{"id":597,"date":"2020-05-24T06:46:43","date_gmt":"2020-05-24T06:46:43","guid":{"rendered":"https:\/\/www.critical-stages.org\/21\/?p=597"},"modified":"2022-02-05T12:58:11","modified_gmt":"2022-02-05T12:58:11","slug":"argentina-never-abandon-the-theatre-even-in-the-toughest-situations","status":"publish","type":"post","link":"https:\/\/www.critical-stages.org\/21\/argentina-never-abandon-the-theatre-even-in-the-toughest-situations\/","title":{"rendered":"ARGENTINA: \u201cNever Abandon the Theatre, Even in the Toughest Situations\u201d"},"content":{"rendered":"\n<p><strong>Halima Tahan Ferreyra<\/strong><a href=\"#end\" name=\"back\">*<\/a><\/p>\n\n\n\n<p>Most theatres in Argentina, both big and small, are offering a variety of online programmes, including not only their past shows, but also their new activities.<\/p>\n\n\n\n<p>Moreover, the greatest theatres, such as Col\u00f3n Theatre and Nacional Cervantes Theatre, are keeping their workshops working fully. The employees at the Col\u00f3n have stopped making sophisticated theatre costumes and committed themselves to producing face masks for health workers. According to the theatre\u2019s scenographical director, it was the workers themselves who suggested the initiative. He also added that Col\u00f3n Theatre has its own tradition, which is, \u201cnever abandon the theatre, even in the toughest situations,\u201d The same commitment can be seen at Nacional Cervantes Theatre, where artistic labour and social volunteering are combined in current activity.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"video\"><strong>Video<\/strong><\/h6>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Argentina: Theatre costume department makes anti-coronavirus masks for those in need\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/zOza0958CYs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>The costume design department of Cervantes National Theatre (Buenos Aires) produces protective masks for those most vulnerable to the coronavirus<\/figcaption><\/figure>\n\n\n\n<p>In terms of theatre productions online, the work on offer is not only previous shows drawn from the archives. A wide range of completely new projects are available. For example, the director Cristian Drut is offering performances streamed via WhatsApp and online seminars.<\/p>\n\n\n\n<p>Drut\u2019s focus is on how theatre responds to \u201cthe issues caused by this quarantine time, with the disappearance of present bodies . . . in times of delays and postponements.\u201d These are, of course, times in which the critics are also involved. Nevertheless, we, the critics, will be able to \u201cattend\u201d three streaming premieres soon. They will take place in virtual theatre rooms with a duration of about five minutes each to be shown within the framework of a \u201cMicrotheatre\u201d cycle.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"300\" src=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-22.jpeg\" alt=\"\" class=\"wp-image-599\" srcset=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-22.jpeg 600w, https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image2-22-300x150.jpeg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>The question remains, however, how can theatre and arts people survive? How can they make a living when \u201cartistic services\u201d had declined by 68.7 percent by March 12 (according to the Development Ministry)? The journalist, and official at the National Theatre Institute, Carlos Pacheco, expresses his opinion in this respect:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>According to a recent survey carried out by the Asociaci\u00f3n de Profesionales de la Direcci\u00f3n Esc\u00e9nica(Professional Association of Stage Direction) the crisis triggered by Covid-19 in Argentina has affected about 5,000 performers and 700 plays. A number of artists are currently in a true state of helplessness, all the arts circuits have come to a standstill, including official, commercial and, above all, alternative ones. This has had a great impact within Buenos Aires, but also throughout the country.<br><br>The National Theatre Institute, which reports to the National Ministry of Culture, organized a support plan for independent theatres and theatre groups, but it does not cover the whole Argentinian theatre community. The different associations that represent performing artists are working to get government aid comparable to that which has been provided to independent workers in other areas. Hundreds of shows that had been rehearsed, and were about to premiere, were not staged.<br><br>Unfortunately, at the moment, spectators can only meet their performers through the internet. This has led to several discussions questioning if it is right for the performing arts to be exposed through a screen, even though, for now, it is the only possibility of reunion between the artists and their audience.<a name=\"end\">&nbsp;<\/a><\/p><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-thumbnail is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image3-22-150x150.jpeg\" alt=\"\" class=\"wp-image-600\" width=\"150\" height=\"150\"\/><\/figure>\n\n\n\n<p><a name=\"end\" href=\"#back\">*<\/a><strong>Halima Tahan <strong>Ferreyra<\/strong><\/strong> (PhD) is a writer,\u00a0critic and editor. At present, she is the director of Ediciones Artes del Sur and a member of the Instituto de Artes del Espect\u00e1culo, Facultad\u00a0 Filosof\u00eda\/ Universidad de Buenos Aires.