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The IATC webjournal/Revue web de l'AICT – December 2011: Issue No 5

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Author: cs2-admin

Bric-a-brac : Du cauchemar réel au réalisme magique (Bricabrac : From Nightmare to Magic Realism)

Bric-a-brac : Du cauchemar réel au réalisme magique  (Bricabrac : From Nightmare to Magic Realism)

By Lucian Pintilie 473 pp. Montpellier: L’Entretemps éditions (translated into French by Marie-France Ionesco) 536 pp. Bucharest: Humanitas Publishing House Reviewed by Maria Zărnescu[1] A discussion of an important autobiographical volume by Lucian Pintilie (b. 1933) — one of Romania’s

cs2-admin March 3, 2016May 29, 2022 Book Reviews Read more

Antoine Vitez : Trois fois Électre (Antoine Vitz : Three Times Electra)

Antoine Vitez : Trois fois Électre  (Antoine Vitz : Three Times Electra)

Un coffret livre, CD et DVD. (A boxed book, CD and DVD). La Maison d’à Côté, IMEC et INA (France) Irène Sadowska-Guillon[1] Il arrive que certains metteurs en scène entretiennent un lien particulier avec l’œuvre d’un auteur. Pour Jouvet par

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Ice-cold Winter Landscapes after Love: Shakespeare in Sfumato, Sofia

Ice-cold Winter Landscapes after Love: Shakespeare in Sfumato, Sofia

Kamelia Nikolova[1] William Shakespeare: The Winter’s Tale. Directed by Margarita Mladenova. Set and costumes by Daniela Oleg Lyahova. Premiere 27 January 2011 at Theatre Laboratory Sfumato in Sofia, Bulgaria. Theatre laboratory Sfumato is one of the most interesting experimental companies

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German Discovers Opera in Africa

German Discovers Opera in Africa

Brent Meersman[1] Via Intolleranza II, concept and direction Christoph Schlingensief, set design Thekla von Mülheim and Christian Schlechter, costumes Aino Laberenz, light Voxi Bärenklau and Michael Dietze, video Meika Dresenkamp, music Arno Waschk, dramaturgy Anna Heesen and Carl Hegemann. Premiere

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On Self-portrait by Nam Jeong ho

On Self-portrait by Nam Jeong ho

Patrice Pavis[1] Self-Portrait : trois étapes de la vie. Choréographie et danse: Nam Jeungho. Avril 2011 au Théâtre d’Arko, Séoul, Corée. On Self-portrait by Nam Jeong ho from Critical Stages on Vimeo. Une première phase, à distance, sur un faisceau

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Danser le Chili

Danser le Chili

Irène Sadowska-Guillon[1] « … Como el musguito en la piedra, ay si, si, si… », Création de Pina Bausch et du Tanztheater de Wuppertal, décors et vidéo Peter Pabst. Avec : Pablo Aran Gimeno, Rainer Behr, Damiano Ottavio Bigi, Ales

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To Be Honest in Moscow

To Be Honest in Moscow

Christine Matvienko[1] Festival for Young Playwrights Liubimovka-2011 in Moscow, Russia, September 8-18th. 1 Liubimovka was created in 1990 by the elder generation of Russian playwrights to support the younger ones. Victor Slavkin, author of the famous Elder Daughter of a

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Faute de dieux, on se sert des mortels

Faute de dieux, on se sert des mortels

Daria Dimiu[1] Albert Camus : Caligula, traduction d’Alice Georgescu, mise en scène László Bocsárdi, scénographie Joséph Bartha, costumes Judith Dobre-Kothay, éclairages Bányai Tamás, musique : Iosif Herţea, première au Théâtre National « Marin Sorescu » de Craiova, en Roumanie, en

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Edinburgh Meets Asia in a Big Way

Edinburgh Meets Asia in a Big Way

Yun-Cheol Kim[1] The theme of the international program at the 2011 Edinburgh Festival was “Asia”; this is why I couldn’tnot go to that Scottish city. Due to my administrative responsibilities as Dean at the Korea National School of Drama, however,

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A Mischievous Look at Post-1989 Democratic Theatre

A Mischievous Look at Post-1989 Democratic Theatre

Demoludy festival in Olsztyn, Poland, October 17 to 22, 2011. Matti Linnavuori[1] Demoludy is a Polish abbreviation for ’democratic peoples’. This is how the peoples of the Soviet block used to refer to themselves and their socialist neighbours in Eastern

cs2-admin March 2, 2016May 29, 2022 Performance Reviews Read more
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