Iná Camargo Costa[1] 1. Through the mass media As a teenager living very far from São Paulo in the Sixties, I first became aware of Augusto Boal and his work at the Arena Theater through the news on the radio
Remembering Boal
Notes on Boal’s the Dialectical Practice
This article is a compact and revised version of the text “A practical idealist,” published in Carta na Escola, issue 37, São Paulo, Editora Confiança, June-July 2009, pp.52-55. Sérgio de Carvalho[1] Augusto Boal changed the condition of theatre. He did
Boal and Che: Side by Side on Stage
Zeca Ligiéro[1] In 2000―during the First Meeting of Performance and Politics of Americas, which I had the opportunity of organising at the University of Rio de Janeiro (UNIRIO), together with the Hemispheric Institute of Performance and Politics of the New
Remembering Boal through images
Organised by Clara de Andrade[1] [1] Clara de Andrade is an actress living in Rio de Janeiro. She is a postgraduation student and researcher of Performance Arts (Artes Cénicas) at the University of Rio de Janeiro, UNIRIO. Her main research
Nouvelles lectures de Genet en Corée
Shin, Hyun-sook[1] Resumé / Abstract Un Festival Jean Genet, à l’occasion du centenaire de sa naissance, aura lieu du 10 mars au 25 avril 2010, à Séoul. Depuis les années 80 jusqu’à nos jours, les jeunes metteurs en scène coréens