By Lucian Pintilie 473 pp. Montpellier: L’Entretemps éditions (translated into French by Marie-France Ionesco) 536 pp. Bucharest: Humanitas Publishing House Reviewed by Maria Zărnescu[1] A discussion of an important autobiographical volume by Lucian Pintilie (b. 1933) — one of Romania’s
Un coffret livre, CD et DVD. (A boxed book, CD and DVD). La Maison d’à Côté, IMEC et INA (France) Irène Sadowska-Guillon[1] Il arrive que certains metteurs en scène entretiennent un lien particulier avec l’œuvre d’un auteur. Pour Jouvet par
Kamelia Nikolova[1] William Shakespeare: The Winter’s Tale. Directed by Margarita Mladenova. Set and costumes by Daniela Oleg Lyahova. Premiere 27 January 2011 at Theatre Laboratory Sfumato in Sofia, Bulgaria. Theatre laboratory Sfumato is one of the most interesting experimental companies
Brent Meersman[1] Via Intolleranza II, concept and direction Christoph Schlingensief, set design Thekla von Mülheim and Christian Schlechter, costumes Aino Laberenz, light Voxi Bärenklau and Michael Dietze, video Meika Dresenkamp, music Arno Waschk, dramaturgy Anna Heesen and Carl Hegemann. Premiere
Patrice Pavis[1] Self-Portrait : trois étapes de la vie. Choréographie et danse: Nam Jeungho. Avril 2011 au Théâtre d’Arko, Séoul, Corée. On Self-portrait by Nam Jeong ho from Critical Stages on Vimeo. Une première phase, à distance, sur un faisceau
Irène Sadowska-Guillon[1] « … Como el musguito en la piedra, ay si, si, si… », Création de Pina Bausch et du Tanztheater de Wuppertal, décors et vidéo Peter Pabst. Avec : Pablo Aran Gimeno, Rainer Behr, Damiano Ottavio Bigi, Ales
Christine Matvienko[1] Festival for Young Playwrights Liubimovka-2011 in Moscow, Russia, September 8-18th. 1 Liubimovka was created in 1990 by the elder generation of Russian playwrights to support the younger ones. Victor Slavkin, author of the famous Elder Daughter of a
Daria Dimiu[1] Albert Camus : Caligula, traduction d’Alice Georgescu, mise en scène László Bocsárdi, scénographie Joséph Bartha, costumes Judith Dobre-Kothay, éclairages Bányai Tamás, musique : Iosif Herţea, première au Théâtre National « Marin Sorescu » de Craiova, en Roumanie, en
Yun-Cheol Kim[1] The theme of the international program at the 2011 Edinburgh Festival was “Asia”; this is why I couldn’tnot go to that Scottish city. Due to my administrative responsibilities as Dean at the Korea National School of Drama, however,
Demoludy festival in Olsztyn, Poland, October 17 to 22, 2011. Matti Linnavuori[1] Demoludy is a Polish abbreviation for ’democratic peoples’. This is how the peoples of the Soviet block used to refer to themselves and their socialist neighbours in Eastern