{"id":152,"date":"2021-04-30T12:16:25","date_gmt":"2021-04-30T12:16:25","guid":{"rendered":"https:\/\/www.critical-stages.org\/23\/?p=152"},"modified":"2021-12-20T19:58:59","modified_gmt":"2021-12-20T19:58:59","slug":"tadashi-suzuki-and-the-thalia-prize","status":"publish","type":"post","link":"https:\/\/www.critical-stages.org\/23\/tadashi-suzuki-and-the-thalia-prize\/","title":{"rendered":"Tadashi Suzuki and the Thalia Prize"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Margareta S\u00f6renson<\/strong><a href=\"#end\" name=\"back\">*<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Japanese stage director and author Tadashi Suzuki received&nbsp; the Thalia Prize from the International Association of Theatre Critics (AICT-IATC) on 16 April 2021. Due to the pandemic, the award ceremony was presented online in conjunction with an international conference on the work of Mr. Suzuki, whose performance theories and practice have had a profound impact on critics globally. His actor-training methods, which focus on the language of the body on stage, are widely taught and continue to grow in influence.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/wp-content\/uploads\/2021\/04\/Tadashi_Suzuki.jpg\" alt=\"\"\/><figcaption>Tadashi Suzuki, the latest Thalia Prize winner. Photo: Courtesy of Tadashi Suzuki<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The English-language conference gathered scholars and critics from around the globe and was generously illustrated with the assistance of Suzuki Company of Toga (SCOT), the theatre company of Tadashi Suzuki. The IATC is proud to note that the conference included participants from Argentina, China, India, the United States, Europe as well as Japan.&nbsp;The online presentation platform for the conference was&nbsp;<em>Critical Stages\/Sc\u00e8nes critiques<\/em>, the journal of the International Association of Theatre Critics (AICT-IATC), where the recorded version of the prize ceremony and the conference can still be seen.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"382\" src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image2-5.jpeg\" alt=\"\" class=\"wp-image-153\" srcset=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image2-5.jpeg 800w, https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image2-5-300x143.jpeg 300w, https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image2-5-768x367.jpeg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>\u03a4oga Art Park, the place where Tadashi Suzuki and his company SCOT live and create. Official website of the <a rel=\"noreferrer noopener\" href=\"http:\/\/www.togapk.net\/\" target=\"_blank\">parc of Toga<\/a>. Photo: Courtesy of Tadashi Suzuki<\/figcaption><\/figure><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>What is the Thalia Prize of the IATC?<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">The honor given to Tadashi Suzuki is the eighth of the IATC&#8217;s Thalia Prizes. Earlier prizes were awarded to Eric Bentley, USA (2006); Jean-Pierre Sarrazac, France (2008); Richard Schechner, USA&nbsp; (2010); Kapila Vatsyayan, India (2012); Eugenio Barba, Denmark (2014); Femi Osofisan, Nigeria (2016); and Hans-Thies Lehmann, Germany (2018).<\/p>\n\n\n\n<style id=\"bwg-style-0\">    #bwg_container1_0 #bwg_container2_0 .bwg-container-0.bwg-standard-thumbnails {      width: 1254px;              justify-content: center;        margin:0 auto !important;              background-color: rgba(255, 255, 255, 0.00);            padding-left: 4px;      padding-top: 4px;      max-width: 100%;            }        #bwg_container1_0 #bwg_container2_0 .bwg-container-0.bwg-standard-thumbnails .bwg-item {    justify-content: flex-start;      max-width: 250px;          }    #bwg_container1_0 #bwg_container2_0 .bwg-container-0.bwg-standard-thumbnails .bwg-item a {       margin-right: 4px;       margin-bottom: 4px;    }    #bwg_container1_0 #bwg_container2_0 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data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"50\"                   data-width=\"275\"                   data-height=\"183\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/1.-Eric-Bentley.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/1.-Eric-Bentley.jpg?bwg=1619785773\"                   alt=\"Eric Bentley\"                   title=\"Eric Bentley\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Eric Bentley<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"49\"                   data-width=\"176\"                   data-height=\"266\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/2.-Jean-Pierre-Sarrazac.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/2.-Jean-Pierre-Sarrazac.jpg?bwg=1619785773\"                   alt=\"Jean Pierre Sarrazac\"                   title=\"Jean Pierre Sarrazac\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Jean Pierre Sarrazac<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"53\"                   data-width=\"183\"                   data-height=\"141\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/3.-Eugenio-Barba-3.jpg?bwg=1619786165\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/3.-Eugenio-Barba-3.jpg?bwg=1619786165\"                   alt=\"Eugenio Barba\"                   title=\"Eugenio Barba\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Eugenio Barba<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"47\"                   data-width=\"259\"                   data-height=\"195\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/4.