{"id":867,"date":"2018-12-10T21:12:41","date_gmt":"2018-12-10T21:12:41","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=867"},"modified":"2018-12-10T21:12:41","modified_gmt":"2018-12-10T21:12:41","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/performance-reviews\/","title":{"rendered":"Performance Reviews"},"content":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0<\/strong>(Finland)<\/p>\n

\"OLYMPUS<\/p>\n

Matti Linnavuori<\/strong>\u00a0wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC events. In the 2000s, he wrote for Teatra Vestnesis in Latvia. Since 1992, he has written and directed several radio plays for YLE the Finnish Broadcasting Company. In March 2016, his play\u00a0Ta mig till er ledare (<\/em>Take me to your leader<\/em>) premiered at Lilla Teatern in Helsinki.<\/p>\n

\n
\"\"<\/a>\n

Putin on the Ritz in St. Petersburg<\/a><\/p>\n

by Barry Gaines<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Timi\u015foara Festival Pierces through Past and Future Nationalisms<\/a><\/p>\n

by Matti Linnavuori<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Un spectacle d\u2019une malsaine ambigu\u00eft\u00e9<\/a><\/p>\n

by Jean-Pierre Han<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Almada\u2019s Theatre Fiesta: A Public Affair or an Affair with the Public<\/a><\/p>\n

by Katerina Delikonstantinidou<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Le Tartuffe d\u00e9jant\u00e9 d\u2019Oskaras Kor\u0161unovas<\/a><\/p>\n

by Selim Lander<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Discovering Minsk through Belarusian Theatre<\/a><\/p>\n

by Maria Z\u0103rnescu<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

How to Organize a Bridge between National and International<\/a><\/p>\n

by Mehrdad Rayani-Makhsous<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Comment inventer demain ?<\/a><\/p>\n

by Camille Khoury<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Of Mothers and Warriors<\/a><\/p>\n

by Patricia Keeney<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Magic Mirror on the Wall, Who’s the Mightiest One of All?<\/a><\/p>\n

by Soila Lehtonen<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Mr. Muhsin\u2019s Memory of Hamlet Rewrites the History of Turkey\u2019s Theatre<\/a><\/p>\n

by Eylem Ejder<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0(Finland) Matti Linnavuori\u00a0wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-867","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-dZ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/867\/revisions"}],"predecessor-version":[{"id":868,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/867\/revisions\/868"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}