{"id":385,"date":"2016-02-27T14:12:41","date_gmt":"2016-02-27T14:12:41","guid":{"rendered":"https:\/\/www.critical-stages.org\/4\/?page_id=385"},"modified":"2016-02-27T14:12:41","modified_gmt":"2016-02-27T14:12:41","slug":"interviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/4\/interviews\/","title":{"rendered":"Interviews"},"content":{"rendered":"<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-862dd2a41f\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/en-quete-dune-issue-pour-demain-entretien-avec-zinnie-harris\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1319166394-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/en-quete-dune-issue-pour-demain-entretien-avec-zinnie-harris\/\" class=\"_self\" target=\"_self\" >En qu\u00eate d&#8217;une issue pour demain  \u2014 Entretien avec Zinnie Harris<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/to-visualize-the-invisible-the-in-between-space-an-interview-with-the-macedonian-performance-artist-igor-josifov\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"147\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1075308367-150x147.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/to-visualize-the-invisible-the-in-between-space-an-interview-with-the-macedonian-performance-artist-igor-josifov\/\" class=\"_self\" target=\"_self\" >\u201cTo Visualize the Invisible, the In-Between Space\u201d \u2014 An Interview with the Macedonian Performance Artist Igor Josifov<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/art-always-gets-caught-between-the-pages-of-history-a-flemish-coincidence-interview-with-jan-lauwers\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1185933658-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/art-always-gets-caught-between-the-pages-of-history-a-flemish-coincidence-interview-with-jan-lauwers\/\" class=\"_self\" target=\"_self\" >\u201cArt Always Gets Caught Between the Pages of History\u201d: A Flemish Coincidence \u2014 Interview with Jan Lauwers<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/la-scene-de-la-regeneration-de-soi-entretien-avec-arne-lygre\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1377958303-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/la-scene-de-la-regeneration-de-soi-entretien-avec-arne-lygre\/\" class=\"_self\" target=\"_self\" >La sc\u00e8ne de la r\u00e9g\u00e9n\u00e9ration de soi \u2014 Entretien avec Arne Lygre<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/4\/a-director-with-zeitgeist-peking-opera-meets-the-western-canon-interview-with-ma-bao-shan\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"148\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/4\/wp-content\/uploads\/sites\/6\/2016\/02\/1269861824-148x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/4\/a-director-with-zeitgeist-peking-opera-meets-the-western-canon-interview-with-ma-bao-shan\/\" class=\"_self\" target=\"_self\" >A Director with Zeitgeist: Peking Opera Meets the Western Canon \u2014 Interview with Ma, Bao-Shan<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-385","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7j4tu-6d","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/pages\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/4\/wp-json\/wp\/v2\/media?parent=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}