{"id":389,"date":"2016-02-27T14:13:39","date_gmt":"2016-02-27T14:13:39","guid":{"rendered":"https:\/\/www.critical-stages.org\/4\/?page_id=389"},"modified":"2016-02-27T14:13:39","modified_gmt":"2016-02-27T14:13:39","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/4\/performance-reviews\/","title":{"rendered":"Performance Reviews"},"content":{"rendered":"<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-3c40bc0bf4\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/the-end-of-one-road-the-beginning-of-another-xhosa-theatre-in-cape-town\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1065951988-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/the-end-of-one-road-the-beginning-of-another-xhosa-theatre-in-cape-town\/\" class=\"_self\" target=\"_self\" >The End of One Road, the Beginning of Another: Xhosa Theatre in Cape Town<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/censorship-makes-an-artist-grow\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1368432243-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/censorship-makes-an-artist-grow\/\" class=\"_self\" target=\"_self\" >Censorship Makes an Artist Grow<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/un-echantillon-de-theatre-iranien\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1102372490-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/un-echantillon-de-theatre-iranien\/\" class=\"_self\" target=\"_self\" >Un \u00e9chantillon de th\u00e9\u00e2tre iranien<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/killbeth-korean-shakespeare-with-heung-and-energy\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"145\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1023376192-150x145.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/killbeth-korean-shakespeare-with-heung-and-energy\/\" class=\"_self\" target=\"_self\" >Killbeth: Korean Shakespeare with Heung and Energy<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/walking-in-the-air-mr-vertigo-a-fantasy-of-an-artists-freedom-by-kristian-smeds\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1252226962-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/walking-in-the-air-mr-vertigo-a-fantasy-of-an-artists-freedom-by-kristian-smeds\/\" class=\"_self\" target=\"_self\" >Walking in the Air, Mr Vertigo: a Fantasy of (an Artist\u2019s) Freedom by Kristian Smeds<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/do-the-georgians-want-a-war\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1272316989-130x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/do-the-georgians-want-a-war\/\" class=\"_self\" target=\"_self\" >Do the Georgians Want a War?<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/new-year-and-a-new-relationship\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1109850646-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/new-year-and-a-new-relationship\/\" class=\"_self\" target=\"_self\" >New Year and a New Relationship!<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/leonce-and-lena-from-cluj-finally-and-gently-it-makes-sense\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1373508584-140x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/leonce-and-lena-from-cluj-finally-and-gently-it-makes-sense\/\" class=\"_self\" target=\"_self\" >Leonce and Lena from Cluj:  Finally, and Gently, It Makes Sense<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/musical-life-is-beautiful\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1023687495-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/musical-life-is-beautiful\/\" class=\"_self\" target=\"_self\" >Musical Life Is Beautiful!<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/who-kills-heiner-mueller-a-chinese-performance-of-hamletmachine\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1332573709-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/who-kills-heiner-mueller-a-chinese-performance-of-hamletmachine\/\" class=\"_self\" target=\"_self\" >Who Kills Heiner Mueller?  A Chinese Performance of Hamletmachine<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-389","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7j4tu-6h","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages\/389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/comments?post=389"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages\/389\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/media?parent=389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}