{"id":758,"date":"2024-06-16T08:35:03","date_gmt":"2024-06-16T08:35:03","guid":{"rendered":"https:\/\/www.critical-stages.org\/29\/?p=758"},"modified":"2024-06-18T18:41:29","modified_gmt":"2024-06-18T18:41:29","slug":"the-thalia-prize-erika-fischer-lichte","status":"publish","type":"post","link":"https:\/\/www.critical-stages.org\/29\/the-thalia-prize-erika-fischer-lichte\/","title":{"rendered":"The Thalia Prize: Erika Fischer-Lichte"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Jeffrey Eric Jenkins<\/strong><a href=\"#end\" name=\"back\">*<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It is time for one more celebration as the end of our official business at the 30th World Congress draws near. As we turn to our Thalia Prize ceremony, we first want to introduce you to Milan N\u011bme\u010dek, Director General of the Live Arts Division for the Ministry of Culture of Czechia and Pavla Petrov\u00e1, Director of the Arts and Theatre Institute.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8048_.jpg\" alt=\"\" class=\"wp-image-814\" srcset=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8048_.jpg 800w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8048_-300x200.jpg 300w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8048_-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">From left to right: Jeffrey Eric Jenkins, President of AICT\/IATC, Milan N\u011bme\u010dek, Director General of the Live Arts Division for the Ministry of Culture of Czechia and Pavla Petrov\u00e1, Director of the Arts and Theatre Institute. Photo: PerformCzech\/ATI, Ivo Dvo\u0159\u00e1k<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The leadership of Director General N\u011bme\u010dek and Director Petrov\u00e1 have provided the underpinning for all of the events we have enjoyed here this week. We are deeply grateful to them for their support of theatre and the performing arts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2006, the International Association of Theatre Critics has honored eight critics, theoreticians, and practitioners for their outstanding contributions to shaping global understanding of theatre across a wide range of cultural environments, politics, and aesthetics.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"533\" src=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/image2-2.jpg\" alt=\"\" class=\"wp-image-927\" srcset=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/image2-2.jpg 400w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/image2-2-225x300.jpg 225w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Pavla Petrov\u00e1 and Jeffrey Eric Jenkins with the Thalia Prize trophy designed by Drago\u015f Buhagiar and provided by the Romanian section of AICT\/IATC. Photo: Courtesy of Radim Dolansky<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Those first eight honorees were Eric Bentley (USA, 2006), Jean-Pierre Sarrazac (France, 2008), Richard Schechner (USA, 2010), Kapila Vatsyayan (India, 2012), Eugenio Barba (Denmark, 2014), Femi Osofisan (Nigeria, 2016), Hans-Thies Lehmann (Germany, 2018), and Tadashi Suzuki (Japan, 2020). Today, we celebrate our ninth Thalia Prize honoree.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8154_.jpg\" alt=\"\" class=\"wp-image-816\" srcset=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8154_.jpg 800w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8154_-300x200.jpg 300w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8154_-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Thalia Prize, a cane topped with a figure in silver of the Greek muse of comedy after whom it is named. Photo: PerformCzech\/ATI, Ivo Dvo\u0159\u00e1k<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The 2024 Thalia Prize committee included AICT\/IATC Vice President Irina Gogoberidze of Georgia and Pawit Mahasarinand of Thailand. The committee was chaired by Ivan Medenica of Serbia. Following a report by the Thalia committee, the executive committee of AICT\/IATC voted unanimously last year to present the prize to Prof. Dr. Fischer-Lichte.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8059_.jpg\" alt=\"\" class=\"wp-image-817\" srcset=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8059_.jpg 800w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8059_-300x200.jpg 300w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8059_-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Thalia Chair Ivan Medenica of Serbia (standing, at right), and Zhu Ning from China, Savas Patsalidis from Greece, and Manabu Noda from Japan (left to right) share their thoughts on the impact of Prof. Dr. Erika Fischer-Lichte\u2019s work on world theatre and theory. Photo: PerformCzech\/ATI, Ivo Dvo\u0159\u00e1k<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Before we present the prize, we will hear from four AICT\/IATC members who share their thoughts on the impact of Prof. Dr. Fischer-Lichte. Thalia Chair Ivan Medenica of Serbia is joined by Savas Patsalidis from Greece, Zhu Ning from China, and Manabu Noda from Japan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8184_.jpg\" alt=\"\" class=\"wp-image-818\" srcset=\"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8184_.jpg 800w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8184_-300x200.jpg 300w, https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Thalia-Prize_Dvorak_20240523_ID_8184_-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Erika Fischer-Lichte receives the Thalia Prize from Jeffrey Eric Jenkins. Photo: PerformCzech\/ATI, Ivo Dvo\u0159\u00e1k<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">It is difficult to imagine the landscape of thought on global theatre and performance over the past several decades without the brilliant perspectives of Erika Fischer-Lichte. It is truly a pleasure for us to honor her outstanding work and contributions to the field.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a name=\"end\" href=\"#back\">*<\/a><strong>Jeffrey Eric Jenkins<\/strong>.\u00a0President of the International Association of Theatre Critics (AICT-IATC), Executive Editor of <em>Critical Stages\/Sc\u00e8nes critiques<\/em>. He also serves as Professor and Chair of Theatre Studies and Director of Graduate Studies in Theatre at the University of Illinois Urbana-Campaign.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeffrey Eric Jenkins<\/p>\n","protected":false},"author":1,"featured_media":759,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-thalia-prize"],"jetpack_featured_media_url":"https:\/\/www.critical-stages.org\/29\/wp-content\/uploads\/sites\/30\/2024\/06\/Jeffrey-Eric-Jenkins.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/posts\/758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/comments?post=758"}],"version-history":[{"count":5,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/posts\/758\/revisions"}],"predecessor-version":[{"id":928,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/posts\/758\/revisions\/928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/media\/759"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/media?parent=758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/categories?post=758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.critical-stages.org\/29\/wp-json\/wp\/v2\/tags?post=758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}