{"id":12,"count":9,"description":"<b><i>Theatre Criticism for Young Audiences: New Directions<\/i><\/b>\r\n\r\nCo-Editors: <a href=\"https:\/\/www.critical-stages.org\/22\/cs-issue-no-22-editors\/\">Diana Damian Martin<\/a> (UK), <a href=\"https:\/\/www.critical-stages.org\/22\/cs-issue-no-22-editors\/\">Anette Therese Pettersen<\/a> (Norway), <a href=\"https:\/\/www.critical-stages.org\/22\/cs-issue-no-22-editors\/\">Rui Pina Coelho<\/a> (Portugal)","link":"https:\/\/www.critical-stages.org\/22\/category\/critics-on-criticism\/","name":"Critics on Criticism","slug":"critics-on-criticism","taxonomy":"category","parent":0,"meta":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/22\/wp-json\/wp\/v2\/categories\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/22\/wp-json\/wp\/v2\/categories"}],"about":[{"href":"https:\/\/www.critical-stages.org\/22\/wp-json\/wp\/v2\/taxonomies\/category"}],"wp:post_type":[{"href":"https:\/\/www.critical-stages.org\/22\/wp-json\/wp\/v2\/posts?categories=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}