{"id":457,"date":"2016-02-21T14:59:31","date_gmt":"2016-02-21T14:59:31","guid":{"rendered":"https:\/\/www.critical-stages.org\/3\/?page_id=457"},"modified":"2016-02-21T14:59:31","modified_gmt":"2016-02-21T14:59:31","slug":"reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/3\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-b38b9cb86e\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/lipsynch-lorsque-dure-lenchantement\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1275459941-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/lipsynch-lorsque-dure-lenchantement\/\" class=\"_self\" target=\"_self\" >Lipsynch : Lorsque dure l\u2019enchantement<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/incendiary-questions\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-150x150.jpg 150w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-270x270.jpg 270w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/incendiary-questions\/\" class=\"_self\" target=\"_self\" >Incendiary Questions<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/remettre-en-question-ce-que-signifie-la-maison-chez-cha-suk-dont-ladresse-est-1-dong-28\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1054584115-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/remettre-en-question-ce-que-signifie-la-maison-chez-cha-suk-dont-ladresse-est-1-dong-28\/\" class=\"_self\" target=\"_self\" >Remettre en question ce que signifie la maison :  Chez Cha-suk dont l\u2019adresse est 1 dong 28<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/lecriture-a-avignon-2010-vers-un-retour-de-la-narration\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1071453076-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/lecriture-a-avignon-2010-vers-un-retour-de-la-narration\/\" class=\"_self\" target=\"_self\" >L\u2019\u00e9criture \u00e0 Avignon (2010) :  vers un retour de la narration ?<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/pupilija-papa-pupilo-and-the-pupilceks-a-reconstruction\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/176-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/176-150x150.jpg 150w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/176-270x270.jpg 270w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/176-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/pupilija-papa-pupilo-and-the-pupilceks-a-reconstruction\/\" class=\"_self\" target=\"_self\" >Pupilija, Papa Pupilo and the Pupilceks: A Reconstruction<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/notes-on-the-armenian-theatre\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1231171857-140x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/notes-on-the-armenian-theatre\/\" class=\"_self\" target=\"_self\" >Notes on the Armenian Theatre<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/the-hamlet-constellation-cuts-to-the-bone\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-150x150.jpg 150w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-270x270.jpg 270w, https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1052742569-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/the-hamlet-constellation-cuts-to-the-bone\/\" class=\"_self\" target=\"_self\" >The Hamlet Constellation Cuts to the Bone<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/post-holocaust-or-gordian-knot-dritte-generation\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1281477027-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/post-holocaust-or-gordian-knot-dritte-generation\/\" class=\"_self\" target=\"_self\" >Post-Holocaust or Gordian Knot: Dritte Generation<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/3\/the-edinburgh-festival-2010-a-report-from-a-scottish-perspective\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/3\/wp-content\/uploads\/sites\/5\/2016\/02\/1141298221-130x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/3\/the-edinburgh-festival-2010-a-report-from-a-scottish-perspective\/\" class=\"_self\" target=\"_self\" >The Edinburgh Festival 2010: a Report from a Scottish Perspective<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-457","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7gg5F-7n","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/pages\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/pages\/457\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/3\/wp-json\/wp\/v2\/media?parent=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}