{"id":9,"count":12,"description":"<b><i>The Theatricality of Music, the Musicality of Theatre<\/i><\/b>\r\n\r\nGuest Editor: <b><a href=\"https:\/\/www.critical-stages.org\/21\/cs-issue-no-21-editors\/\">Octavian Saiu<\/a><\/b> (Romania)","link":"https:\/\/www.critical-stages.org\/21\/category\/special-topic\/","name":"Special Topic","slug":"special-topic","taxonomy":"category","parent":0,"meta":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/categories\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/categories"}],"about":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/taxonomies\/category"}],"wp:post_type":[{"href":"https:\/\/www.critical-stages.org\/21\/wp-json\/wp\/v2\/posts?categories=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}