{"id":1024,"date":"2019-07-04T19:02:06","date_gmt":"2019-07-04T19:02:06","guid":{"rendered":"https:\/\/www.critical-stages.org\/19\/?page_id=1024"},"modified":"2019-07-04T19:02:08","modified_gmt":"2019-07-04T19:02:08","slug":"the-essay-section-la-section-des-essais","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/19\/the-essay-section-la-section-des-essais\/","title":{"rendered":"The Essay Section\/La section des essais"},"content":{"rendered":"\n
\n
\n

Section Editor: Yana Meerzon<\/strong> (Canada)<\/p>\n\n\n\n

Critical Stages<\/em>\/Sc\u00e8nes critiques<\/em>  is a\npeer-reviewed on-line journal fully committed to the Open Access Initiative.\nIt offers a platform for debate and exploration of a wide range of theatre\nand performance art manifestations from all over the world.<\/p>\n\n\n\n

The \u201cESSAY SECTION\u201d of the journal is dedicated to urgent issues\nrelated to theater and performance making, ways of thinking and writing about\ntheatre and performing arts, ways of viewing and reflecting practices,\npedagogies of performance and text analysis, practices of dramaturgy,\ninterdisciplinarity, transcultural approaches and digitalization of\ncommunication practices in theatre and cultural performance, among other\nissues.<\/p>\n\n\n\n

The aim of the ESSAY SECTION is to offer a broader practical,\naesthetic, historical and theoretical outlet to those interested in recent\ndevelopments in theatre and performance across national and disciplinary\nboundaries. To this end, we welcome a wide range of submissions in English\nand\/or French.<\/p>\n\n\n\n

Submissions (complete articles) and inquiries are to be sent to\nthe editor of this section, Yana Meerzon at yana.meerzon@gmail.com<\/a>.<\/p>\n\n\n\n

Length<\/strong>: Maximum 3,000 – 3500 words
Language<\/strong>: English or French
Deadline<\/strong>: August 1, 2019 (for the articles to be considered for publication in December 2019 or later)
Publication Date<\/strong>: Dec. 2019
Submission Address<\/strong>: yana.meerzon@gmail.com<\/a>

NOTE:<\/strong> Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.<\/p>\n\n\n\n

Submission guidelines<\/strong><\/p>\n\n\n\n

Submission<\/strong>: Please submit your article as an e-mail attachment, double-spaced in MS Word.  We assume that an article submitted for consideration has not been published and is not being considered for publication elsewhere, either in the submitted or in a modified form.<\/p>\n\n\n\n

Permissions<\/strong>: Critical Stages publishes writings that have not been previously published in English or French. Permission to reprint articles is granted with the requirement to include \u201cFirst published in Critical Stages,\u201d along with other citation information and the web address of the journal.<\/p>\n\n\n\n

Photos<\/strong>: Photos (JPEG) and other types of illustrations are encouraged. The position of the photo should be designated in the article. All necessary permissions for images should be provided. These can be in the form of an e-mail from the company, or documentation that you have procured the images from an official website. Note: If the performance the author attended is other than the opening night, please include mention of the actual date in the text itself. General information regarding the production, however, should match the date recorded in national and international databases.<\/p>\n\n\n\n

Photo Captions<\/strong>: Each photo of a performance needs a caption including title of the performance; names of playwright, director, company, venue, the date of the premi\u00e8re, and photo credits.  Names of actors (clockwise from top left) can also be added.<\/p>\n\n\n\n

Author Information<\/strong>: Author\u2019s name, photo, e-mail address, and professional affiliation, and short profile should be given with your submission, separately from the article file. Only the article title should appear at the head of the article file.<\/p>\n\n\n\n

Quick Style Sheet for Critical Stages\/Sc\u00e8nes critiques<\/em> for English and French language texts is available here<\/a>.<\/p>\n<\/div>\n\n\n\n

\n

Responsable de section : Yana Meerzon<\/strong> (Canada)<\/p>\n\n\n\n

Critical Stages<\/em>\/Sc\u00e8nes critiques<\/em> est une\nrevue Web r\u00e9vis\u00e9e par des pairs, enti\u00e8rement engag\u00e9e dans l\u2019initiative de\nl\u2019acc\u00e8s libre. Nous offrons un lieu de d\u00e9bat et d\u2019exploration sur un grand\nnombre de manifestations de th\u00e9\u00e2tre et d\u2019arts du spectacle, du monde entier.<\/p>\n\n\n\n

La section \u00ab Essais \u00bb de la revue se consacre\nnotamment \u00e0 des enjeux urgents li\u00e9s au th\u00e9\u00e2tre et \u00e0 la cr\u00e9ation, aux moyens de\npenser et d\u2019\u00e9crire sur le th\u00e9\u00e2tre et les arts du spectacle, aux mani\u00e8res\nde voir et de refl\u00e9ter les pratiques, les p\u00e9dagogies du spectacle et l\u2019analyse\nde textes, les pratiques de la dramaturgie, l\u2019interdisciplinarit\u00e9, les\napproches transculturelles et la num\u00e9risation des pratiques de communication en\nth\u00e9\u00e2tre et en spectacles culturels.<\/p>\n\n\n\n

