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Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – Spring 2010: Issue No 2

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Essays

The Apocalypse in Us: Purcărete’s Faust

The Apocalypse in Us: Purcărete’s Faust

The most significant events are pain, death and love. Beyond that, all we have are more or less successful exercises of style. I like the texts that time has worked on. Goethe’s Faust contains almost the whole repertoire of issues

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Orthography and Identity: In search of a Language for Creole Theatre

Orthography and Identity: In search of a Language for Creole Theatre

Travis Weekes There are many dramatists from the Caribbean work whose work is strongly influenced by the Creole language and culture. These writers range from those who write in French and Kweyòl to those who write in English and Kweyòl

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Portugal’s African communities on stage

Portugal’s African communities on stage

Catarina Neves[1] In the following article you will meet nine actors for whom Africa is more than thirty million square kilometers of land that make a continent. Put simply, Cape Verde, Angola and Mozambique are a little part of what

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Du moujik au kolkhozien ou comment représenter la campagne sur la scène soviétique

Du moujik au kolkhozien  ou comment représenter la campagne sur la scène soviétique

Marie-Christine Autant-Mathieu* Abstract The censorship in USSR was especially severe on the works presenting land collectivization and transformation of the peasants in kolkhozians. The topic was a taboo from the Stalinist period until the 70ties, when some political-engaged theatres began

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Beyond Representation: Re-membering the ‘Ghosts’ of Recent History in Contemporary Performance

Beyond Representation: Re-membering the ‘Ghosts’ of Recent History in Contemporary Performance

Liz Tomlin* Resumé / Abstract Cet article émet l’hypothèse que beaucoup des questionnements de l’Histoire dans le théâtre contemporain refusent de nous donner une représentation visuelle des événements historiques, mais présentent plutôt leur absence. Comme le montre l’exemple choisi (After

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Effet-dibbouk, effet-spectre : le théâtre de la mémoire douloureuse

Effet-dibbouk, effet-spectre : le théâtre de la mémoire douloureuse

Carole Guidicelli* & Didier Plassard**    Abstract The contemporary stage offers a wide range of ghostly apparitions, especially when dealing with traumatic events of recent History. Three recurring modes are here analyzed, through different examples of textual or scenic processes.

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