{"id":112,"date":"2019-04-14T18:56:02","date_gmt":"2019-04-14T18:56:02","guid":{"rendered":"https:\/\/www.critical-stages.org\/19\/?page_id=112"},"modified":"2019-05-05T19:24:22","modified_gmt":"2019-05-05T19:24:22","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/19\/performance-reviews\/","title":{"rendered":"Performance Reviews"},"content":{"rendered":"\n<p>Section Editor:&nbsp;<strong>Matti Linnavuori&nbsp;<\/strong>(Finland)<\/p>\n\n\n\n<img decoding=\"async\" src=\"https:\/\/i2.wp.com\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/11\/mattisphoto-225x300.jpg?resize=188%2C250\" alt=\"OLYMPUS DIGITAL CAMERA\" class=\"wp-image-490\" alignnone\/>\n\n\n\n<p><strong>Matti Linnavuori<\/strong>&nbsp;wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC events. In the 2000s, he wrote for Teatra Vestnesis in Latvia. Since 1992, he has written and directed several radio plays for YLE the Finnish Broadcasting Company. In March 2016, his play&nbsp;<em>Ta mig till er ledare (<\/em><em>Take me to your leader<\/em>) premiered at Lilla Teatern in Helsinki.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-0e3e9501b2\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/drunks-dreamers-and-dancers-by-the-sea\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"199\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/06\/image9-4.jpeg?fit=300%2C199&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/06\/image9-4.jpeg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/06\/image9-4.jpeg?resize=300%2C199&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/drunks-dreamers-and-dancers-by-the-sea\/\" class=\"_self\" target=\"_self\" >Drunks, Dreamers and Dancers by the Sea<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-%ce%b9an-herbert\/' title='by \u0399an Herbert' class='pt-cv-tax-by-%ce%b9an-herbert'>by \u0399an Herbert<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/war-is-all-around-us\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/interferences-1_BIR_4464.jpg?fit=300%2C200&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/interferences-1_BIR_4464.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/interferences-1_BIR_4464.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/war-is-all-around-us\/\" class=\"_self\" target=\"_self\" >War Is All Around Us<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-tamas-jaszay\/' title='by Tam\u00e1s J\u00e1szay' class='pt-cv-tax-by-tamas-jaszay'>by Tam\u00e1s J\u00e1szay<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/eclectic-encounters-in-the-forest-festival-of-thessaloniki\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"195\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Photo-4-From-Vangelo.-Photo-Luca-DelPia.jpg?fit=300%2C195&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Photo-4-From-Vangelo.-Photo-Luca-DelPia.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/04\/Photo-4-From-Vangelo.-Photo-Luca-DelPia.jpg?resize=300%2C195&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/eclectic-encounters-in-the-forest-festival-of-thessaloniki\/\" class=\"_self\" target=\"_self\" >Eclectic Encounters in the Forest Festival of Thessaloniki<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-katerina-delikonstantinidou\/' title='by Katerina Delikonstantinidou' class='pt-cv-tax-by-katerina-delikonstantinidou'>by Katerina Delikonstantinidou<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/unruly-feminist-circus-in-the-wake-of-metoo\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/photo-4marymagdalenjesus.jpg?fit=300%2C200&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/photo-4marymagdalenjesus.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/photo-4marymagdalenjesus.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/unruly-feminist-circus-in-the-wake-of-metoo\/\" class=\"_self\" target=\"_self\" >Unruly Feminist Circus in the Wake of #metoo<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-loretto-villalobos\/' title='by Loretto Villalobos' class='pt-cv-tax-by-loretto-villalobos'>by Loretto Villalobos<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/bleeding-heads-and-bodies-in-finland\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-turunharriet-photo7.jpg?fit=300%2C200&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-turunharriet-photo7.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-turunharriet-photo7.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/bleeding-heads-and-bodies-in-finland\/\" class=\"_self\" target=\"_self\" >Bleeding Heads and Bodies in Finland<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-matti-linnavuori\/' title='by Matti Linnavuori' class='pt-cv-tax-by-matti-linnavuori'>by Matti Linnavuori<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/expanding-the-boundaries\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/image2.jpeg?fit=300%2C200&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/image2.jpeg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/image2.jpeg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/expanding-the-boundaries\/\" class=\"_self\" target=\"_self\" >Expanding the Boundaries<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-tina-peric\/' title='by Tina Peri\u0107' class='pt-cv-tax-by-tina-peric'>by Tina Peri\u0107<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/uncle-vanyas-roars-on-the-grand-piano\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/japan4.jpeg?fit=300%2C200&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/japan4.jpeg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/japan4.jpeg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/uncle-vanyas-roars-on-the-grand-piano\/\" class=\"_self\" target=\"_self\" >Uncle Vanya\u2019s Roars on the Grand Piano<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-aydin-talibzadeh\/' title='by Aydin Tal\u0131bzadeh' class='pt-cv-tax-by-aydin-talibzadeh'>by Aydin Tal\u0131bzadeh<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/the-twentieth-century-in-one-family\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-lashamburg-photo-1-new-year-masquerade.jpg?fit=300%2C198&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-lashamburg-photo-1-new-year-masquerade.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PER-lashamburg-photo-1-new-year-masquerade.jpg?resize=300%2C198&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/the-twentieth-century-in-one-family\/\" class=\"_self\" target=\"_self\" >The Twentieth Century in One Family<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-lasha-chkhartishvili\/' title='by Lasha Chkhartishvili' class='pt-cv-tax-by-lasha-chkhartishvili'>by Lasha Chkhartishvili<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/19\/limpossible-proces-des-guadeloupeens-une-dialectique-fragile-simpose\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"192\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PhotoMartinique-2-.jpg?fit=300%2C192&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PhotoMartinique-2-.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.critical-stages.org\/19\/wp-content\/uploads\/sites\/20\/2019\/05\/PhotoMartinique-2-.jpg?resize=300%2C192&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/19\/limpossible-proces-des-guadeloupeens-une-dialectique-fragile-simpose\/\" class=\"_self\" target=\"_self\" >L\u2019Impossible Proc\u00e8s des Guadeloup\u00e9ens :  Une dialectique fragile s\u2019impose<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/19\/tag\/by-alvina-ruprecht\/' title='by Alvina Ruprecht' class='pt-cv-tax-by-alvina-ruprecht'>by Alvina Ruprecht<\/a>, <a href='https:\/\/www.critical-stages.org\/19\/category\/performance-reviews\/' title='Performance Reviews' class='pt-cv-tax-performance-reviews'>Performance Reviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:&nbsp;Matti Linnavuori&nbsp;(Finland) Matti Linnavuori&nbsp;wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-112","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaUXOT-1O","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/comments?post=112"}],"version-history":[{"count":3,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/112\/revisions"}],"predecessor-version":[{"id":239,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/112\/revisions\/239"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/media?parent=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}