{"id":610,"date":"2020-05-02T07:00:14","date_gmt":"2020-05-02T07:00:14","guid":{"rendered":"https:\/\/www.critical-stages.org\/21\/?p=610"},"modified":"2022-02-05T13:04:41","modified_gmt":"2022-02-05T13:04:41","slug":"%cf%84urkey-hope-is-in-people-hope-is-in-us","status":"publish","type":"post","link":"https:\/\/www.critical-stages.org\/21\/%cf%84urkey-hope-is-in-people-hope-is-in-us\/","title":{"rendered":"\u03a4URKEY: &#8220;Hope is in People, Hope is in Us&#8221;"},"content":{"rendered":"\n<p><strong>Rag\u0131p Ertu\u011frul<\/strong><a href=\"#end\" name=\"back\">*<\/a><\/p>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"overview\"><strong>Overview<\/strong><\/h5>\n\n\n\n<p>According to the Turkish Health Minister, 112,261 cases of Covid-19 and 2,900 deaths due to the virus were confirmed as of April 27. It was also announced that people without a permit were not allowed to enter and leave the country\u2019s cities.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"about-theatre-life\"><strong>About Theatre Life<\/strong><\/h5>\n\n\n\n<p>In mid-March, all shows were postponed indefinitely. All Theatre Awards ceremonies were also postponed.<\/p>\n\n\n\n<p>Actors and actresses in Turkey celebrated World Theatre Day on March 27 by releasing videos on social media and by encouraging people to stay at home as the novel coronavirus continued spreading across the globe.<\/p>\n\n\n\n<p>One of the main platforms for performing arts, called Tiyatrolar Kooperatifi (Theatre Cooperative), began meetings with the Ministry of Culture and the Mayor of Istanbul about the economic problems of private theatres under the coronavirus lockdown. However, there is no reduction in taxes due from the theatre sector and only a short-term postponement in tax schedules.<\/p>\n\n\n\n<p>Academic institutions adapted to today\u2019s harsh realities faster than the performings arts sector. However, the academic sector is also struggling as there has not been enough time to build a necessary infrastructure. While theoretical lessons are proceeding with some efficiency online, the question of how to proceed with practical lessons poses a big challenge, and academicians are trying to find a solution.<\/p>\n\n\n\n<p>Some local theatres opened their archives to public access online. Readings of plays and stories by actors on social media are also very popular.<\/p>\n\n\n\n<p>IATC Turkey section is currently hoping to organize an international webinar on the topic of \u201cWhat is the new normal in Performing Arts and Criticism during corona times,\u201d to be held in January 2021.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-23.jpeg\" alt=\"\" class=\"wp-image-611\" srcset=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-23.jpeg 800w, https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-23-300x169.jpeg 300w, https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-23-768x432.jpeg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>The leader of Turkey\u2019s opposition Kemal K\u0131l\u0131\u00e7daro\u011flu held a video conference with artists representing different unions and professional organizations<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>The Only Good News<\/strong><\/p>\n\n\n\n<p>With people staying indoors and the consequent decline in traffic, the air in Istanbul has become a lot easier to breathe. In a 10-day period in late-April, air pollution around Istanbul was down 30 percent compared with averages from January 2020.<\/p>\n\n\n\n<p>We believe that this period will end, and we will be able to gather together again.<a name=\"end\">&nbsp;<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-thumbnail is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image3-23-150x150.jpeg\" alt=\"\" class=\"wp-image-612\" width=\"150\" height=\"150\"\/><\/figure>\n\n\n\n<p><a name=\"end\" href=\"#back\">*<\/a><strong>Rag\u0131p Ertu\u011frul<\/strong> is a playwright, writer, director\u00a0and theatre critic. He is the President of the Turkish Association of Theatre (TEB)<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Copyright <strong>\u00a9<\/strong> 2020 Rag\u0131p Ertu\u011frul<br><em>Critical Stages\/Sc\u00e8nes critiques<\/em> e-ISSN: 2409-7411<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/wp-content\/uploads\/2021\/03\/88x31.png\" alt=\"Creative Commons Attribution International License\"\/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">This work is licensed under the<br>Creative Commons Attribution International License CC BY-NC-ND 4.0.