Mark Brown* Since they began in 1947, the Edinburgh International Festival (EIF) and its sister, off-festival programme (which would soon become known as the Edinburgh Festival Fringe) have had the most profound impact upon the city of Edinburgh (which has
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Ludmila Patlanjoglu[1] There was much success and sensation at the 7th edition of the 2010 Shakespeare International Festival. Craiova and Bucharest received top performances, large audiences, great directors, great actors, as well as famous scholars and critics from all over
Mehdi Nasiri[1] Armenia was the first country to officially adopt Christianity as a state religion. As a result, religion has always been a significant influence in Armenian theatre. Even today, theatre and religion are closely intertwined. Numerous plays deal with
The original, the re-staging and their differences Rok Vevar[1] Reconstruction and direction: Janez Janša. Creation and performance: Aleksandra Balmazović, Gregor Cvetko, Dražen Dragojevič, Lado Jakša, Alja Kapun, Boštjan Narat, Matjaž Pikalo, Dejan Srhoj, Ajda Toman, Irena Tomažin, Grega Zorc. Music:
Patrice Pavis* A chaque festival suffit sa peine : en 2009, j’interrogeais le retour du dramatique, sans parvenir à constater le « retour définitif et durable de l’être aimé », pour reprendre le titre d’une pièce de Cadiot, l’artiste associé
Cet article a été traduit par par Jung Hye-yong Noh Yi-Joung[1] Une chanson coréenne pour enfants : Quand je serai devenu, comme mon père, une grande personne, Je construirai ma maison de mes propres mains. Une belle maison sans haies
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Michel Vaïs[1] Lipsynch (2008). Texte coécrit par Robert Lepage et Marie Gignac, avec la collaboration des comédiens Frédérike Bédard, Carlos Belda, Rebecca Blankenship, Lise Castonguay, John Cobb, Nuria Garcia, Sarah Kemp, Rick Miller et Hans Piesbergen. Mise en scène :