{"id":116,"date":"2019-04-14T18:56:54","date_gmt":"2019-04-14T18:56:54","guid":{"rendered":"https:\/\/www.critical-stages.org\/19\/?page_id=116"},"modified":"2019-07-02T15:27:03","modified_gmt":"2019-07-02T15:27:03","slug":"interviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/19\/interviews\/","title":{"rendered":"Interviews"},"content":{"rendered":"\n<p>Section Editor:&nbsp;<strong>Savas Patsalidis&nbsp;<\/strong>(Greece)<\/p>\n\n\n\n<img decoding=\"async\" src=\"https:\/\/i2.wp.com\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/patsalidis.jpg?resize=140%2C186\" alt=\"\" class=\"wp-image-67\" alignnone=\"\">\n\n\n\n<p><strong>Savas Patsalidis\u00a0<\/strong>is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is also a regular lecturer on the Graduate Programme of the Theatre Department at Aristotle University. He is the author of fourteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0<em>Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. His latest book-length study\u00a0<em>Theatre &amp; Theory II: About Topoi, Utopias and Heterotopias<\/em>\u00a0was published in 2019 by University Studio Press. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0<em>lavart<\/em>,\u00a0<em>parallaxi<\/em>, and\u00a0<em>thegreekplay project.\u00a0<\/em>He is currently the president of the Hellenic Association of Theatre and Performing Arts Critics, member of the curators\u2019 team of Dimitria Festival and the editor-in-chief of\u00a0<em>Critical Stages\/Sc\u00e8nes critiques<\/em>, the journal of the International Association of Theatre Critics.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-092af80ars\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/inter-national-crossings-interview-with-katia-arfara\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/06\/Katia-Arfara5.jpg?fit=260%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/inter-national-crossings-interview-with-katia-arfara\/\" class=\"_self\" target=\"_self\" >Inter-national Crossings: Interview with Katia Arfara<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-savas-patsalidis\/' title='by Savas Patsalidis' class='pt-cv-tax-by-savas-patsalidis'>by Savas Patsalidis<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/interviews\/' title='Interviews' class='pt-cv-tax-interviews'>Interviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/reflecting-on-cairos-international-festival-for-contemporary-and-experimental-theatre-interview-with-dina-amin\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"241\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Armin.jpg?fit=241%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Armin.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Armin.jpg?resize=241%2C300&amp;ssl=1 241w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/reflecting-on-cairos-international-festival-for-contemporary-and-experimental-theatre-interview-with-dina-amin\/\" class=\"_self\" target=\"_self\" >Reflecting on Cairo\u2019s International Festival for Contemporary and Experimental Theatre: Interview with Dina Amin<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-savas-patsalidis\/' title='by Savas Patsalidis' class='pt-cv-tax-by-savas-patsalidis'>by Savas Patsalidis<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/interviews\/' title='Interviews' class='pt-cv-tax-interviews'>Interviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:&nbsp;Savas Patsalidis&nbsp;(Greece) Savas Patsalidis\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is also a<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-116","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaUXOT-1S","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":3,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/116\/revisions"}],"predecessor-version":[{"id":1002,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/116\/revisions\/1002"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/media?parent=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}