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":613,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-covid"],"jetpack_featured_media_url":"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/turkey.png","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":496,"url":"https:\/\/www.critical-stages.org\/21\/slovakia-virtual-centenary-of-slovak-theatre\/","url_meta":{"origin":610,"position":0},"title":"SLOVAKIA: Virtual Centenary of Slovak Theatre","author":"Rag\u0131p Ertu\u011frul","date":"May 6, 2020","format":false,"excerpt":"Zuzana Ulicianska* There is never a right time for a crisis. However, the pandemic hit Slovak theatre at an extremely sensitive time. On March 1, 2020, a\u00a0special programme, combining opera, ballet and drama, made in honour of the centenary of Slovak Theatre, took place in the historic building of the\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-svk-400.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":443,"url":"https:\/\/www.critical-stages.org\/21\/south-africa\/","url_meta":{"origin":610,"position":1},"title":"SOUTH AFRICA: Devastating Effects","author":"Rag\u0131p Ertu\u011frul","date":"May 5, 2020","format":false,"excerpt":"Gaerin Hauptfleisch* and Temple Hauptfleisch** As the first reports of what is now known as the COVID-19 international pandemic began to surface locally in February of this year, and the first confirmed South African case announced on 5 March 2020, feelings of restlessness and uncertainty soon made their presence felt\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-s.africa-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":421,"url":"https:\/\/www.critical-stages.org\/21\/japan\/","url_meta":{"origin":610,"position":2},"title":"JAPAN: Theatre is Life","author":"Rag\u0131p Ertu\u011frul","date":"May 12, 2020","format":false,"excerpt":"Ken\u2019ichi Yamamoto* As in many other parts of the world, theatre in Japan has been devastated by the COVID-19 pandemic, not because the artists and technicians have contracted the virus, but because they have had to cancel performances in response to the \u201cself-restraint request\u201d by governments, both national and local,\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-japan-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":478,"url":"https:\/\/www.critical-stages.org\/21\/taiwan\/","url_meta":{"origin":610,"position":3},"title":"TAIWAN: Crisis or Chance: Theatre in Difficult Times","author":"Rag\u0131p Ertu\u011frul","date":"May 2, 2020","format":false,"excerpt":"Hung Tzi Yu* On January 21, 2020 two days before China locked down Wuhan, a Taiwanese passenger arriving from the city tested positive for COVID-19. Later that week, Taiwan imposed entry restrictions on visitors from China\u2019s Hubei Province and subsequently expanded it to all Chinese nationals. By the end of\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-tw-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":467,"url":"https:\/\/www.critical-stages.org\/21\/mexico-theatre-in-intensive-care\/","url_meta":{"origin":610,"position":4},"title":"MEXICO: Theatre in Intensive Care","author":"Rag\u0131p Ertu\u011frul","date":"May 9, 2020","format":false,"excerpt":"Lorena Meeser* The coronavirus pandemic has had a substantial impact on the performing arts in Mexico. Theatre productions are on indefinite pause. The curtains are closed until further notice, which puts at risk the survival of the theatre in Mexico, as the infrastructure of most companies will not last for\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-mex-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":460,"url":"https:\/\/www.critical-stages.org\/21\/hong-kong-our-passion-will-go-on-even-if-the-shows-cannot\/","url_meta":{"origin":610,"position":5},"title":"HONG KONG: Our Passion Will Go On, Even If the Shows Cannot","author":"Rag\u0131p Ertu\u011frul","date":"May 13, 2020","format":false,"excerpt":"Bernice Chan* To show or not to show, that becomes real the question for all theatre practitioners around the world. The first wave of the crisis came at the end of January 2020, with the closure of all government operated venues, soon to be followed by the private ones. One\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-hk-400.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/comments?post=610"}],"version-history":[{"count":5,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/610\/revisions"}],"predecessor-version":[{"id":1129,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/610\/revisions\/1129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/media\/613"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/media?parent=610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/categories?post=610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/tags?post=610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}