{"id":368,"date":"2016-02-14T14:51:06","date_gmt":"2016-02-14T14:51:06","guid":{"rendered":"https:\/\/www.critical-stages.org\/2\/?page_id=368"},"modified":"2016-02-14T14:51:06","modified_gmt":"2016-02-14T14:51:06","slug":"critics-on-criticism","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/2\/critics-on-criticism\/","title":{"rendered":"Critics on Criticism"},"content":{"rendered":"<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-f97c26b712\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/three-questions-i-keep-asking-myself-in-practicing-criticism\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1193635500-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/three-questions-i-keep-asking-myself-in-practicing-criticism\/\" class=\"_self\" target=\"_self\" >Three Questions I Keep Asking Myself in Practicing Criticism<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/twenty-one-asides-on-theatre-criticism\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1141298221-130x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/twenty-one-asides-on-theatre-criticism\/\" class=\"_self\" target=\"_self\" >Twenty-one Asides on Theatre Criticism<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/too-important-to-be-left-to-amateurs\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1046328122-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/too-important-to-be-left-to-amateurs\/\" class=\"_self\" target=\"_self\" >Too Important To Be Left to Amateurs<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/lady-annes-blog-some-initial-thoughts-on-the-evolution-of-theatrical-commentary-in-south-africa\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1126337907-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1126337907-150x150.png 150w, https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1126337907-230x230.png 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/lady-annes-blog-some-initial-thoughts-on-the-evolution-of-theatrical-commentary-in-south-africa\/\" class=\"_self\" target=\"_self\" >Lady Anne\u2019s Blog: Some Initial Thoughts on the Evolution of Theatrical Commentary in South Africa<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/2\/the-last-word\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/2\/wp-content\/uploads\/sites\/4\/2016\/02\/1196315893-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/2\/the-last-word\/\" class=\"_self\" target=\"_self\" >The Last Word<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-368","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7eLHg-5W","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages\/368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/comments?post=368"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/pages\/368\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/2\/wp-json\/wp\/v2\/media?parent=368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}