n<\/tr>\n
\"\"
\nMaria Shevtsova<\/strong>
\nAcademic, U.K.<\/td>\n		\"Halima_Tahan\"
\nHalima Tahan<\/strong>
\nCritic, Argentina<\/td>\n<\/tr>\n
\"Andrea_Tompa\"
\nAndrea Tompa<\/strong> (Hungary\/Hongrie)
\nAcademic & Critic<\/td>\n		\"1373055400\"
\nLouise Vigeant<\/strong>
\nAcademic and Critic, Quebec, Canada<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Editor-in-Chief Yun-Cheol Kim President, International Association of Theatre Critics Co-Editors Lissa Tyler Renaud English language Director and scholar, U.S. Michel Va\u00efs French language Critic, Canada Editors \u00a0 Mark Brown Theatre Critic, U.K. Randy Gener Critic, U.S. Herv\u00e9 Guay Academic and<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-406","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7j4p8-6y","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":617,"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/pages\/406\/revisions\/617"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/5\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}