{"id":483,"date":"2018-11-09T20:08:45","date_gmt":"2018-11-09T20:08:45","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=483"},"modified":"2018-11-09T20:08:45","modified_gmt":"2018-11-09T20:08:45","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"<p>Section Editor:\u00a0<strong>Don Rubin<\/strong>\u00a0(Canada)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"96\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/an-introduction-to-the-question-that-wont-go-away-did-the-man-from-stratford-really-write-the-plays\/don-rubin-200x300\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300-e1541616203293.jpg?fit=124%2C186&amp;ssl=1\" data-orig-size=\"124,186\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Don-Rubin-200&amp;#215;300\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300-e1541616203293.jpg?fit=124%2C186&amp;ssl=1\" class=\"alignnone size-full wp-image-96\" src=\"https:\/\/i2.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300.jpg?resize=167%2C250\" alt=\"\" width=\"167\" height=\"250\" data-attachment-id=\"96\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/an-introduction-to-the-question-that-wont-go-away-did-the-man-from-stratford-really-write-the-plays\/don-rubin-200x300\/\" data-orig-file=\"https:\/\/i2.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300-e1541616203293.jpg?fit=124%2C186\" data-orig-size=\"124,186\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Don-Rubin-200\u00d7300\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300-e1541616203293.jpg?fit=124%2C186\" data-large-file=\"https:\/\/i2.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/10\/Don-Rubin-200x300-e1541616203293.jpg?fit=124%2C186\" \/><\/p>\n<p><strong>Don Rubin<\/strong>\u00a0is Editor of the six-volume\u00a0<em>World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-0b6a1ff0ex\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/18\/gigi-caciuleanu-the-dance-man\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"237\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/COVER.png?fit=237%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/COVER.png?w=316&amp;ssl=1 316w, https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/COVER.png?resize=237%2C300&amp;ssl=1 237w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" data-attachment-id=\"465\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/gigi-caciuleanu-the-dance-man\/cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/COVER.png?fit=316%2C400&amp;ssl=1\" data-orig-size=\"316,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"COVER\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/COVER.png?fit=316%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/18\/gigi-caciuleanu-the-dance-man\/\" class=\"_self\" target=\"_self\" >Gigi C\u0103ciuleanu: The Dance Man<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/18\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/18\/tag\/by-calin-ciobotari\/' title='by C\u0103lin Ciobotari' class='pt-cv-tax-by-calin-ciobotari'>by C\u0103lin Ciobotari<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/18\/shakespeares-wilderness\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover.jpg?fit=191%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover.jpg?w=255&amp;ssl=1 255w, https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover.jpg?resize=191%2C300&amp;ssl=1 191w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" data-attachment-id=\"472\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/shakespeares-wilderness\/cover-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover.jpg?fit=255%2C400&amp;ssl=1\" data-orig-size=\"255,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover.jpg?fit=255%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/18\/shakespeares-wilderness\/\" class=\"_self\" target=\"_self\" >Shakespeare\u2019s Wilderness<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/18\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/18\/tag\/by-patricia-keeney\/' title='by Patricia Keeney' class='pt-cv-tax-by-patricia-keeney'>by Patricia Keeney<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/18\/albertine-en-cinq-temps-de-michel-tremblay-genese-et-mise-en-scene\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"196\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS-18-bk-cover-Ruprecht.jpg?fit=196%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS-18-bk-cover-Ruprecht.jpg?w=261&amp;ssl=1 261w, https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS-18-bk-cover-Ruprecht.jpg?resize=196%2C300&amp;ssl=1 196w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" data-attachment-id=\"514\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/albertine-en-cinq-temps-de-michel-tremblay-genese-et-mise-en-scene\/cs-18-bk-cover-ruprecht\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS-18-bk-cover-Ruprecht.jpg?fit=261%2C400&amp;ssl=1\" data-orig-size=\"261,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"CS 18 bk cover Ruprecht\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS-18-bk-cover-Ruprecht.jpg?fit=261%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/18\/albertine-en-cinq-temps-de-michel-tremblay-genese-et-mise-en-scene\/\" class=\"_self\" target=\"_self\" >Albertine, en cinq temps de Michel Tremblay : Gen\u00e8se et mise en sc\u00e8ne<br>\u00c9dition g\u00e9n\u00e9tique et \u00e9tude<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/18\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/18\/tag\/by-alvina-ruprecht\/' title='by Alvina Ruprecht' class='pt-cv-tax-by-alvina-ruprecht'>by Alvina Ruprecht<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/18\/aime-cesaire-ides-et-calendes-de-gerard-cogez\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"189\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover-1.jpg?fit=189%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover-1.jpg?w=252&amp;ssl=1 252w, https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover-1.jpg?resize=189%2C300&amp;ssl=1 189w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" data-attachment-id=\"532\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/aime-cesaire-ides-et-calendes-de-gerard-cogez\/cover-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover-1.jpg?fit=252%2C400&amp;ssl=1\" data-orig-size=\"252,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/Cover-1.jpg?fit=252%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/18\/aime-cesaire-ides-et-calendes-de-gerard-cogez\/\" class=\"_self\" target=\"_self\" >Le th\u00e9\u00e2tre d\u2019 Aim\u00e9 C\u00e9saire : Ides et Calendes<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/18\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/18\/tag\/by-selim-lander\/' title='by Selim Lander' class='pt-cv-tax-by-selim-lander'>by Selim Lander<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/18\/protest-choirs-a-new-aesthetics-of-resistance\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS18-Books-Protest.png?fit=194%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS18-Books-Protest.png?w=258&amp;ssl=1 258w, https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS18-Books-Protest.png?resize=194%2C300&amp;ssl=1 194w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" data-attachment-id=\"535\" data-permalink=\"https:\/\/www.critical-stages.org\/18\/protest-choirs-a-new-aesthetics-of-resistance\/cs18-books-protest\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS18-Books-Protest.png?fit=258%2C400&amp;ssl=1\" data-orig-size=\"258,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"CS18 Books Protest\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/18\/wp-content\/uploads\/sites\/19\/2018\/11\/CS18-Books-Protest.png?fit=258%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/18\/protest-choirs-a-new-aesthetics-of-resistance\/\" class=\"_self\" target=\"_self\" >Protest Choirs: A New Aesthetics of Resistance<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/18\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/18\/tag\/by-natascha-siouzouli\/' title='by Natascha Siouzouli' class='pt-cv-tax-by-natascha-siouzouli'>by Natascha Siouzouli<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:\u00a0Don Rubin\u00a0(Canada) Don Rubin\u00a0is Editor of the six-volume\u00a0World Encyclopedia of Contemporary Theatre. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-483","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-7N","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/483\/revisions"}],"predecessor-version":[{"id":484,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/483\/revisions\/484"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}