-Richard-Schechner.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/4.-Richard-Schechner.jpg?bwg=1619785773\"                   alt=\"Richard Schechner\"                   title=\"Richard Schechner\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Richard Schechner<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"46\"                   data-width=\"259\"                   data-height=\"194\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/5.-Kapila-Vatsyayan.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/5.-Kapila-Vatsyayan.jpg?bwg=1619785773\"                   alt=\"Kapila Vatsyayan\"                   title=\"Kapila Vatsyayan\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Kapila Vatsyayan<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"54\"                   data-width=\"189\"                   data-height=\"127\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/6.-Femi-Osofisan-2.jpg?bwg=1619786165\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/6.-Femi-Osofisan-2.jpg?bwg=1619786165\"                   alt=\"Femi Osofisan\"                   title=\"Femi Osofisan\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Femi Osofisan<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"44\"                   data-width=\"250\"                   data-height=\"160\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/7.-Hans-THies-Lehmann.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/7.-Hans-THies-Lehmann.jpg?bwg=1619785773\"                   alt=\"Hans THies Lehmann\"                   title=\"Hans THies Lehmann\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Hans THies Lehmann<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>            <div class=\"bwg-item\">        <a class=\"bwg-a \"  data-elementor-open-lightbox=\"no\">                <div class=\"bwg-item0 \">          <div class=\"bwg-item1 bwg-zoom-effect\">            <div class=\"bwg-item2\">              <img decoding=\"async\" class=\"skip-lazy bwg_standart_thumb_img_0 \"                   data-id=\"43\"                   data-width=\"209\"                   data-height=\"241\"                   data-src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/8.-Tadashi-Suzuki.jpg?bwg=1619785773\"                   src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/photo-gallery\/imported_from_media_libray\/thumb\/8.-Tadashi-Suzuki.jpg?bwg=1619785773\"                   alt=\"Tadashi Suzuki\"                   title=\"Tadashi Suzuki\" \/>            <\/div>            <div class=\"bwg-zoom-effect-overlay\">              <div class=\"bwg-title1\"><div class=\"bwg-title2\">Tadashi Suzuki<\/div><\/div>                                        <\/div>          <\/div>        <\/div>                        <\/a>              <\/div>          <\/div>    <style>      \/*pagination styles*\/      #bwg_container1_0 #bwg_container2_0 .tablenav-pages_0 {\t\t\t\ttext-align: center;\t\t\t\tfont-size: 12px;\t\t\t\tfont-family: Ubuntu;\t\t\t\tfont-weight: bold;\t\t\t\tcolor: #666666;\t\t\t\tmargin: 6px 0 4px;\t\t\t\tdisplay: block;      }      @media only screen and (max-width : 320px) {      #bwg_container1_0 #bwg_container2_0 .displaying-num_0 {     \t display: none;      }      }      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if( typeof bwg_main_ready == 'function' ) {            if ( jQuery(\"#bwg_container1_0\").height() ) {             bwg_main_ready(jQuery(\"#bwg_container1_0\"));            }          }        });      }    <\/script>    \n\n\n\n<p class=\"wp-block-paragraph\">The prize has been presented during the IATC\u2019s congresses over the years in different forms, depending on the circumstances of the congress: sometimes with a speech from the laureate and a laudation, sometimes with a full presentation of the laureate and his or her works. For the first time, this Thalia Prize ceremony was combined with an international conference online. This way it reached some 4,000 viewers instead of some hundred persons in an IATC congress.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The decision for an international award of the IATC was agreed on by the executive committee of the association in spring 2006. Discussions were lively and balanced at the time the focus on the Premio Europa and its great prize winning ceremonies. For the association of theatre critics, internationality felt important, as well as not creating yet another general theatre prize but something more specific to critics. The prize was to be presented at each IATC congress, starting in Seoul, September 2006. The plan for the award was made public in the IATC Congress in Turin, in March 2006, where it was decided that the new board should choose the winner from the suggestions of its members. The prize would take the form of a statuette representing Thalia, the Greek muse of comedy. In the event, the trophy was shaped as a cane, crowned by a silver pommel in the shape of Thalia\u2019s head, sculpted by the eminent Romanian artist and scenographer Drago\u0219&nbsp;Buhagiar, a gift from the Romanian critics.