L\u2019objectif de la section des essais consiste \u00e0 offrir un lieu\nd\u2019expression large sur les plans pratique, esth\u00e9tique, historique et th\u00e9orique\n\u00e0 ceux qui s\u2019int\u00e9ressent aux r\u00e9cents d\u00e9veloppements en mati\u00e8re de th\u00e9\u00e2tre et\nd\u2019arts du spectacle \u00e0 travers les fronti\u00e8res nationales et disciplinaires. \u00c0\ncette fin, nous accueillons une grande gamme de propositions d\u2019articles, en\nanglais et\/ou en fran\u00e7ais.<\/p>\n\n\n\n

Pour proposer un article complet ou s\u2019informer, il faut\ns\u2019adresser \u00e0 la responsable de cette section, Yana Meerzon \u00e0 yana.meerzon@gmail.com<\/a>.<\/p>\n\n\n\n

Longueur  maximum<\/strong> : 3000 – 3500 mots
Langue<\/strong> :  Fran\u00e7ais ou anglais
Tomb\u00e9e<\/strong> : Le 1er<\/sup> ao\u00fbt 2019 (pour publication en d\u00e9cembre 2019 ou plus tard)
Date de publication<\/strong> : D\u00e9cembre 2019
Adresse pour soumission des articles <\/strong>: yana.meerzon@gmail.com<\/a>

NOTE <\/strong>: Il est recommand\u00e9 aux collaborateurs dont l\u2019anglais ou le fran\u00e7ais est une langue seconde de solliciter l\u2019aide de r\u00e9viseurs professionnels avant d\u2019envoyer leurs propositions d\u2019articles. <\/p>\n\n\n\n

Guide de soumission<\/strong>
Soumission<\/strong> : Pri\u00e8re de soumettre votre article en document joint \u00e0 un courriel, en double espacement et en MS Word. Nous pr\u00e9sumons qu\u2019un article qui nous est soumis n\u2019a pas d\u00e9j\u00e0 paru ni n\u2019a \u00e9t\u00e9 adress\u00e9 \u00e0 une autre publication, que ce soit dans la m\u00eame forme ou avec des modifications.

Autorisations<\/strong> : Critical Stages publie des \u00e9crits originaux, qui n\u2019ont pas d\u00e9j\u00e0 paru en fran\u00e7ais ou en anglais. L\u2019autorisation de reproduire des articles est cependant  accord\u00e9e dans la mesure o\u00f9 l\u2019on sp\u00e9cifie \u00ab D\u2019abord paru dans Critical Stages\/Sc\u00e8nes critiques \u00bb, avec la r\u00e9f\u00e9rence de la revue.

Photos<\/strong> : Nous incitons les collaborateurs \u00e0 nous joindre des photos (en JPEG) et d\u2019autres types d\u2019illustrations. Il faut en ce cas indiquer la position des photos dans l\u2019article. Il faut aussi inclure une photo personnelle et un bref CV de l\u2019auteur et s\u2019assurer d\u2019avoir toutes les autorisations pour les photos. Elles peuvent \u00eatre sous la forme d\u2019un courriel de la compagnie, ou de documentation dont vous avez extrait les images \u00e0 partir d\u2019un site Web officiel. Note : Si la repr\u00e9sentation \u00e0 laquelle l\u2019auteur de l\u2019article a assist\u00e9 est diff\u00e9rente de celle de la premi\u00e8re, pri\u00e8re d\u2019en inclure la date dans l\u2019article. Les informations sur la production, cependant, doivent s\u2019accorder avec les dates contenues dans les  bases de donn\u00e9es nationales et internationales.
<\/p>\n\n\n\n

Bas de vignettes<\/strong> : Chaque photo de spectacle doit \u00eatre accompagn\u00e9e d\u2019une l\u00e9gende mentionnant le titre du spectacle, les noms de l\u2019auteur, du metteur en sc\u00e8ne, de la compagnie, du lieu, la date de la premi\u00e8re, ainsi que le nom du ou de la photographe. On peut aussi ajouter le nom des interpr\u00e8tes (dans le sens horaire, de haut en bas).

Information sur l\u2019auteur<\/strong> : La personne ayant soumis l\u2019article devrait y joindre s\u00e9par\u00e9ment son nom, sa photo, son adresse de courriel et son  affiliation professionnelle, ainsi qu\u2019un bref CV. Seul le titre de l\u2019article devrait figurer sur le fichier. <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor: Yana Meerzon (Canada) Critical Stages\/Sc\u00e8nes critiques  is a peer-reviewed on-line journal fully committed to the Open Access Initiative. It offers a platform for debate and exploration of a wide range of theatre and performance art manifestations from all over<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1024","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaUXOT-gw","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/1024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/comments?post=1024"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/1024\/revisions"}],"predecessor-version":[{"id":1025,"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/pages\/1024\/revisions\/1025"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/19\/wp-json\/wp\/v2\/media?parent=1024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}