{"id":225,"date":"2019-05-04T13:55:32","date_gmt":"2019-05-04T13:55:32","guid":{"rendered":"https:\/\/www.critical-stages.org\/19\/?page_id=225"},"modified":"2019-05-05T19:20:28","modified_gmt":"2019-05-05T19:20:28","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/19\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Section Editor:&nbsp;<strong>Don Rubin<\/strong>&nbsp;(Canada)<\/p>\n\n\n\n<img decoding=\"async\" src=\"https:\/\/i2.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300.jpg?resize=167%2C250\" alt=\"\" class=\"wp-image-96\" alignnone\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Don Rubin<\/strong>&nbsp;is Editor of the six-volume&nbsp;<em>World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-16cf7fbajo\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/ivo-van-hove-from-shakespeare-to-david-bowie\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"203\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-19-Bks-van-Hove.jpeg?fit=203%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-19-Bks-van-Hove.jpeg?w=271&amp;ssl=1 271w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-19-Bks-van-Hove.jpeg?resize=203%2C300&amp;ssl=1 203w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/ivo-van-hove-from-shakespeare-to-david-bowie\/\" class=\"_self\" target=\"_self\" >Ivo van Hove: From Shakespeare to David Bowie<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-patricia-keeney\/' title='by Patricia Keeney' class='pt-cv-tax-by-patricia-keeney'>by Patricia Keeney<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/state-of-paralysis-a-cultural-history-of-brexit\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"199\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/book-cover.jpg?fit=199%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/book-cover.jpg?w=265&amp;ssl=1 265w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/book-cover.jpg?resize=199%2C300&amp;ssl=1 199w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/state-of-paralysis-a-cultural-history-of-brexit\/\" class=\"_self\" target=\"_self\" >State of Paralysis: A Cultural History of Brexit<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-don-rubin\/' title='by Don Rubin' class='pt-cv-tax-by-don-rubin'>by Don Rubin<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/modernism-and-scottish-theatre-since-1969\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"211\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Books-Mark-Cover.jpg?fit=211%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Books-Mark-Cover.jpg?w=281&amp;ssl=1 281w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Books-Mark-Cover.jpg?resize=211%2C300&amp;ssl=1 211w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/modernism-and-scottish-theatre-since-1969\/\" class=\"_self\" target=\"_self\" >Modernism and Scottish Theatre Since 1969<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-mark-fisher\/' title='by Mark Fisher' class='pt-cv-tax-by-mark-fisher'>by Mark Fisher<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/directions-for-directing-theatre-and-method\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"206\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Amy-Books-covber.jpeg?fit=206%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Amy-Books-covber.jpeg?w=274&amp;ssl=1 274w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/CS-18-Amy-Books-covber.jpeg?resize=206%2C300&amp;ssl=1 206w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/directions-for-directing-theatre-and-method\/\" class=\"_self\" target=\"_self\" >Directions for Directing: Theatre and Method<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-amy-s-green\/' title='by Amy S. Green' class='pt-cv-tax-by-amy-s-green'>by Amy S. Green<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/corps-marron-les-poetiques-de-marronnage-des-dramaturgies-afro-contemporaines\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"179\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/Book-cover-2.jpg?fit=179%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/Book-cover-2.jpg?w=238&amp;ssl=1 238w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/Book-cover-2.jpg?resize=179%2C300&amp;ssl=1 179w\" sizes=\"auto, (max-width: 179px) 100vw, 179px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/corps-marron-les-poetiques-de-marronnage-des-dramaturgies-afro-contemporaines\/\" class=\"_self\" target=\"_self\" >Corps marron : Les po\u00e9tiques de marronnage des dramaturgies afro-contemporaines<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-selim-lander\/' title='by Selim Lander' class='pt-cv-tax-by-selim-lander'>by Selim Lander<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:&nbsp;Don Rubin&nbsp;(Canada) Don Rubin&nbsp;is Editor of the six-volume&nbsp;World Encyclopedia of Contemporary Theatre. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-225","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaUXOT-3D","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":2,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/225\/revisions"}],"predecessor-version":[{"id":234,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/225\/revisions\/234"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/media?parent=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}