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image3-3.jpg\" alt=\"\" class=\"wp-image-154\" width=\"321\" height=\"211\"\/><figcaption>The Thalia Prize cane carries the figure of Thalia, the Greek muse of comedy<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The specificity of the prize has sometimes been puzzling during the process of selection. The prize has no fixed motivation, but the tradition of the award is <em>to honor a personality<\/em> <em>who has made a major contribution to theatre in the world, such as to change the nature of critics<\/em>\u2019 <em>thinking about theatre.<\/em><strong><em> <\/em><\/strong>So, this is an award for someone who has influenced critics internationally.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tadashi Suzuki for the Thalia Prize Award\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/DviQS9WzYb8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>This video, prepared by Tadashi Suzuki, was presented during the Thalia Prize Award ceremony<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">After the first editions of the prize, further discussion determined that the prize should mirror the development of performing arts internationally, and that the prize should \u201dtravel the world\u201d and mirror the fact that important theatre and theatre writing exists everywhere. It should also reflect the fact that men and women work side by side within the performing arts. More and more, a general theme of discovery was included in our discussions of the prize\u2014the laureate might not always be well known in all parts of the world, but be worth discovering internationally.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Without doubt, the increasingly international profile of the IATC has had an impact on these discussions, as well as globalization in general. Any IATC member section is free to suggest a future laureate, after which the board will process the names and decide the winner. So far, it is with pride and satisfaction that the IATC as an association can look back at its prizewinners as key fugures for an understanding of both the performing arts and their critics.<a name=\"end\">&nbsp;<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-thumbnail alignnone\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/Margareta-Sorenson-150x150.jpeg\" alt=\"\" class=\"wp-image-155\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a name=\"end\" href=\"#back\">*<\/a><strong>Margareta S\u00f6renson,<\/strong> president of IATC, is a Swedish theatre and dance critic, and a writer and researcher in dance history. She has written for the daily national paper Expressen since the early 1980s, and for the Swedish dance journal, Danstidningen, in addition to writing a number of books on the performing arts, the latest on Mats Ek, with photographer Lesley Leslie-Spinks. Her special interests in dance and puppetry have often led her to the Asian classical stage arts and increased her curiosity about contemporary ones<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Copyright <strong>\u00a9<\/strong> 2021 Margareta S\u00f6renson<br><em>Critical Stages\/Sc\u00e8nes critiques<\/em> e-ISSN: 2409-7411<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/wp-content\/uploads\/2021\/03\/88x31.png\" alt=\"Creative Commons Attribution International License\"\/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">This work is licensed under the<br>Creative Commons Attribution International License CC BY-NC-ND 4.0.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1003,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-thalia-prize"],"jetpack_featured_media_url":"https:\/\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/toga-park.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":340,"url":"https:\/\/www.critical-stages.org\/23\/tadashi-suzukis-globally-local-theatre\/","url_meta":{"origin":152,"position":0},"title":"Tadashi Suzuki\u2019s Globally Local Theatre","author":"Margareta S\u00f6renson","date":"May 9, 2021","format":false,"excerpt":"Savas Patsalidis* The basis for theatre craft is the work of the feet . . . (Tadashi Suzuki \u201cThe\u00a0Grammar of Feet,\u201d The Way of Acting) Critical Stages\/Scenes critiques pays tribute to one of the greats of world theatre, the latest IATC Thalia Prize winner: Tadashi Suzuki, the Japanese director and\u2026","rel":"","context":"In &quot;Thalia Prize&quot;","block_context":{"text":"Thalia Prize","link":"https:\/\/www.critical-stages.org\/23\/category\/thalia-prize\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/sp_image02.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/sp_image02.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/sp_image02.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":148,"url":"https:\/\/www.critical-stages.org\/23\/laudation-for-tadashi-suzukis-thalia-prize\/","url_meta":{"origin":152,"position":1},"title":"Laudation for Tadashi Suzuki\u2019s Thalia Prize","author":"Margareta S\u00f6renson","date":"April 30, 2021","format":false,"excerpt":"Anne Bogart* We are indebted to Tadashi Suzuki and to his collaborators for their innovations, for driving a stake into the ground and for staying strong and present, a beaming light clearly articulated upon the cultural and political landscape. (Anne Bogart) In the constant crush of time, it is only\u2026","rel":"","context":"In &quot;Thalia Prize&quot;","block_context":{"text":"Thalia Prize","link":"https:\/\/www.critical-stages.org\/23\/category\/thalia-prize\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/Suzuki-with-thalia-prize.