{"id":374,"date":"2016-02-14T14:51:56","date_gmt":"2016-02-14T14:51:56","guid":{"rendered":"https:\/\/www.critical-stages.org\/2\/?page_id=374"},"modified":"2016-02-14T14:51:56","modified_gmt":"2016-02-14T14:51:56","slug":"theatre-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/2\/theatre-reviews\/","title":{"rendered":"Theatre Reviews"},"content":{"rendered":"<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-be2c273a4c\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/deux-spectacles-hors-pair\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1014254786-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/deux-spectacles-hors-pair\/\" class=\"_self\" target=\"_self\" >Deux spectacles hors pair<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/finnish-fathers-and-daughters-drive-around-in-europe-in-its-a-girl\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1407542202-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/finnish-fathers-and-daughters-drive-around-in-europe-in-its-a-girl\/\" class=\"_self\" target=\"_self\" >Finnish fathers and daughters drive around in Europe in It\u2019s a Girl!<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/pour-une-analyse-des-spectacles-la-femme-otee-lexemple-de-fine-bone-china-de-et-par-fran-barbe\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"131\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1187084080-150x131.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/pour-une-analyse-des-spectacles-la-femme-otee-lexemple-de-fine-bone-china-de-et-par-fran-barbe\/\" class=\"_self\" target=\"_self\" >Pour une analyse des spectacles &#8211; La \u201cfemme \u00f4t\u00e9e\u201d: L\u2019exemple de Fine Bone China, de et par Fran Barbe<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/the-second-latvian-homer\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1275310197-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/the-second-latvian-homer\/\" class=\"_self\" target=\"_self\" >The Second Latvian Homer<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/une-reflexion-sur-la-democratie-et-ses-valeurs\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1279792780-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/une-reflexion-sur-la-democratie-et-ses-valeurs\/\" class=\"_self\" target=\"_self\" >Une r\u00e9flexion sur la d\u00e9mocratie et ses valeurs<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/portrait-of-an-artist-as-a-dramatic-work-orfeus\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1027079145-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/portrait-of-an-artist-as-a-dramatic-work-orfeus\/\" class=\"_self\" target=\"_self\" >Portrait of an Artist as a Dramatic Work: Orfeus<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/le-woyzeck-de-brigitte-haentjens-une-mise-en-scene-corporelle-extremement-puissante\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"149\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1232416320-150x149.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/le-woyzeck-de-brigitte-haentjens-une-mise-en-scene-corporelle-extremement-puissante\/\" class=\"_self\" target=\"_self\" >Le Woyzeck de Brigitte Haentjens : une mise en sc\u00e8ne corporelle extr\u00eamement puissante<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/romeo-juliet-and-the-romanian-hungarian-love\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/Ludmila-Patlanjoglu-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/Ludmila-Patlanjoglu-150x150.jpg 150w, https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/Ludmila-Patlanjoglu-270x270.jpg 270w, https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/Ludmila-Patlanjoglu-300x300.jpg 300w, https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/Ludmila-Patlanjoglu-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/romeo-juliet-and-the-romanian-hungarian-love\/\" class=\"_self\" target=\"_self\" >Romeo, Juliet and the Romanian-Hungarian Love<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/an-international-theatre-festival-in-tehran\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1267568779-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/an-international-theatre-festival-in-tehran\/\" class=\"_self\" target=\"_self\" >An International Theatre Festival in Tehran<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/le-tramway-de-warlikowski-son-elegie-et-son-horizon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1014254786-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/le-tramway-de-warlikowski-son-elegie-et-son-horizon\/\" class=\"_self\" target=\"_self\" >Le Tramway de Warlikowski: Son \u00e9l\u00e9gie et son horizon<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-374","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7eLHg-62","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages\/374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/comments?post=374"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages\/374\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/media?parent=374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}