<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Copyright <strong>\u00a9<\/strong> 2020 Halima Tahan Ferreyra<br><em>Critical Stages\/Sc\u00e8nes critiques<\/em> e-ISSN: 2409-7411<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.critical-stages.org\/wp-content\/uploads\/2021\/03\/88x31.png\" alt=\"Creative Commons Attribution International License\"\/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">This work is licensed under the<br>Creative Commons Attribution International License CC BY-NC-ND 4.0.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-covid"],"jetpack_featured_media_url":"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/argentina.png","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":496,"url":"https:\/\/www.critical-stages.org\/21\/slovakia-virtual-centenary-of-slovak-theatre\/","url_meta":{"origin":597,"position":0},"title":"SLOVAKIA: Virtual Centenary of Slovak Theatre","author":"Halima Tahan Ferreyra","date":"May 6, 2020","format":false,"excerpt":"Zuzana Ulicianska* There is never a right time for a crisis. However, the pandemic hit Slovak theatre at an extremely sensitive time. On March 1, 2020, a\u00a0special programme, combining opera, ballet and drama, made in honour of the centenary of Slovak Theatre, took place in the historic building of the\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-svk-400.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":605,"url":"https:\/\/www.critical-stages.org\/21\/russia-rethinking-communication-strategies\/","url_meta":{"origin":597,"position":1},"title":"RUSSIA: Rethinking Communication Strategies","author":"Halima Tahan Ferreyra","date":"May 7, 2020","format":false,"excerpt":"Alexandra Dunaeva* All Russian theatres were closed by order of the Ministry of Culture on March 17. Although in mid-April theatre leaders were still hoping to open their premieres in June, it is now completely clear that there is no reason to expect an early opening. Among the theatre managers\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/russia.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":490,"url":"https:\/\/www.critical-stages.org\/21\/theatre-is-always-alive\/","url_meta":{"origin":597,"position":2},"title":"ROMANIA: Theatre is Always Alive","author":"Halima Tahan Ferreyra","date":"May 7, 2020","format":false,"excerpt":"Octavian Saiu* Report from the Romanian Section of IATC \u2013 Theatre Studies \u201cTheatre is always dying\u201d is the bewildering statement once made by David Mamet. Yet, we all know, or at least hope, that theatre can never die! This paradox seems to be most suitable for describing the recent processes\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/image1.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":515,"url":"https:\/\/www.critical-stages.org\/21\/latvia-all-the-worlds-a-screen\/","url_meta":{"origin":597,"position":3},"title":"LATVIA: All the World\u2019s a Screen","author":"Halima Tahan Ferreyra","date":"May 11, 2020","format":false,"excerpt":"Lauma Mell\u0113na-Bartkevi\u010da* The year 2020 is probably the strangest year in the world of the performing arts in our (young) century. The Covid-19 pandemic and the related social distancing requirements closed all theatres and forced everyone to move to digital platforms. Unlike many other countries in Europe, Latvia did not\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-lat-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":935,"url":"https:\/\/www.critical-stages.org\/21\/czech-republic-austerity-of-movement-and-theatre-on-screen\/","url_meta":{"origin":597,"position":4},"title":"CZECH REPUBLIC: Austerity of Movement and Theatre on Screen","author":"Halima Tahan Ferreyra","date":"May 16, 2020","format":false,"excerpt":"Martina Peckov\u00e1 \u010cern\u00e1*, Michal Zah\u00e1lka**, Jana N\u00e1vratov\u00e1*** Mapping Losses and the Set of Measures to Save Culture On March 11, 2020, the Czech government introduced extraordinary measures in relation to the Covid-19 pandemic. The Arts and Theatre Institute in Prague has been mapping their impact on the cultural sector since\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/06\/flag-czech.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":414,"url":"https:\/\/www.critical-stages.org\/21\/england-april-is-the-cruellest-month\/","url_meta":{"origin":597,"position":5},"title":"ENGLAND: March and April were the Cruellest Months","author":"Halima Tahan Ferreyra","date":"May 15, 2020","format":false,"excerpt":"John Causebrook* and John Elsom** March and April were the cruellest months. The West End was closed. Shaftesbury Avenue and Piccadilly were eerily quiet and those who want a good night out were solemnly warned by the government to stay at home. We did not know \u2013 and nobody still\u2026","rel":"","context":"In &quot;Covid&quot;","block_context":{"text":"Covid","link":"https:\/\/www.critical-stages.org\/21\/category\/covid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/05\/flag-uk-400.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/comments?post=597"}],"version-history":[{"count":5,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/597\/revisions"}],"predecessor-version":[{"id":1108,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts\/597\/revisions\/1108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/media\/598"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/media?parent=597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/categories?post=597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/tags?post=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}