{"id":486,"date":"2018-11-09T20:13:05","date_gmt":"2018-11-09T20:13:05","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=486"},"modified":"2018-12-02T08:09:53","modified_gmt":"2018-12-02T08:09:53","slug":"interviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/interviews\/","title":{"rendered":"Interviews"},"content":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0<\/strong>(Greece)<\/p>\n

\"\"<\/p>\n

Savas Patsalidis\u00a0<\/strong>is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of thirteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0lavart<\/em>,\u00a0parallaxi<\/em>, and\u00a0the greekplay project<\/em>. \u0397e is currently the president of the Hellenic Association of Theatre and Performing Arts Critics, member of the curators’ team of Dimitria Festival and the editor-in-chief of\u00a0Critical Stages\/Sc\u00e8nes critiques<\/em>, the web journal of the International Association of Theatre Critics.<\/p>\n

\n
\"\"<\/a>\n

The Time of Our Lives:\u00a0Interview with Bonnie Marranca<\/a><\/p>\n

by Savas Patsalidis<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Theater, Philosophy, Literature: A Field of Tension. Interview with Professor Martin Puchner<\/a><\/p>\n

by Eylem Ejder<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Making Theatre \u0399nside and \u039futside Turkey under Erdo\u011fan: Interview with Murat Daltaban<\/a><\/p>\n

by Mark Brown<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Making Theatre Between the Desert and the Sea: Interview with Shay Pitowsky<\/a><\/p>\n

by Shai Bar Yaacov<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0(Greece) Savas Patsalidis\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-486","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-7Q","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=486"}],"version-history":[{"count":2,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/486\/revisions"}],"predecessor-version":[{"id":670,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/486\/revisions\/670"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}