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/Suzuki-with-thalia-prize.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/Suzuki-with-thalia-prize.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/Suzuki-with-thalia-prize.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":433,"url":"https:\/\/www.critical-stages.org\/23\/for-the-future-of-theatre\/","url_meta":{"origin":152,"position":2},"title":"For the Future of Theatre","author":"Margareta S\u00f6renson","date":"April 29, 2021","format":false,"excerpt":"Tadashi Suzuki* \u03a4he essence of theatre lies in the presence of the actors. (Tadashi Suzuki) My theatre company, SCOT, is based in the village of Toga in Toyama Prefecture, 600 km from Tokyo. It is a mountainous area facing the Sea of Japan. Toga Village is 600 meters above sea\u2026","rel":"","context":"In &quot;Thalia Prize&quot;","block_context":{"text":"Thalia Prize","link":"https:\/\/www.critical-stages.org\/23\/category\/thalia-prize\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/Tadashi_Suzuki-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/Tadashi_Suzuki-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/Tadashi_Suzuki-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/Tadashi_Suzuki-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":237,"url":"https:\/\/www.critical-stages.org\/23\/loud-voices-from-the-heart-of-europe\/","url_meta":{"origin":152,"position":3},"title":"Loud Voices from the Heart of Europe","author":"Margareta S\u00f6renson","date":"May 5, 2021","format":false,"excerpt":"Christine Matvienko* Lessingtage festival, organized by mitos21 theatre network members Thalia Theater, Hamburg (Germany) and Dramaten, Stockholm (Sweden). January 2021, online. Lessingtage presented almost 20 shows online, from different European theatres, to give audiences the opportunity to see a wide range of directors\u2019 styles and messages. A strong feeling emerges\u2026","rel":"","context":"In &quot;Performance Reviews&quot;","block_context":{"text":"Performance Reviews","link":"https:\/\/www.critical-stages.org\/23\/category\/performance-reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/PER-MitosLessing-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/PER-MitosLessing-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/PER-MitosLessing-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/PER-MitosLessing-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":137,"url":"https:\/\/www.critical-stages.org\/23\/hands-on-and-group-work-online-theatre-criticism-in-brazil\/","url_meta":{"origin":152,"position":4},"title":"Hands-on and Group Work: Online Theatre Criticism in Brazil","author":"Margareta S\u00f6renson","date":"April 30, 2021","format":false,"excerpt":"Daniele Avila Small* Abstract The essay examines Brazilian theatre of the last ten years, with particular emphasis on its critical coverage. It underlines the collective aspect of the websites dedicated to critical thinking, reflecting and writing. It argues that these websites, as independent art groups with a proactive attitude towards\u2026","rel":"","context":"In &quot;National Reports&quot;","block_context":{"text":"National Reports","link":"https:\/\/www.critical-stages.org\/23\/category\/national-reports\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image6-2.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image6-2.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image6-2.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/04\/image6-2.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":556,"url":"https:\/\/www.critical-stages.org\/23\/interview-with-anne-cecile-sibue-birkeland\/","url_meta":{"origin":152,"position":5},"title":"Curating as Placing Stones to be Picked up: Interview with Anne-C\u00e9cile Sibu\u00e9-Birkeland","author":"Margareta S\u00f6renson","date":"May 24, 2021","format":false,"excerpt":"by Anette Therese Pettersen* I like to think of the audience as active spectators, making their own journey through the program. (Anne-C\u00e9cile Sibu\u00e9-Birkeland) Anne-C\u00e9cile Sibu\u00e9-Birkeland currently serves as artistic director of Black Box teater in Oslo, which includes the artistic direction of the yearly festival Oslo International Teaterfestival. Sibu\u00e9-Birkeland grew\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/www.critical-stages.org\/23\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/featured-5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/featured-5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/featured-5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.critical-stages.org\/23\/wp-content\/uploads\/sites\/24\/2021\/05\/featured-5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/posts\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":8,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/posts\/152\/revisions"}],"predecessor-version":[{"id":993,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/posts\/152\/revisions\/993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/media\/1003"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/media?parent=152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/categories?post=152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.critical-stages.org\/23\/wp-json\/wp\/v2\/tags?post=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}